Browse Titles - 22 results

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Aleut Story
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directed by Marla Williams, fl. 1998-2005; produced by Marla Williams, fl. 1998-2005, Aleutian Pribilof Heritage Group and SprocketHeads (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
In the turbulence of war, in a place where survival was just short of miraculous, the Aleuts of Alaska would redefine themselves -- and America. From indentured servitude and isolated internment camps, to Congress and the White House, this is the incredible story of the Aleuts' decades-long struggle for human and...
Open Access
directed by Marla Williams, fl. 1998-2005; produced by Marla Williams, fl. 1998-2005, Aleutian Pribilof Heritage Group and SprocketHeads (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
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A Blackfeet Encounter
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directed by Dennis Neary, fl. 1974-2008; produced by Dennis Neary, fl. 1974-2008 (Lincoln, NE: Vision Maker Media, 2006), 57 mins
A Blackfeet Encounter uncovers the rich Blackfeet history and culture, traces the aftermath of the expedition's arrival and illustrates the challenges and triumphs of the Blackfeet people today.
Open Access
directed by Dennis Neary, fl. 1974-2008; produced by Dennis Neary, fl. 1974-2008 (Lincoln, NE: Vision Maker Media, 2006), 57 mins
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Does the Instrument of Opposition During the Patent Filing Process Need to Be Improved?
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(Germany: Latest Thinking), 12 mins
Patents are a very useful tool for supporting innovations by setting incentives for companies to invest in research and developments. However, only those innovations should be protected by a patent that are truly inventive. Otherwise, patents might actually end up stifling innovations rather than supporting them....
Open Access
(Germany: Latest Thinking), 12 mins
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For the Rights of All: Ending Jim Crow in Alaska
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directed by Phil Lucas, 1942-2007 and Jeffry Lloyd Silverman, fl. 2005-2009; produced by Jeffry Lloyd Silverman, fl. 2005-2009 (Lincoln, NE: Vision Maker Media, 2009), 57 mins
This documentary reveals the true-life story of an extraordinary Alaskan woman who becomes an unlikely hero in the fight for civil rights.
Open Access
directed by Phil Lucas, 1942-2007 and Jeffry Lloyd Silverman, fl. 2005-2009; produced by Jeffry Lloyd Silverman, fl. 2005-2009 (Lincoln, NE: Vision Maker Media, 2009), 57 mins
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Good Meat
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directed by Sam Hurst, fl. 2006-2011; produced by Larry Pourier, fl. 2011, Vision Maker Media, Native American Public Telecommunications and Nebraska Educational Telecommunications (Lincoln, NE: Vision Maker Media, 2011), 57 mins
Good Meat follows an Oglala Lakota man's struggles and triumphs as he attempts to reclaim his health.
Open Access
directed by Sam Hurst, fl. 2006-2011; produced by Larry Pourier, fl. 2011, Vision Maker Media, Native American Public Telecommunications and Nebraska Educational Telecommunications (Lincoln, NE: Vision Maker Media, 2011), 57 mins
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Grab
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directed by Billy Luther, fl. 2002; produced by Billy Luther, fl. 2002, Vision Maker Media, Native American Public Telecommunications and World of Wonder (Lincoln, NE: Vision Maker Media, 2011), 56 mins
Indian Giver Redefined. Grab is an intimate portrait of the little-documented Grab Day in the villages of the Laguna Pueblo Tribe, who annually throw water and food items from the rooftop of a home to people standing below them. A community-wide prayer of abundance, thanks and renewal, Grab Day exists at the inter...
Open Access
directed by Billy Luther, fl. 2002; produced by Billy Luther, fl. 2002, Vision Maker Media, Native American Public Telecommunications and World of Wonder (Lincoln, NE: Vision Maker Media, 2011), 56 mins
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How and Why Did American Women Reformers Support Russian Revolutionary Catherine Breshkovsky before 1917 and Withdraw Their Support in 1919?
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(Privately Published, 2019), 2 mins
Prior to the Bolshevik Revolution in late 1917, the Russian revolutionary movement enjoyed broad support among American progressives in the late-nineteenth and early-twentieth centuries. The arrival of Catherine Breshkovsky, a well-educated, noble-blooded revolutionary, further solidified these ties between Russia...
Open Access
(Privately Published, 2019), 2 mins
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Indian Country Diaries, 1, A Seat at the Drum
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produced by Sam Hurst, fl. 2006-2011, Vision Maker Media, Adanvdo Vision and Native American Public Telecommunications, in Indian Country Diaries, 1 (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
Indian Country Diaries goes inside modern Native American communities to reveal a diverse people working to revitalize their culture while improving the social, physical, and spiritual health of their people.
Open Access
produced by Sam Hurst, fl. 2006-2011, Vision Maker Media, Adanvdo Vision and Native American Public Telecommunications, in Indian Country Diaries, 1 (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
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Indian Country Diaries, 2, Spiral of Fire
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directed by Carol Cornsilk, fl. 2005-2012; produced by Carol Cornsilk, fl. 2005-2012, Vision Maker Media, Adanvdo Vision and Native American Public Telecommunications, in Indian Country Diaries, 2 (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
Indian Country Diaries goes inside modern Native American communities to reveal a diverse people working to revitalize their culture while improving the social, physical, and spiritual health of their people.
Open Access
directed by Carol Cornsilk, fl. 2005-2012; produced by Carol Cornsilk, fl. 2005-2012, Vision Maker Media, Adanvdo Vision and Native American Public Telecommunications, in Indian Country Diaries, 2 (Lincoln, NE: Vision Maker Media, 2005), 1 hour 27 mins
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Interpretation of the Totem Poles of Joe Hillaire
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directed by Pauline R. Hillaire, fl. 1992; produced by Gregory Fields, fl. 2016 (Edwardsville, IL: WoRKS Group, 2013), 51 mins
The video, "Interpreting the Totem Poles of Joe Hillaire," is a digital complement to the published book, A Totem Pole History: The Work of Lummi Carver Joe Hillaire (University of Nebraska Press, 2013). The Lummi Reservation is the northernmost of the Coast Salish reservations, and it is the only U.S. Native comm...
Open Access
directed by Pauline R. Hillaire, fl. 1992; produced by Gregory Fields, fl. 2016 (Edwardsville, IL: WoRKS Group, 2013), 51 mins
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