Browse Titles - 10 results
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Beyond Subculture: Pop, Youth and Identity in a Postcolonial World
written by Rupa Huq, 1972- (London, England: Routledge (Publisher) and Taylor and Francis Group, 2006, originally published 2006), 226 page(s)
Presenting a new approach to the study of youth culture and popular music, Beyond Subculture re-examines the link between music and subcultures and asks the question; in an ageing world, can pop music still be an automatic metaphor for youth culture?Using case studies and first-hand interviews with consumer and pr...
Sample
written by Rupa Huq, 1972- (London, England: Routledge (Publisher) and Taylor and Francis Group, 2006, originally published 2006), 226 page(s)
Description
Presenting a new approach to the study of youth culture and popular music, Beyond Subculture re-examines the link between music and subcultures and asks the question; in an ageing world, can pop music still be an automatic metaphor for youth culture?Using case studies and first-hand interviews with consumer and producers including Noel Gallagher and Talvin Singh, Rupa Huq investigates a series of musically-centred global youth cultures including...
Presenting a new approach to the study of youth culture and popular music, Beyond Subculture re-examines the link between music and subcultures and asks the question; in an ageing world, can pop music still be an automatic metaphor for youth culture?Using case studies and first-hand interviews with consumer and producers including Noel Gallagher and Talvin Singh, Rupa Huq investigates a series of musically-centred global youth cultures including hip-hop, electronic dance music and bhangra.With ‘Generation X’ becoming an increasingly redundant term, this book will help students redefine their ideas of youth culture and will be an invaluable addition to their studies.
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Field of Study
World Music
Content Type
Book
Author / Creator
Rupa Huq, 1972-
Date Published / Released
2006
Publisher
Routledge (Publisher), Taylor and Francis Group
Topic / Theme
Revolution and Protest context, Music and Social Change, Music, Identity (Psychology), Popular culture, Youth, Cultural identity, Rock music, Anthropology, 20th Century in World History (1914--2000), 21st Century in World History (2001– )
Copyright Message
Copyright © 2006 Rupa Huq
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Communication and Society, In Garageland: Rock, Youth and Modernity
written by Ove Sernhede, 1951-, Ulf Lindberg, 1941- and Johan Fornäs, 1952-, in Communication and Society (London, England: Routledge (Publisher) and Taylor and Francis Group, 2014, originally published 1995), 298 page(s)
Seeking to understand youth culture through its visual and musical expression, In Garageland presents a pioneering ethnographic study of rock bands and their fans.
Topics include class as well as sexual conflicts; mainstream and deviant subcultures, and the complex social, psychological and ethical relationships...
Sample
written by Ove Sernhede, 1951-, Ulf Lindberg, 1941- and Johan Fornäs, 1952-, in Communication and Society (London, England: Routledge (Publisher) and Taylor and Francis Group, 2014, originally published 1995), 298 page(s)
Description
Seeking to understand youth culture through its visual and musical expression, In Garageland presents a pioneering ethnographic study of rock bands and their fans.
Topics include class as well as sexual conflicts; mainstream and deviant subcultures, and the complex social, psychological and ethical relationships which exist within youth culture.
In Garageland develops the notion of youth culture research as a way of mirroring our grown-up ident...
Seeking to understand youth culture through its visual and musical expression, In Garageland presents a pioneering ethnographic study of rock bands and their fans.
Topics include class as well as sexual conflicts; mainstream and deviant subcultures, and the complex social, psychological and ethical relationships which exist within youth culture.
In Garageland develops the notion of youth culture research as a way of mirroring our grown-up identities and of staking out the limits of late modern culture in general.
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Field of Study
World Music
Content Type
Book
Contributor
Jan Teeland, fl. 1995
Author / Creator
Ove Sernhede, 1951-, Ulf Lindberg, 1941-, Johan Fornäs, 1952-
Date Published / Released
1995, 2014
Publisher
Routledge (Publisher), Taylor and Francis Group
Series
Communication and Society
Topic / Theme
Revolution and Protest context, Music and Social Change, Popular culture, Cultural identity, Youth, Rock music, Anthropology, Swedish, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 1995 Johan Fornäs, Ulf Lindberg and Ove Sernhede
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Critical Moments in American History, The Emergence of Rock and Roll: Music and the Rise of American Youth Culture
written by Mitchell K. Hall, 1955-, in Critical Moments in American History (New York, NY: Routledge (Publisher) and Taylor and Francis Group, 2014, originally published 2014), 236 page(s)
Rock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined w...
Sample
written by Mitchell K. Hall, 1955-, in Critical Moments in American History (New York, NY: Routledge (Publisher) and Taylor and Francis Group, 2014, originally published 2014), 236 page(s)
Description
Rock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined with the social, political, and economic changes reshaping America and contributed to the rise of the youth culture that remains a poten...
Rock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined with the social, political, and economic changes reshaping America and contributed to the rise of the youth culture that remains a potent cultural force today. A comprehensive understanding of post-World War II U.S. history would be incomplete without a basic knowledge of this cultural phenomenon and its widespread impact.
In this short book, bolstered by primary source documents, Mitchell K. Hall explores the change in musical style represented by rock and roll, changes in technology and business practices, regional and racial implications of this new music, and the global influences of the music.
The Emergence of Rock and Roll explains the huge influence that one cultural moment can have in the history of a nation.
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Field of Study
World Music
Content Type
Book
Author / Creator
Mitchell K. Hall, 1955-
Date Published / Released
2014
Publisher
Routledge (Publisher), Taylor and Francis Group
Series
Critical Moments in American History
Topic / Theme
Revolution and Protest context, Music and Social Change, Rock music, Youth, Popular culture, Anthropology, Americans, British, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2014 Taylor & Francis
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No Smoking In Sarajevo (52')
directed by Andrea Postiglione, fl. 2016 and Gianluca Loffredo, 1982-; produced by Gianluca Loffredo, 1982-, Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012 and Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí and Grenouilles Productions; performed by Zabranjeno Pušenje (Paris, Ile-de-France: Windrose SAS, 2016), 52 mins
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join...
Sample
directed by Andrea Postiglione, fl. 2016 and Gianluca Loffredo, 1982-; produced by Gianluca Loffredo, 1982-, Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012 and Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí and Grenouilles Productions; performed by Zabranjeno Pušenje (Paris, Ile-de-France: Windrose SAS, 2016), 52 mins
Description
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join the Serbian one, contributing to make it internationally famous. Their story reflects the one of Yugoslavia. Will they meet up after 20...
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join the Serbian one, contributing to make it internationally famous. Their story reflects the one of Yugoslavia. Will they meet up after 20 years?
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Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Zabranjeno Pušenje
Contributor
Gianluca Loffredo, 1982-, Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012, Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí, Grenouilles Productions
Author / Creator
Andrea Postiglione, fl. 2016, Gianluca Loffredo, 1982-, Zabranjeno Pušenje
Date Published / Released
2016
Publisher
Windrose SAS
Speaker / Narrator
Gianluca Loffredo, 1982-
Topic / Theme
General Context: Security Issues, General Context: Human Rights Violations, War Crimes, Crimes against Humanity, Genocide, Yugoslav Wars: Bosniaks, Serbs, Croats (1991-1995), Social movements, Yugoslav Wars, 1992-1995, Bosnians, Croatians, Serbians, Yugoslavs, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2016 Grenouilles Productions, Chacapa Studio, Colibri Film, BHRT
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No Smoking In Sarajevo (75')
directed by Gianluca Loffredo, 1982-; produced by Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012, Gianluca Loffredo, 1982- and Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí and Grenouilles Productions; performed by Zabranjeno Pušenje (Paris, Ile-de-France: Windrose SAS, 2016), 1 hour 15 mins
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join...
Sample
directed by Gianluca Loffredo, 1982-; produced by Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012, Gianluca Loffredo, 1982- and Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí and Grenouilles Productions; performed by Zabranjeno Pušenje (Paris, Ile-de-France: Windrose SAS, 2016), 1 hour 15 mins
Description
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join the Serbian one, contributing to make it internationally famous. Their story reflects the one of Yugoslavia. Will they meet up after 20...
The three leaders of the cult Yugoslavian rock band No Smoking were connected by friendship and music. When ethnic conflicts emerged between Serbians, Croatians and Bosnians, ripping apart an entire country, they split up and founded their own bands, two of them keeping the name of No Smoking. Kusturica will join the Serbian one, contributing to make it internationally famous. Their story reflects the one of Yugoslavia. Will they meet up after 20 years?
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Field of Study
World Music
Content Type
Documentary
Performer / Ensemble
Zabranjeno Pušenje
Contributor
Rafael Bernabeu Garcia, fl. 2015, Thomas Bouniort, fl. 2015, Tristant Guerlotté, fl. 2012, Gianluca Loffredo, 1982-, Gildas Nivet, fl. 2012, Chacapa Studio, Colibrí, Grenouilles Productions
Author / Creator
Gianluca Loffredo, 1982-, Zabranjeno Pušenje
Date Published / Released
2016
Publisher
Windrose SAS
Speaker / Narrator
Gianluca Loffredo, 1982-
Topic / Theme
General Context: Security Issues, General Context: Human Rights Violations, War Crimes, Crimes against Humanity, Genocide, Yugoslav Wars: Bosniaks, Serbs, Croats (1991-1995), Social movements, Yugoslav Wars, 1992-1995, Bosnians, Croatians, Serbians, Yugoslavs, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2016 Grenouilles Productions, Chacapa Studio, Colibri Film, BHRT
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O Cambodia
produced by Wayne Laird, fl. 1984; performed by NZ Trio and Tray So (Atoll, 2014), 1 hour 10 mins, 14 page(s)
Sample
produced by Wayne Laird, fl. 1984; performed by NZ Trio and Tray So (Atoll, 2014), 1 hour 10 mins, 14 page(s)
Date Written / Recorded
2011-03
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
NZ Trio, Tray So
Contributor
Paul McGlashan, Wayne Laird, fl. 1984
Author / Creator
NZ Trio, Tray So
Date Published / Released
2014
Publisher
Atoll
Topic / Theme
Cambodia Khmer Rouge Regime (1975-1979), Human rights, Cambodian Holocaust, 1975-1979, The Arts, Post Conflict Support, Cambodian, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2014 by ARC Music
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The Resurrection of Victor Jara
directed by John Travers, fl. 1986; produced by John Summa, fl. 2008, Rise Up Filming (Burlington, VT: Rise Up Filming, 2018), 1 hour 34 mins
This award-winning, feature-length film (produced by John Summa and directed by John Travers) documents the extraordinary life and legacy of iconic Chilean singer-songwriter, Victor Jara, executed in 1973 following a right-wing military coup.
Cast includes members of legendary music groups Quilapayún and Inti-I...
Sample
directed by John Travers, fl. 1986; produced by John Summa, fl. 2008, Rise Up Filming (Burlington, VT: Rise Up Filming, 2018), 1 hour 34 mins
Description
This award-winning, feature-length film (produced by John Summa and directed by John Travers) documents the extraordinary life and legacy of iconic Chilean singer-songwriter, Victor Jara, executed in 1973 following a right-wing military coup.
Cast includes members of legendary music groups Quilapayún and Inti-Illimani, plus artists Angel Parra, Judy Collins, Bono, Arlo Guthrie, Pete Seeger, Bernardo Palombo, León Gieco, and Peter Yarrow (of P...
This award-winning, feature-length film (produced by John Summa and directed by John Travers) documents the extraordinary life and legacy of iconic Chilean singer-songwriter, Victor Jara, executed in 1973 following a right-wing military coup.
Cast includes members of legendary music groups Quilapayún and Inti-Illimani, plus artists Angel Parra, Judy Collins, Bono, Arlo Guthrie, Pete Seeger, Bernardo Palombo, León Gieco, and Peter Yarrow (of Peter, Paul & Mary). The first part of the film explores, through friends and family, Victor’s music, life and the social context in which he emerges as a leader of a vanguard cultural movement for social change in Chile, South America.
The second part of the film captures the coup and post-coup periods, and Victor’s profound impact on activists, artists and musicians of all ages inside and outside Chile, featuring moving footage of his reburial in 2009 in Chile.
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Field of Study
World History
Content Type
Documentary
Contributor
John Summa, fl. 2008, Rise Up Filming
Author / Creator
John Travers, fl. 1986
Date Published / Released
2018
Publisher
Rise Up Filming
Person Discussed
Salvador Allende, 1908-1973, Victor Jara, 1932-1973
Topic / Theme
Revolution and Protest context, Music and Social Change, Augusto Pinochet's Dictatorship, Chile, 1973-1990, Chile, Coup d'Etat, September 11, 1973, Political and Social Movements, Family and Culture, War and Violence, The Arts, Politics & Policy, Chileans, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2018 RiseUpFilming, LLC. All Rights Reserved.
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Ukamau y Ké (Así es y ké)
directed by Andrés Ramírez, 1984-; produced by Esteban Coloma, fl. 2017, Amanda Robalino, fl. 2017 and Fabián Bolivar, fl. 2017, Productotra (Madrid, Comunidad de Madrid: Quechua Films, 2017), 1 hour 27 mins
Abraham Bojórquez (Ukamau y Ké) developed the so-called hip hop Aymara, with his social lyrics he shook the Latin American society in the early 21st century. He died violently at the peak of his musical career, the same day he finished recording his second album. Years later, his friend, Ecuadorian rapper and di...
Sample
directed by Andrés Ramírez, 1984-; produced by Esteban Coloma, fl. 2017, Amanda Robalino, fl. 2017 and Fabián Bolivar, fl. 2017, Productotra (Madrid, Comunidad de Madrid: Quechua Films, 2017), 1 hour 27 mins
Description
Abraham Bojórquez (Ukamau y Ké) developed the so-called hip hop Aymara, with his social lyrics he shook the Latin American society in the early 21st century. He died violently at the peak of his musical career, the same day he finished recording his second album. Years later, his friend, Ecuadorian rapper and director Andrés Ramírez returns to Bolivia to uncover the reasons for his death and to find him in the Andean cyclical time. In this su...
Abraham Bojórquez (Ukamau y Ké) developed the so-called hip hop Aymara, with his social lyrics he shook the Latin American society in the early 21st century. He died violently at the peak of his musical career, the same day he finished recording his second album. Years later, his friend, Ecuadorian rapper and director Andrés Ramírez returns to Bolivia to uncover the reasons for his death and to find him in the Andean cyclical time. In this surreal journey Ukamau y Ké comes back to life through records, files and, dream visions.
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Field of Study
Global Issues
Content Type
Documentary
Contributor
Esteban Coloma, fl. 2017, Amanda Robalino, fl. 2017, Fabián Bolivar, fl. 2017, Productotra
Author / Creator
Andrés Ramírez, 1984-
Date Published / Released
2017
Publisher
Quechua Films
Person Discussed
Abraham Bojórquez, 1981-2009
Topic / Theme
Bolivians, Aymara
Copyright Message
Copyright © 2017 Productotra
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Woya Hayi Mawe: Where are you going to? = Woya Hayi Mawe: Para Onde Vais?
directed by Rose Satiko G. Hikiji, fl. 1999 and Jasper Chalcraft, fl. 2015; produced by Laboratório de Imagem e Som em Antropologia (Estonia: Utopic Documentaries, 2019), 48 mins
Woya hayi mawe: where are you going to? These lyrics echo Mozambican musician Lenna Bahule’s explorations both in her birthplace – Maputo - and in her adopted home of Sao Paulo. From the stage to the urban outskirts, we see how Lenna deals with the difficulties of being a black female musician in both Brazil a...
Sample
directed by Rose Satiko G. Hikiji, fl. 1999 and Jasper Chalcraft, fl. 2015; produced by Laboratório de Imagem e Som em Antropologia (Estonia: Utopic Documentaries, 2019), 48 mins
Description
Woya hayi mawe: where are you going to? These lyrics echo Mozambican musician Lenna Bahule’s explorations both in her birthplace – Maputo - and in her adopted home of Sao Paulo. From the stage to the urban outskirts, we see how Lenna deals with the difficulties of being a black female musician in both Brazil and Mozambique. The artistic world of Sao Paulo demands her Africanity, yet in Mozambique Lenna is now known for her success in Brazil....
Woya hayi mawe: where are you going to? These lyrics echo Mozambican musician Lenna Bahule’s explorations both in her birthplace – Maputo - and in her adopted home of Sao Paulo. From the stage to the urban outskirts, we see how Lenna deals with the difficulties of being a black female musician in both Brazil and Mozambique. The artistic world of Sao Paulo demands her Africanity, yet in Mozambique Lenna is now known for her success in Brazil. Returning to Mozambique, she rediscovers her home country with new eyes.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Laboratório de Imagem e Som em Antropologia
Author / Creator
Rose Satiko G. Hikiji, fl. 1999, Jasper Chalcraft, fl. 2015
Date Published / Released
2019
Publisher
Utopic Documentaries
Person Discussed
Lenna Bahule
Topic / Theme
The Arts, Mozambicans
Copyright Message
Copyright © 2019 Utopic Documentaries
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Youth Culture, Popular Music and the End of 'Consensus'
written by Subcultures Network (New York, NY: Routledge (Publisher) and Taylor and Francis Group, 2015, originally published 2012), 181 page(s)
This book examines youth cultural responses to the political, economic and socio-cultural changes that affected Britain in the aftermath of the Second World War. In particular, it considers the extent to which elements of youth culture and popular music served to contest the notion of ‘consensus’ that historia...
Sample
written by Subcultures Network (New York, NY: Routledge (Publisher) and Taylor and Francis Group, 2015, originally published 2012), 181 page(s)
Description
This book examines youth cultural responses to the political, economic and socio-cultural changes that affected Britain in the aftermath of the Second World War. In particular, it considers the extent to which elements of youth culture and popular music served to contest the notion of ‘consensus’ that historians and social commentators have suggested served to frame British polity from the late 1940s into the 1970s. The collection argues that...
This book examines youth cultural responses to the political, economic and socio-cultural changes that affected Britain in the aftermath of the Second World War. In particular, it considers the extent to which elements of youth culture and popular music served to contest the notion of ‘consensus’ that historians and social commentators have suggested served to frame British polity from the late 1940s into the 1970s. The collection argues that aspects of youth culture appear to have revealed notable fault-lines in and across British society and provided alternative perspectives and reactions to the presumptions of mainstream political and cultural opinion in the period. This, perhaps, was most acute in the period leading up to and after the seemingly pivotal moment of Margaret Thatcher’s election to prime minister in 1979. (This book was originally published as a special issue of Contemporary British History.)
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Field of Study
World Music
Content Type
Book
Author / Creator
Subcultures Network
Date Published / Released
2012, 2015
Publisher
Routledge (Publisher), Taylor and Francis Group
Topic / Theme
Revolution and Protest context, Music and Social Change, Music, Popular culture, Youth, Anthropology, British, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 2015 Taylor & Francis
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