Browse Titles - 516 results
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Achille in Sciro
directed by Claus Wischmann, 1966-; composed by Antonio Caldara, 1670-1736; produced by Martin Gotthard Schneider; performed by Philippe Jaroussky, Concerto Köln, in Philippe Jaroussky and the Concerto Köln (C Major Entertainment, 2011), 3 mins
The young French counter tenor Philippe Jaroussky is one of the most exceptional artists of our time. He is highly acclaimed by critics all over the world for his virtuoso coloratura technique, as well as for his compelling and lively interpretations of baroque cantatas and operas. Together with the Concerto Koln...
Sample
directed by Claus Wischmann, 1966-; composed by Antonio Caldara, 1670-1736; produced by Martin Gotthard Schneider; performed by Philippe Jaroussky, Concerto Köln, in Philippe Jaroussky and the Concerto Köln (C Major Entertainment, 2011), 3 mins
Description
The young French counter tenor Philippe Jaroussky is one of the most exceptional artists of our time. He is highly acclaimed by critics all over the world for his virtuoso coloratura technique, as well as for his compelling and lively interpretations of baroque cantatas and operas. Together with the Concerto Koln he embarks on a journey into the world of an almost forgotten composer. Antonio Caldara (1670-1736) was on one of the most renowned ope...
The young French counter tenor Philippe Jaroussky is one of the most exceptional artists of our time. He is highly acclaimed by critics all over the world for his virtuoso coloratura technique, as well as for his compelling and lively interpretations of baroque cantatas and operas. Together with the Concerto Koln he embarks on a journey into the world of an almost forgotten composer. Antonio Caldara (1670-1736) was on one of the most renowned opera composers of his time. Philippe Jaroussky and the ensemble transfer selected arias of the composer into the 21st century. The film accompanies the musicians to rehearsals and to the concert at the Prinzregententheater in Munich.
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Date Written / Recorded
2010
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Concerto Köln, Philippe Jaroussky
Contributor
Andreas Koeppen, Martin Gotthard Schneider
Author / Creator
Antonio Caldara, 1670-1736, Claus Wischmann, 1966-, Concerto Köln, Philippe Jaroussky
Date Published / Released
2011
Publisher
C Major Entertainment
Topic / Theme
Classical Music
Copyright Message
Copyright 2012. Used by permission of C Major Entertainment. All rights reserved.
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Admeto, Rè di Tessaglia
directed by Axel Köhler, 1959-; composed by George Frideric Handel, 1685-1759 (1726); conducted by Howard Arman, 1954-; designed by Roland Aeschlimann, Marie-Thérèse Jossen, Matthias Hönig; produced by Axel Köhler, 1959-, Mitteldeutscher Rundfunk (MDR); performed by Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch and Gerd Vogel, Handel Festival Orchestra and Chorus of Halle, in Admeto, Rè di Tessaglia (Halle, Saxony-Anhalt: ArtHaus Musik, 2006), 3 hours 16 mins
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - wo...
Sample
directed by Axel Köhler, 1959-; composed by George Frideric Handel, 1685-1759 (1726); conducted by Howard Arman, 1954-; designed by Roland Aeschlimann, Marie-Thérèse Jossen, Matthias Hönig; produced by Axel Köhler, 1959-, Mitteldeutscher Rundfunk (MDR); performed by Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch and Gerd Vogel, Handel Festival Orchestra and Chorus of Halle, in Admeto, Rè di Tessaglia (Halle, Saxony-Anhalt: ArtHaus Musik, 2006), 3 hours 16 mins
Description
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - works he composed for the Royal Academy of Music. Though born in Halle, Germany, Handel spent most of his adult life in London and became...
George Frideric Handel's 'Admeto' is considered one of the most successful operas produced in the first half of the 18th century. Along with 'Radamisto', 'Giulio Cesare', 'Tamerlano', 'Rodelinda' and 'Alessandro', which were also written in this period, 'Admeto' belongs to Handel‘s so-called 'London operas' - works he composed for the Royal Academy of Music. Though born in Halle, Germany, Handel spent most of his adult life in London and became a British subject in 1727. Axel Köhler, the celebrated counter-tenor who is active in Munich, Halle and Berlin – now also well known for his work as a director - has brought 'Admeto' into the modern era in timeless style by the skillful application of imaginative theatrical digressions. Köhler’s production at the Halle Opernhaus revisits a work that encompasses comedy, tragedy and almost absurd grotesqueness and gives it a convincing metaphor in the form of a modern hospital.
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Date Written / Recorded
1726, 2006
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Handel Festival Orchestra and Chorus of Halle, Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch, Gerd Vogel
Contributor
Howard Arman, 1954-, Marie-Thérèse Jossen, Bartolomeo Ortensio Mauro, 1634-1725, Aureli, Aurelio, 1652-1708, Matthias Hönig, Axel Köhler, 1959-, Mitteldeutscher Rundfunk (MDR), Roland Aeschlimann, Ute Feudel
Author / Creator
George Frideric Handel, 1685-1759, Axel Köhler, 1959-, Handel Festival Orchestra and Chorus of Halle, Matthias Rexroth, Romelia Lichtenstein, Mechthild Bach, Tim Mead, Raimund Nolte, Melanie Hirsch, Gerd Vogel
Date Published / Released
2006
Publisher
ArtHaus Musik
Topic / Theme
Opera, Admetus, Alcestis, Heracles, Orindo, Thrasymedes, Meraspe, Oracle of Apollo, Antigone
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Adriano in Siria
directed by Ignacio García; composed by Giovanni Battista Pergolesi, 1710-1736; conducted by Ottavio Dantone; designed by Zulima Memba del Olmo, Patricia Toffolutti, Ignacio García and Fabrizio Gobbi; produced by Thomas Hieber, fl. 2001; performed by Marina Comparato, Lucia Cirillo, Annamaria Dell'oste, fl. 1998, Nicole Heaston, 1971-, Stefano Ferrari, fl. 1998 and Francesca Lombardi, fl. 2010, Accademia Bizantina, in Adriano in Siria (Opus Arte, 2012), 3 hours 23 mins
Adriano: Marina Comparato
Emirena: Lucia Cirillo
Farnaspe: Annamaria Dell'Oste
Sabina: Nicole Heaston
Osroa: Stefano Ferrari
Aquilio Tribuno: Francesca Lombardi
Accademia Bizantina
Director: Ignacio García
Conductor: Ottavio Dantone
For the festivities marking the Pergolesi's tercentenary in his native Jesi, I...
Sample
directed by Ignacio García; composed by Giovanni Battista Pergolesi, 1710-1736; conducted by Ottavio Dantone; designed by Zulima Memba del Olmo, Patricia Toffolutti, Ignacio García and Fabrizio Gobbi; produced by Thomas Hieber, fl. 2001; performed by Marina Comparato, Lucia Cirillo, Annamaria Dell'oste, fl. 1998, Nicole Heaston, 1971-, Stefano Ferrari, fl. 1998 and Francesca Lombardi, fl. 2010, Accademia Bizantina, in Adriano in Siria (Opus Arte, 2012), 3 hours 23 mins
Description
Adriano: Marina Comparato
Emirena: Lucia Cirillo
Farnaspe: Annamaria Dell'Oste
Sabina: Nicole Heaston
Osroa: Stefano Ferrari
Aquilio Tribuno: Francesca Lombardi
Accademia Bizantina
Director: Ignacio García
Conductor: Ottavio Dantone
For the festivities marking the Pergolesi's tercentenary in his native Jesi, Ignacio García created a new staging of the imperial drama Adriano in Siria. His staging in Jesi's exquisite 18th-century Teatro Comuna...
Adriano: Marina Comparato
Emirena: Lucia Cirillo
Farnaspe: Annamaria Dell'Oste
Sabina: Nicole Heaston
Osroa: Stefano Ferrari
Aquilio Tribuno: Francesca Lombardi
Accademia Bizantina
Director: Ignacio García
Conductor: Ottavio Dantone
For the festivities marking the Pergolesi's tercentenary in his native Jesi, Ignacio García created a new staging of the imperial drama Adriano in Siria. His staging in Jesi's exquisite 18th-century Teatro Comunale Pergolesi includes the delightful comic intermezzo Livietta e Tracollo, thus following the precedent set at the premiere in 1734. A fine Italian cast and the distinguished Accademia Bizantina are led by the Accademia's director, Ottavio Dantone.
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Date Written / Recorded
2010
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Accademia Bizantina, Marina Comparato, Lucia Cirillo, Annamaria Dell'oste, fl. 1998, Nicole Heaston, 1971-, Stefano Ferrari, fl. 1998, Francesca Lombardi, fl. 2010
Contributor
Ottavio Dantone, Patricia Toffolutti, Metastasio, 1698-1782, Ignacio García, Fabrizio Gobbi, Thomas Hieber, fl. 2001, Zulima Memba del Olmo
Author / Creator
Giovanni Battista Pergolesi, 1710-1736, Ignacio García, Accademia Bizantina, Marina Comparato, Lucia Cirillo, Annamaria Dell'oste, fl. 1998, Nicole Heaston, 1971-, Stefano Ferrari, fl. 1998, Francesca Lombardi, fl. 2010
Date Published / Released
2012
Publisher
Opus Arte
Topic / Theme
Opera, Hadrian, Emirena, Farnaspe
Copyright Message
Copyright © 2012. Used by permission of Opus Arte.
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Ah! mio cor schernito sei! (Alcina / Georg Fredrich Handel)
composed by George Frideric Handel, 1685-1759 (1735); conducted by Alexis Campos; designed by Juliette Adam, Alexis Campos; produced by Marie-Pierre Bousquet, fl. 2011, France Télévisions and Axe Sud; performed by Sabine Deglise (Paris, Ile-de-France: Windrose SAS, 2015), 5 mins
This urban opera tears apart the traditional lyric art codes in particular the emblematic figure of the Diva. Drowned in her totem dress, the Creole singer Sabine Deglise comes down off her pedestal and takes us with malice and poetry in the backstage of the opera repertoire. She gives the best of her art by inter...
Sample
composed by George Frideric Handel, 1685-1759 (1735); conducted by Alexis Campos; designed by Juliette Adam, Alexis Campos; produced by Marie-Pierre Bousquet, fl. 2011, France Télévisions and Axe Sud; performed by Sabine Deglise (Paris, Ile-de-France: Windrose SAS, 2015), 5 mins
Description
This urban opera tears apart the traditional lyric art codes in particular the emblematic figure of the Diva. Drowned in her totem dress, the Creole singer Sabine Deglise comes down off her pedestal and takes us with malice and poetry in the backstage of the opera repertoire. She gives the best of her art by interpreting melodies of great composers such as Verdi, Puccini, Gershwin or Monteverdi, led by the conductor Alexis Campos. A memorable per...
This urban opera tears apart the traditional lyric art codes in particular the emblematic figure of the Diva. Drowned in her totem dress, the Creole singer Sabine Deglise comes down off her pedestal and takes us with malice and poetry in the backstage of the opera repertoire. She gives the best of her art by interpreting melodies of great composers such as Verdi, Puccini, Gershwin or Monteverdi, led by the conductor Alexis Campos. A memorable performance which detonates by the humor and emotion it distills.
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Date Written / Recorded
1735
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Sabine Deglise
Contributor
Alexis Campos, Juliette Adam, Riccardo Broschi, 1698-1756, Marie-Pierre Bousquet, fl. 2011, France Télévisions, Axe Sud, Dominique Guesdon
Author / Creator
George Frideric Handel, 1685-1759, Sabine Deglise
Date Published / Released
2015
Publisher
Windrose SAS
Topic / Theme
Alcina, Morgana, Ruggiero, Melisso, Oronte, Oberto, Bradamante
Copyright Message
Copyright © 2015 Windrose SAS
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Aida
directed by Luca Ronconi, 1933-2015; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Lorin Maazel, 1930-2014; designed by Mauro Pagano, Vera Marzot, Vannio Vanni; performed by Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Gena Dimitrova, 1941-1995, Maria Chiara, 1939-, Juan Pons, fl. 1980, Paata Burchuladze, 1955-, Francesca Garbi and Ernesto Gavazzi, 1941-, Orchestra of the Teatro alla Scala and Chorus of the Teatro alla Scala, in Aida (ArtHaus Musik, 1988), 2 hours 34 mins
Luciano Pavarotti heads an exceptional cast in this spectacular live recording from La Scala, Milan, with Ghena Dimitrova, Maria Chiara, Nicolai Ghiaurov and Juan Pons, all in peak form. Luca Ronconi's magnificent production of Verdi's much-loved masterpiece was a triumphant success, with Mauro Pagano's monumental...
Sample
directed by Luca Ronconi, 1933-2015; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Lorin Maazel, 1930-2014; designed by Mauro Pagano, Vera Marzot, Vannio Vanni; performed by Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Gena Dimitrova, 1941-1995, Maria Chiara, 1939-, Juan Pons, fl. 1980, Paata Burchuladze, 1955-, Francesca Garbi and Ernesto Gavazzi, 1941-, Orchestra of the Teatro alla Scala and Chorus of the Teatro alla Scala, in Aida (ArtHaus Musik, 1988), 2 hours 34 mins
Description
Luciano Pavarotti heads an exceptional cast in this spectacular live recording from La Scala, Milan, with Ghena Dimitrova, Maria Chiara, Nicolai Ghiaurov and Juan Pons, all in peak form. Luca Ronconi's magnificent production of Verdi's much-loved masterpiece was a triumphant success, with Mauro Pagano's monumental settings capturing perfectly the imposing grandeur of the land of the Pharaohs and the ochre hues of the desert. Lorin Maazel conducts...
Luciano Pavarotti heads an exceptional cast in this spectacular live recording from La Scala, Milan, with Ghena Dimitrova, Maria Chiara, Nicolai Ghiaurov and Juan Pons, all in peak form. Luca Ronconi's magnificent production of Verdi's much-loved masterpiece was a triumphant success, with Mauro Pagano's monumental settings capturing perfectly the imposing grandeur of the land of the Pharaohs and the ochre hues of the desert. Lorin Maazel conducts.
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Date Written / Recorded
1871, 1985
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra of the Teatro alla Scala, Chorus of the Teatro alla Scala, Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Gena Dimitrova, 1941-1995, Maria Chiara, 1939-, Juan Pons, fl. 1980, Paata Burchuladze, 1955-, Francesca Garbi, Ernesto Gavazzi, 1941-
Contributor
Lorin Maazel, 1930-2014, Vera Marzot, Antonio Ghislanzoni, 1824-1893, Vannio Vanni, Mauro Pagano
Author / Creator
Giuseppe Verdi, 1813-1901, Luca Ronconi, 1933-2015, Orchestra of the Teatro alla Scala, Chorus of the Teatro alla Scala, Luciano Pavarotti, 1935-2007, Nicolaï Ghiaurov, 1929-2004, Gena Dimitrova, 1941-1995, Maria Chiara, 1939-, Juan Pons, fl. 1980, Paata Burchuladze, 1955-, Francesca Garbi, Ernesto Gavazzi, 1941-
Date Published / Released
1988
Publisher
ArtHaus Musik
Topic / Theme
Opera, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
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Aida
directed by Robert Wilson, 1941-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Kazushi Ono; produced by Hans Petri, fl. 1996-2017; performed by Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor and André Grégoire, Brussels Théâtre de la Monnaie Orchestra, in Aida (Opus Arte, 2006), 2 hours 39 mins
Cult director Robert Wilson's highly stylised and intensely dramatic staging brings a Zen-like tranquillity to Verdi's great opera.
Sample
directed by Robert Wilson, 1941-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Kazushi Ono; produced by Hans Petri, fl. 1996-2017; performed by Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor and André Grégoire, Brussels Théâtre de la Monnaie Orchestra, in Aida (Opus Arte, 2006), 2 hours 39 mins
Description
Cult director Robert Wilson's highly stylised and intensely dramatic staging brings a Zen-like tranquillity to Verdi's great opera.
Date Written / Recorded
1871, 2004-10-15
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Brussels Théâtre de la Monnaie Orchestra, Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor, André Grégoire
Contributor
Kazushi Ono, Antonio Ghislanzoni, 1824-1893, Hans Petri, fl. 1996-2017
Author / Creator
Giuseppe Verdi, 1813-1901, Robert Wilson, 1941-, Brussels Théâtre de la Monnaie Orchestra, Norma Fantini, Marco Berti, Ildikó Komlósi, 1959-, Mark Doss, Orlin Anastassov, Guido Jentjens, Michela Remor, André Grégoire
Date Published / Released
2006
Publisher
Opus Arte
Topic / Theme
Opera, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
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Aida
directed by Hans Hulscher, fl. 1984; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Daniel Barenboim, 1942-; produced by Paul Smaczny, fl. 1995-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Barenboim: Invitation to the Dance (EuroArts, 2008), 2 mins
This is a performance of Dance of the Little Moorish Slaves from Aida, performed by Berlin Philharmonic Orchestra, and conducted by Daniel Barenboim.
Sample
directed by Hans Hulscher, fl. 1984; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Daniel Barenboim, 1942-; produced by Paul Smaczny, fl. 1995-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Barenboim: Invitation to the Dance (EuroArts, 2008), 2 mins
Description
This is a performance of Dance of the Little Moorish Slaves from Aida, performed by Berlin Philharmonic Orchestra, and conducted by Daniel Barenboim.
Date Written / Recorded
1871, 2001-12-31
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Contributor
Daniel Barenboim, 1942-, Antonio Ghislanzoni, 1824-1893, Paul Smaczny, fl. 1995-2015
Author / Creator
Giuseppe Verdi, 1813-1901, Hans Hulscher, fl. 1984, Berlin Philharmonic Orchestra (Berliner Philharmoniker)
Date Published / Released
2008
Publisher
EuroArts
Topic / Theme
Classical Music, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Aida
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Edward Downes; choreographed by Kate Flatt; designed by Michael Yeargan, 1946-, Michael Yeargan, 1946-, Howard Harrison; produced by Hans Petri, fl. 1996-2017; performed by Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden and Yvonne Barclay, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Aida (Opus Arte, 2008), 2 hours 31 mins
Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most-performed grand operas of all time.
Sample
directed by Elijah Moshinsky, 1946-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Edward Downes; choreographed by Kate Flatt; designed by Michael Yeargan, 1946-, Michael Yeargan, 1946-, Howard Harrison; produced by Hans Petri, fl. 1996-2017; performed by Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden and Yvonne Barclay, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden, in Aida (Opus Arte, 2008), 2 hours 31 mins
Description
Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most-performed grand operas of all time.
Date Written / Recorded
1871, 1994-07-01
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden, Yvonne Barclay
Contributor
Kate Flatt, Edward Downes, Michael Yeargan, 1946-, Antonio Ghislanzoni, 1824-1893, Howard Harrison, Hans Petri, fl. 1996-2017
Author / Creator
Kate Flatt, Giuseppe Verdi, 1813-1901, Elijah Moshinsky, 1946-, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Cheryl Studer, 1955-, Luciana d'Intino, Dennis O'Neill, 1948-, Alexandru Agache, Robert Lloyd, 1940-, Mark Beesley, John Marsden, Yvonne Barclay
Date Published / Released
2008
Publisher
Opus Arte
Topic / Theme
Opera, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
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Aida (Excerpts)
directed by Brian Large, 1939-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Daniele Gatti, 1961-; produced by Elmar Kruse, 2004-2009; performed by Ferruccio Furlanetto, 1949-, Nadia Krasteva, Violeta Urmana, Franz Grundheber, 1937-, Johan Botha, Agnes Baltsa, 1944- and Plácido Domingo, 1941-, Orchestra of the Vienna State Opera (Wiener Staatsoper), in Gala Concert: 50th Anniversary of the Reopening of the Vienna State Opera (EuroArts, 2005), 45 mins
This is a performance of Aida (Excerpts), performed by Orchestra of the Vienna State Opera, and conducted by Daniele Gatti.
Sample
directed by Brian Large, 1939-; composed by Giuseppe Verdi, 1813-1901 (1871); conducted by Daniele Gatti, 1961-; produced by Elmar Kruse, 2004-2009; performed by Ferruccio Furlanetto, 1949-, Nadia Krasteva, Violeta Urmana, Franz Grundheber, 1937-, Johan Botha, Agnes Baltsa, 1944- and Plácido Domingo, 1941-, Orchestra of the Vienna State Opera (Wiener Staatsoper), in Gala Concert: 50th Anniversary of the Reopening of the Vienna State Opera (EuroArts, 2005), 45 mins
Description
This is a performance of Aida (Excerpts), performed by Orchestra of the Vienna State Opera, and conducted by Daniele Gatti.
Date Written / Recorded
1871, 2005-11-05
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra of the Vienna State Opera (Wiener Staatsoper), Ferruccio Furlanetto, 1949-, Nadia Krasteva, Violeta Urmana, Franz Grundheber, 1937-, Johan Botha, Agnes Baltsa, 1944-, Plácido Domingo, 1941-
Contributor
Daniele Gatti, 1961-, Antonio Ghislanzoni, 1824-1893, Elmar Kruse, 2004-2009
Author / Creator
Giuseppe Verdi, 1813-1901, Brian Large, 1939-, Orchestra of the Vienna State Opera (Wiener Staatsoper), Ferruccio Furlanetto, 1949-, Nadia Krasteva, Violeta Urmana, Franz Grundheber, 1937-, Johan Botha, Agnes Baltsa, 1944-, Plácido Domingo, 1941-
Date Published / Released
2005
Publisher
EuroArts
Topic / Theme
Classical Music, King of Egypt, Amneris, Aida, Radamès, Ramfis, Amonasro, Voice of the High Priestess, Messenger
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Albert Lortzing: O sancta justitia (Zar und Zimmerman)
directed by János Darvas; composed by Albert Lortzing, 1801-1851 (1837); conducted by Markus Stenz; produced by Erik Nacken, fl. 1971-2007; performed by Thomas Quasthoff, 1959-, Gürzenich Orchestra, Cologne, in Opera Night for the German AIDS Foundation (Halle, Lower Saxony: ArtHaus Musik, 2012), 11 mins
This is a performance of O sancta justitia (Zar und Zimmerman), performed by Gurzenich Orchestra, Cologne, and conducted by Markus Stenz.
Sample
directed by János Darvas; composed by Albert Lortzing, 1801-1851 (1837); conducted by Markus Stenz; produced by Erik Nacken, fl. 1971-2007; performed by Thomas Quasthoff, 1959-, Gürzenich Orchestra, Cologne, in Opera Night for the German AIDS Foundation (Halle, Lower Saxony: ArtHaus Musik, 2012), 11 mins
Description
This is a performance of O sancta justitia (Zar und Zimmerman), performed by Gurzenich Orchestra, Cologne, and conducted by Markus Stenz.
Date Written / Recorded
1837, 2005
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Gürzenich Orchestra, Cologne, Thomas Quasthoff, 1959-
Contributor
Markus Stenz, Albert Lortzing, 1801-1851, Erik Nacken, fl. 1971-2007
Author / Creator
Albert Lortzing, 1801-1851, János Darvas, Gürzenich Orchestra, Cologne, Thomas Quasthoff, 1959-
Date Published / Released
2012
Publisher
ArtHaus Musik
Topic / Theme
Classical Music, Peter the Great, Peter Ivanov, Van Bett, Marie, Marquis de Chateauneuf, Widow Browe, General Lefort, Lord Syndham, Ein Offizier, Ein Ratsdiener
Copyright Message
Copyright © 2012 by ArtHaus Musik GmbH
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