Browse Titles - 288 results
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1st draft The Religion of the North American Indians (Abstract)
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 87], Folder 1. Religion of the North American, Notes) , 5 page(s)
Five typewritten pages contain a partial manuscript with information on the puberty rituals of tribes of the British Columbian Plateau. It includes a cover page for an abstract of "The Religion of the North American Indians."
Open Access
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 87], Folder 1. Religion of the North American, Notes) , 5 page(s)
Description
Five typewritten pages contain a partial manuscript with information on the puberty rituals of tribes of the British Columbian Plateau. It includes a cover page for an abstract of "The Religion of the North American Indians."
Field of Study
Anthropology
Content Type
Essay
Contributor
Ruth Benedict, 1887-1948
Author / Creator
Ruth Benedict, 1887-1948
Topic / Theme
Visions, Religious practices, Religious rites and ceremonies, American Indians
Copyright Message
Material sourced from the Ruth Fulton Benedict Papers, Vassar College. Copyright © 2016 by Mary Catherine Bateson
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Actress the Bishop & The Carnival Queen
written by Howard Reid, fl. 1989-2011; directed by Howard Reid, fl. 1989-2011; produced by Howard Reid, fl. 1989-2011, British Broadcasting Corporation (London, England: BBC Worldwide, 1991), 50 mins
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of...
Sample
written by Howard Reid, fl. 1989-2011; directed by Howard Reid, fl. 1989-2011; produced by Howard Reid, fl. 1989-2011, British Broadcasting Corporation (London, England: BBC Worldwide, 1991), 50 mins
Description
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of rebellion, chaos and revellry.Divination, sacrifice, spirit possession and withcraft are also elements that play a part in the carniva...
Examines the traditional annual Brazilian carnival where rival groups dress up in costumes and choose a carnival king and queen. It examines the history and roots of the custom, which was introduced for the slaves in the 17th century, but which was also intermerged with a festival for a West African god, master of rebellion, chaos and revellry.Divination, sacrifice, spirit possession and withcraft are also elements that play a part in the carnival.
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Date Written / Recorded
1991
Field of Study
Anthropology
Content Type
Documentary
Contributor
Howard Reid, fl. 1989-2011, British Broadcasting Corporation
Author / Creator
Howard Reid, fl. 1989-2011
Date Published / Released
1991
Publisher
BBC Worldwide
Topic / Theme
Brazilian, Religious communities, Religious beliefs, Cultural adaptation, Cultural participation, Cultural identity, Fairs and festivals, Ethnography, Brazilians
Copyright Message
Copyright © 1991 BBC Worldwide
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Africa & Africans
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Sample
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Field of Study
Anthropology
Content Type
General reference book
Contributor
Philip D. Curtin, 1922-2009, Paul Bohannan
Author / Creator
Philip D. Curtin, 1922-2009, Paul Bohannan
Date Published / Released
1964, 1995
Publisher
Waveland Press, Inc.
Topic / Theme
African, Revolutions, Social institutions, Cultural identity, African ethnic groups, Cultural change and history, Africans
Copyright Message
Copyright © 1988 by Waveland Press
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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
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The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
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Alaskan Eskimo, The Drums of Winter (Uksuum Cauyai)
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast.
Sample
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
Description
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us throu...
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us through actualities and interviews how their history, social values and spiritual beliefs are woven around the songs and dances that have been handed down to them through the generations. It is not just old songs that are important; new songs and dance movements are created to reflect modern life with all its complexities. Each time a person gets up to dance, he is strengthening the continuity of the ages. The film follows the elders of Emmonak as they prepare for the coming ceremonial gathering (potlatch) with a neighboring village. In the Kashim (qasgiq or men's house), they practice their songs and painstakingly work out the motions of the dances. Each movement has meaning and plays a part in telling a story. In the days before television, radio, bingo and weekly basketball games, dance was the sole means of entertainment. Throughout the film, archival photographs and film footage accompany the words of early missionaries who brought Christianity to the area. These sequences provide a historical context for the film and give us a strong sense of the resilience of Yup'ik culture, having survived despite a century of missionary suppression.
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Date Written / Recorded
1977
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1988
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Folk music, Spirituality, Tribal and national groups, Cultural change and history, Cultural identity, Dance and dancing, Indigenous ethnic groups, Ethnography
Copyright Message
by Documentary Educational Resources
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I am you and you are me
produced by Leiden University (Leiden, South Holland: Institute of Cultural Anthropology and Development Sociology, Universiteit Leiden, 2022), 29 mins
“I am you and you are me” is a video installation that shows two films simultaneously, one film of a women’s circle and one film of a men’s circle. The participants of the circles go through a process of healing. Circles provide them with a safe space where one can be vulnerable, (re)connect with their sel...
Sample
produced by Leiden University (Leiden, South Holland: Institute of Cultural Anthropology and Development Sociology, Universiteit Leiden, 2022), 29 mins
Description
“I am you and you are me” is a video installation that shows two films simultaneously, one film of a women’s circle and one film of a men’s circle. The participants of the circles go through a process of healing. Circles provide them with a safe space where one can be vulnerable, (re)connect with their selves and others, and first and foremost it is a space where love and warmth is being spread.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Leiden University
Date Published / Released
2022
Publisher
Institute of Cultural Anthropology and Development Sociology, Universiteit Leiden
Topic / Theme
Prayer and meditation, Mental health, Healers, Emotions and feelings, Healing
Copyright Message
Copyright © 2022 Institute of Cultural Anthropology and Development Sociology, Universiteit Leiden
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Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan
written by John Baily, fl. 1973; directed by John Baily, fl. 1973; produced by John Baily, fl. 1973 (Watertown, MA: Documentary Educational Resources (DER), 1985), 53 mins
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar.
Sample
written by John Baily, fl. 1973; directed by John Baily, fl. 1973; produced by John Baily, fl. 1973 (Watertown, MA: Documentary Educational Resources (DER), 1985), 53 mins
Description
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Between 1973 and 1977 John Baily carried out extensive ethnomusicological fieldwork on the urban music of Afghanistan, particularly in the western city of Herat. In 1985, he traveled to Peshawar to film Afghan r...
This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Between 1973 and 1977 John Baily carried out extensive ethnomusicological fieldwork on the urban music of Afghanistan, particularly in the western city of Herat. In 1985, he traveled to Peshawar to film Afghan refugees who were musicians and again met his old friend Amir Mohammad, from Herat. The film portrays aspects of Amir's life as a refugee - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar. Musical performances include resistance songs at a Pakistani wedding. "It is a poignant production. The plight of refugees comes through and should leave no-one indifferent." — Prince Sadruddin Aga Khan, UN Co-ordinator Operation Salam
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Baily, fl. 1973, Amir Mohammad, Ahmad Wali Sultani, Shah Wali, 1952-
Author / Creator
John Baily, fl. 1973
Date Published / Released
1985
Publisher
Documentary Educational Resources (DER)
Person Discussed
Amir Mohammad
Topic / Theme
Pakistani, Afghan, Economic conditions, Cultural change and history, Islam, Ethnomusicology, Musicians, Cultural identity, Refugees, Ethnography, Pakistanis, Afghans
Copyright Message
by Documentary Educational Resources
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Anuta: Polynesian Lifeways for the Twenty-First Century
written by Richard Feinberg (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 268 page(s)
Sample
written by Richard Feinberg (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 268 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
Richard Feinberg
Author / Creator
Richard Feinberg
Date Published / Released
2004
Publisher
Waveland Press, Inc.
Topic / Theme
Anutan, Field work for anthropology, Uncertainty, Domestic life, Marriage, Family descent, Kinship nomenclature, Clans, Communities, Chieftains, Family, Anutans
Copyright Message
Copyright © 2004 by Waveland Press
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