Browse Titles - 19 results
Barrelhouse Piano Blues & Stomps (1929 - 1933)
performed by Herve Duerson, Barrelhouse Piano Blues & Stomps (1929 - 1933) (Document Records, 1994), 4 page(s)
Sample
performed by Herve Duerson, Barrelhouse Piano Blues & Stomps (1929 - 1933) (Document Records, 1994), 4 page(s)
Date Written / Recorded
1933
Field of Study
American Music
Content Type
Liner note
Performer / Ensemble
Herve Duerson
Author / Creator
Herve Duerson
Date Published / Released
1994
Publisher
Document Records
Person Discussed
Teddy Moss
Topic / Theme
African American, Music origins, Performance practice, Recording sessions, Jazz Blues, Ragtime, Piano
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Classic Blues
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 93-106
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 93-106
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Person Discussed
Bessie Smith, 1894-1937, Ma Rainey, 1886-1939
Topic / Theme
African American, Caucasian American, Singers, Characterization, Performing ensembles, Segregation, Christianity, Women, Music careers, Performance influences, Minstrel shows, Music criticism, Lyrics, Performance practice, Accompaniment, African American Music, Blues, Voice, Piano, Band
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Field of Study
American Music
Content Type
General reference book
Author / Creator
Francis Davis, 1946-
Date Published / Released
1995
Publisher
Hyperion
Person Discussed
Mamie Smith, W. C. Handy, 1873-1958, Marion Harrison, Greil Marcus, 1945-, Bert Williams, 1874-1922, Perry Bradford, 1893-1970
Topic / Theme
African American, Caucasian American, Musicians, Songs, Composers, Music criticism, Music arrangement, Music industry, Audio recordings, Performance practice, Performance influences, African American Music, Blues
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Syphilis
written by Dr. Frederick J. Spencer, M.D.; in Jazz and Death: Medical Profiles of Jazz Greats (Jackson, MS: University Press of Mississippi, 2002), 187-206
Sample
written by Dr. Frederick J. Spencer, M.D.; in Jazz and Death: Medical Profiles of Jazz Greats (Jackson, MS: University Press of Mississippi, 2002), 187-206
Field of Study
American Music
Author / Creator
Dr. Frederick J. Spencer, M.D.
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Scott Joplin, 1868-1917, Louis Chauvin, 1881-1908, Andy Razaf, 1895-, Tony Jackson, 1876-1921
Topic / Theme
African American, Syphilis, Prostitution, Paralysis, Death, African American Music, Jazz
Copyright Message
Copyright © 2002 by the University Press of Mississippi
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The Origins of Jazz Recordings
written by Rick Kennedy; in Jelly Roll, Bix and Hoagy: Gennett Studios and the Birth of Recorded Jazz (Bloomington, IN: Indiana University Press, 1994), 67-70
Sample
written by Rick Kennedy; in Jelly Roll, Bix and Hoagy: Gennett Studios and the Birth of Recorded Jazz (Bloomington, IN: Indiana University Press, 1994), 67-70
Field of Study
American Music
Content Type
General reference book
Author / Creator
Rick Kennedy
Date Published / Released
1994
Publisher
Indiana University Press
Person Discussed
Miff Mole, 1898-1961, Mamie Smith
Topic / Theme
African American, Musicians, Women, Performance practice, Audio recordings, Music industry, Record labels, African American Music, Jazz
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Jelly's Blues: The Life, Music and Redemption of Jelly Roll Morton
written by Howard Reich, fl. 2003 and William M. Gaines, 1922-1992 (Da Capo Press, 2003), 288 page(s)
Sample
written by Howard Reich, fl. 2003 and William M. Gaines, 1922-1992 (Da Capo Press, 2003), 288 page(s)
Field of Study
American Music
Content Type
Biography
Author / Creator
Howard Reich, fl. 2003, William M. Gaines, 1922-1992
Date Published / Released
2003
Publisher
Da Capo Press
Topic / Theme
African American Music, Blues
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His Style
written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 58-71
Sample
written by Walter Carl Allen, 1920- and Brian A. L. Rust, 1922-; in King Joe Oliver (Fjaltring, Central Jutland: Sidgwick & Jackson, 1958), 58-71
Field of Study
American Music
Content Type
General reference book
Author / Creator
Walter Carl Allen, 1920-, Brian A. L. Rust, 1922-
Date Published / Released
1958
Publisher
Sidgwick & Jackson
Person Discussed
King Oliver, 1881-1938, Thomas Carey, 1891-1948, Louis Armstrong, 1901-1971, Johnny Dodds, 1892-1940, George Mitchell, 1899-1972, Bob Shoffner, 1900-1983, Ed Allen, 1897-1974, Henry "Red" Allen, 1908-1967, Dave Nelson, 1905-1946, Jelly Roll Morton, 1890-1941
Topic / Theme
African American, Creole, Audio recordings, Performance practice, Performance criticism, Expression in performance, Improvisation, Cornett, Trumpet
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VIII. Ragtime and Musical Comedy
written by Alain LeRoy Locke, 1896-1954; in The Negro and His Music (Port Washington, NY: Kennikat Press, Inc., 1968), 62-74
Sample
written by Alain LeRoy Locke, 1896-1954; in The Negro and His Music (Port Washington, NY: Kennikat Press, Inc., 1968), 62-74
Field of Study
American Music
Content Type
General reference book
Author / Creator
Alain LeRoy Locke, 1896-1954
Date Published / Released
1968
Publisher
Kennikat Press, Inc.
Person Discussed
Will Marion Cook, 1869-1944
Topic / Theme
African American, American, Minstrel shows, Musicians, Songs, Performing ensembles, Musical instruments, Artistic collaboration, Musical meter and rhythm, Lyrics, Concerts, Performance influences, African American Music
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Chapter VIII: Musical Comedy
written by Maud Cuney-Hare, 1874-1936; in Negro Musicians and Their Music (New York, NY: G.K. Hall & Co., 1996), 173-194
Sample
written by Maud Cuney-Hare, 1874-1936; in Negro Musicians and Their Music (New York, NY: G.K. Hall & Co., 1996), 173-194
Field of Study
American Music
Content Type
General reference book
Author / Creator
Maud Cuney-Hare, 1874-1936
Date Published / Released
1996
Publisher
G.K. Hall & Co.
Person Discussed
Ernest Hogan, 1860-1909, Bert Williams, 1874-1922, George Walker, 1873-1911, J. Turner Layton, 1894-1978, James J. Vaughn, fl. 1902, Florence Mills, 1895-1927, Eubie Blake, 1887-1983, Noble Sissle, 1889-1975, Flournoy E. Miller, 1887-1971, Aubrey L. Lyles, 1884-1932, S. H. Dudley, 1864-1947, John Rosamond Johnson, 1873-1954, Bob Cole, 1868-1911, James Weldon Johnson, 1871-1938, Bill Robinson, 1878...
Ernest Hogan, 1860-1909, Bert Williams, 1874-1922, George Walker, 1873-1911, J. Turner Layton, 1894-1978, James J. Vaughn, fl. 1902, Florence Mills, 1895-1927, Eubie Blake, 1887-1983, Noble Sissle, 1889-1975, Flournoy E. Miller, 1887-1971, Aubrey L. Lyles, 1884-1932, S. H. Dudley, 1864-1947, John Rosamond Johnson, 1873-1954, Bob Cole, 1868-1911, James Weldon Johnson, 1871-1938, Bill Robinson, 1878-1949, Daniel L. Haynes, 1889-1954, Ulysses Chambers, fl. 1921, Will Marion Cook, 1869-1944
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Topic / Theme
African American, Musical performances, Actors, Singers, Composers, Theater buildings, Music composition, Performance criticism, African American Music
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Out of Sight: The Rise of African American Popular Music, 1889-1895Chapter 5. 1893: Black Music in the White City: African Americans and the 1893 World's Columbian Exposition
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 20 page(s)
Sample
written by Lynn Abbott, fl. 2002 and Doug Seroff, fl. 2002 (Jackson, MS: University Press of Mississippi, 2002), 20 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Lynn Abbott, fl. 2002, Doug Seroff, fl. 2002
Date Published / Released
2002
Publisher
University Press of Mississippi
Person Discussed
Theodore Thomas, fl. 1893, Ida B. Wells, 1862-1931, Frederick J. Loudin, 1836-1904, Frederick Douglass, 1818-1895, Sissieretta Jones, 1868-1933, Henry McNeal Turner, 1834-1915, Henry Edward Krehbiel, 1854-1923, Will Marion Cook, 1869-1944
Topic / Theme
African American, Dahomey, Fairs and festivals, Lynching, Segregation, Discrimination, Dance and dancing, Musicians, Entertainment industry, Race relations, Music theory, Musical meter and rhythm, Recording contracts, Performance criticism, Concerts, Performance influences, African American Music, World's Columbian Exposition, Chicago, May-Oct, 1893, Drum
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