Browse Titles - 264 results
21 Note Cards on Myth Motifs, Mostly Hopi
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 91], Folder 7. Southwest Notes) (1924) , 21 page(s)
Twenty-one slips of paper contain notes on various aspects of Native American myths, most directly attributed to the Hopi, in English with some terms in indigenous text. Some page and topic references correspond to those in 'Traditions of the Hopi' by H.R. Voth, 1905. Other notes and references are unclear as to s...
Open Access
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 91], Folder 7. Southwest Notes) (1924) , 21 page(s)
Description
Twenty-one slips of paper contain notes on various aspects of Native American myths, most directly attributed to the Hopi, in English with some terms in indigenous text. Some page and topic references correspond to those in 'Traditions of the Hopi' by H.R. Voth, 1905. Other notes and references are unclear as to source. Topics include: Adoption; religion; charm (drawing someone in); tricks; magic; life (resurrection and renewal); Spider Clan (ori...
Twenty-one slips of paper contain notes on various aspects of Native American myths, most directly attributed to the Hopi, in English with some terms in indigenous text. Some page and topic references correspond to those in 'Traditions of the Hopi' by H.R. Voth, 1905. Other notes and references are unclear as to source. Topics include: Adoption; religion; charm (drawing someone in); tricks; magic; life (resurrection and renewal); Spider Clan (origin); landmarks; Bear Clan and its separation; 'Shupaulovi'; Soyal ceremony; dress; migration.
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Date Written / Recorded
1924
Field of Study
Anthropology
Content Type
Field notes
Contributor
Ruth Benedict, 1887-1948
Author / Creator
Ruth Benedict, 1887-1948
Topic / Theme
Clans, Religion, Magic, Hopi
Copyright Message
Material sourced from the Ruth Fulton Benedict Papers, Vassar College. Copyright © 2016 by Mary Catherine Bateson
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[1977 Copies of] Mundugamor Notes, October-December 1932
in Margaret Mead Papers and South Pacific Ethnographic Archives, 1838-1996, of United States. Library of Congress. Manuscript Division (N100: Papua New Guinea, Folder 4: New Guinea. Arapesh, Mundugumor, and Tchambuli. Mead and Fortune field trip, 1931-33. Field data. Mundugumor (includes 1973 notes). Notes. Margaret Mead. Mixed carbons & xeroxes) (District of Columbia) (November 1932) , 19 page(s)
Nineteen pages comprise photocopies of field notes, mostly typed, about the Mundugamor people of New Guinea from late November to mid-December 1932. There are numerous terms in indigenous text. Nearly half the source is made up of an extensive account of the making of a new ashin -- a ceremonial flute imbued with...
Sample
in Margaret Mead Papers and South Pacific Ethnographic Archives, 1838-1996, of United States. Library of Congress. Manuscript Division (N100: Papua New Guinea, Folder 4: New Guinea. Arapesh, Mundugumor, and Tchambuli. Mead and Fortune field trip, 1931-33. Field data. Mundugumor (includes 1973 notes). Notes. Margaret Mead. Mixed carbons & xeroxes) (District of Columbia) (November 1932) , 19 page(s)
Description
Nineteen pages comprise photocopies of field notes, mostly typed, about the Mundugamor people of New Guinea from late November to mid-December 1932. There are numerous terms in indigenous text. Nearly half the source is made up of an extensive account of the making of a new ashin -- a ceremonial flute imbued with the spirit of a crocodile -- with associated ceremonies and totemistic practices. Other topics include: homicide and cannibalism; canoe...
Nineteen pages comprise photocopies of field notes, mostly typed, about the Mundugamor people of New Guinea from late November to mid-December 1932. There are numerous terms in indigenous text. Nearly half the source is made up of an extensive account of the making of a new ashin -- a ceremonial flute imbued with the spirit of a crocodile -- with associated ceremonies and totemistic practices. Other topics include: homicide and cannibalism; canoe building; painting; children's games; kinship nomenclature; totemism. The copies are accompanied by a barely legible, hand-written note, dated July 4, 1977, that seems to indicate these were 'Taken out - Xeroxed' by or for someone.
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Date Written / Recorded
November 1932, 1932
Field of Study
Anthropology
Content Type
Field notes
Contributor
Margaret Mead, 1901-1978
Author / Creator
Margaret Mead, 1901-1978
Topic / Theme
Decorative arts, Cannibalism, Children's play, Totemism, Kinship nomenclature, Biwat
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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
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The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
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Alaskan Eskimo, The Drums of Winter (Uksuum Cauyai)
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast.
Sample
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
Description
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us throu...
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us through actualities and interviews how their history, social values and spiritual beliefs are woven around the songs and dances that have been handed down to them through the generations. It is not just old songs that are important; new songs and dance movements are created to reflect modern life with all its complexities. Each time a person gets up to dance, he is strengthening the continuity of the ages. The film follows the elders of Emmonak as they prepare for the coming ceremonial gathering (potlatch) with a neighboring village. In the Kashim (qasgiq or men's house), they practice their songs and painstakingly work out the motions of the dances. Each movement has meaning and plays a part in telling a story. In the days before television, radio, bingo and weekly basketball games, dance was the sole means of entertainment. Throughout the film, archival photographs and film footage accompany the words of early missionaries who brought Christianity to the area. These sequences provide a historical context for the film and give us a strong sense of the resilience of Yup'ik culture, having survived despite a century of missionary suppression.
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Date Written / Recorded
1977
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1988
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Folk music, Spirituality, Tribal and national groups, Cultural change and history, Cultural identity, Dance and dancing, Indigenous ethnic groups, Ethnography
Copyright Message
by Documentary Educational Resources
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All Our Children, All our Children, Episode 7
directed by Edward Barnes, fl. 1990; produced by David Brown, 1916-2010, in All Our Children (London, England: BBC Worldwide, 1990), 49 mins
This documentary, by the British Broadcasting Corporation (BBC), is about children's lives around the world.
Sample
directed by Edward Barnes, fl. 1990; produced by David Brown, 1916-2010, in All Our Children (London, England: BBC Worldwide, 1990), 49 mins
Description
This documentary, by the British Broadcasting Corporation (BBC), is about children's lives around the world.
Field of Study
Anthropology
Content Type
Documentary
Contributor
David Brown, 1916-2010, Judi Dench, 1934-
Author / Creator
Edward Barnes, fl. 1990
Date Published / Released
1990
Publisher
BBC Worldwide
Series
All Our Children
Speaker / Narrator
Judi Dench, 1934-
Topic / Theme
Religion, Children
Copyright Message
Copyright © 1990 BBC Worldwide
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Always Hungry, Never Greedy: Food and the Expression of Gender in a Melanesian Society
written by Miriam Kahn (Long Grove, IL: Waveland Press, Inc., 1994, originally published 1986), 212 page(s)
Sample
written by Miriam Kahn (Long Grove, IL: Waveland Press, Inc., 1994, originally published 1986), 212 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
Miriam Kahn
Author / Creator
Miriam Kahn
Date Published / Released
1986, 1994
Publisher
Waveland Press, Inc.
Topic / Theme
Melanesian, Field work for anthropology, Famine, Gender roles, Asian ethnic groups, Pigs and boars, Sexuality, Reproduction, Myths and legends, Food crops, Asians, South Americans
Copyright Message
Copyright © 1994 by Waveland Press
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Anuta: Polynesian Lifeways for the Twenty-First Century
written by Richard Feinberg (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 268 page(s)
Sample
written by Richard Feinberg (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 268 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
Richard Feinberg
Author / Creator
Richard Feinberg
Date Published / Released
2004
Publisher
Waveland Press, Inc.
Topic / Theme
Anutan, Field work for anthropology, Uncertainty, Domestic life, Marriage, Family descent, Kinship nomenclature, Clans, Communities, Chieftains, Family, Anutans
Copyright Message
Copyright © 2004 by Waveland Press
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