Browse Titles - 8 results
See details
AFRYKAS et la boîte magique
directed by Isabel Rivero-Vilá, 1976-; produced by Isabel Rivero-Vilá, 1976-, Cinekap and New Direction Films (Privately Published, 2022), 1 hour 3 mins
AFRYKAS is a journey and a tribute to Senegalese cinema, its directors, women artists and the mothers who inspire us. The film helps us discover the vibrant city of Dakar and the daily life of our characters. The film showcases the beauty, talent and dreams of African filmmakers inspired by the mother figure in Se...
Sample
directed by Isabel Rivero-Vilá, 1976-; produced by Isabel Rivero-Vilá, 1976-, Cinekap and New Direction Films (Privately Published, 2022), 1 hour 3 mins
Description
AFRYKAS is a journey and a tribute to Senegalese cinema, its directors, women artists and the mothers who inspire us. The film helps us discover the vibrant city of Dakar and the daily life of our characters. The film showcases the beauty, talent and dreams of African filmmakers inspired by the mother figure in Senegalese society and dedicated to educating future generations.
Field of Study
Black Studies
Content Type
Documentary
Contributor
Isabel Rivero-Vilá, 1976-, Cinekap, New Direction Films
Author / Creator
Isabel Rivero-Vilá, 1976-
Date Published / Released
2022
Publisher
Privately Published
Topic / Theme
Actors, Film industry
Copyright Message
Copyright © 2023
×
See details
Aventures dans les Iles
directed by Valérie Pasteau; produced by aaa production (Montreuil, Ile-de-France: aaa production, 2015), 52 mins
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de male...
Sample
directed by Valérie Pasteau; produced by aaa production (Montreuil, Ile-de-France: aaa production, 2015), 52 mins
Description
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de malentendus. C’est ainsi que Jean Mugeli et Georges Péclet cèdent aux amalgames et importent dans leur cinéma l’imaginaire propre à...
Quatre histoires de cinéma en Nouvelle-Calédonie.Tourner un film en Nouvelle-Calédonie, voilà qui pourrait constituer un fantasme pour bon nombre de cinéastes. De 1930 à nos jours, plusieurs d’entre eux ont posé leur caméra dans l’archipel. Mais leur vision des iles a suscité un certain nombre de malentendus. C’est ainsi que Jean Mugeli et Georges Péclet cèdent aux amalgames et importent dans leur cinéma l’imaginaire propre à la Polynésie. Quant à Marie-France Pisier et Mathieu Kassovitz, ils se voient vivement critiqués en abordant des sujets encore délicats en 1990 et 2010 : la colonisation et la prise d’otage dans la grotte d’Ouvéa.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
aaa production
Author / Creator
Valérie Pasteau
Date Published / Released
2015
Publisher
aaa production
Person Discussed
Georges Péclet, fl. 1919-1957, Jean Mugeli, fl. 1937-1951, Mathieu Kassovitz, 1967-, Marie-France Pisier, 1944-2011
Topic / Theme
Film industry, Pacific Islanders
Copyright Message
Copyright © 2015 AAA Production
×
See details
Highlands Trilogy, 1, First Contact
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 52 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 52 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. College Adult This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, James Leahy, Daniel Leahy, 1912-1991, Richard Oxenburgh, fl. 1969-1982
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1983
Publisher
Filmakers Library
Series
Highlands Trilogy
Speaker / Narrator
Richard Oxenburgh, fl. 1969-1982
Person Discussed
Daniel Leahy, 1912-1991, James Leahy, Michael Leahy, 1901-1979
Topic / Theme
Papua New Guinean, Imperialism, Tribal and national groups, Cultural identity, Intercultural communication, Cultural change and history, Gold mines and mining, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Papua New Guineans
Copyright Message
Copyright © 1983. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 1, First Contact: Filmmaker Interviews
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 38 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 1 (New York, NY: Filmakers Library, 1983), 38 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. College Adult This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold. First Contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there.
Show more
Show less
Field of Study
Anthropology
Content Type
Interview
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, James Leahy, Daniel Leahy, 1912-1991, Peter Thomson
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1983
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
James Leahy, Daniel Leahy, 1912-1991, Peter Thomson, Michael Leahy, 1901-1979
Topic / Theme
Papua New Guinean, Imperialism, Tribal and national groups, Cultural identity, Intercultural communication, Cultural change and history, Gold mines and mining, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Papua New Guineans
Copyright Message
Copyright © 1983. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 3, Black Harvest: Film Discussion
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Film industry, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy (DER), 1, First Contact
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy (DER), 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy (DER), 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact.Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons.Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold.First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. Adult College
Show more
Show less
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1983
Publisher
Documentary Educational Resources (DER)
Series
Highlands Trilogy (DER)
Person Discussed
Michael Leahy, 1901-1979, James Leahy, Daniel Leahy, 1912-1991
Topic / Theme
Cultural adaptation, Anthropology, Cultural change and history, Gold mines and mining, Intercultural communication, Cultural identity, Imperialism, Tribal and national groups, Papua New Guineans
Copyright Message
© Documentary Educational Resources
×
See details
These Hands
directed by Flora M'mbugu-Schelling, fl. 1992; produced by Flora M'mbugu-Schelling, fl. 1992, Full Frame Production (California Newsreel, 1992), 46 mins
Who would have suspected that a 45 minute documentary about women crushing rocks, without narration or plot, would offer one of the most unforgettable and rewarding experiences of recent African cinema? Flora M'mbugu-Schelling's quiet tribute to women at the very bottom of the international economic order ultimate...
Sample
directed by Flora M'mbugu-Schelling, fl. 1992; produced by Flora M'mbugu-Schelling, fl. 1992, Full Frame Production (California Newsreel, 1992), 46 mins
Description
Who would have suspected that a 45 minute documentary about women crushing rocks, without narration or plot, would offer one of the most unforgettable and rewarding experiences of recent African cinema? Flora M'mbugu-Schelling's quiet tribute to women at the very bottom of the international economic order ultimately deepens into a mediation on human labor itself. These Hands will stimulate viewers to rethink documentary and to question their own...
Who would have suspected that a 45 minute documentary about women crushing rocks, without narration or plot, would offer one of the most unforgettable and rewarding experiences of recent African cinema? Flora M'mbugu-Schelling's quiet tribute to women at the very bottom of the international economic order ultimately deepens into a mediation on human labor itself. These Hands will stimulate viewers to rethink documentary and to question their own role as consumers in a global economy. In These Hands, the camera acts as a compassionate witness to a day in the life of Mozambican women refugees working in a quarry outside Dar es Salaam - the relentless toil, the tender childcare, the nostalgic songs and joyous dancing at day's end. We slowly come to recognize that these women are, in fact, parts of a giant machine, not just the quarry but the international economic system as a whole. The rocks, the women, the scarred landscape, are being constantly ground into the common currency of industrial civilization. As the film unspools, we, the viewers, look on powerless and complicit, realizing we too are enmeshed in this global mechanism of social, economic and ideological reproduction. Director Flora M'mbugu-Schelling has explained why she refused to interpret or romanticize these women's story, to reduce them to a simple political pose or anthropological point. "Certain things you can say with words and certain things you cannot find words for...The time has passed when we can use the classic documentary style. I don't want to offend my audience by telling them what they should see or feel." It is precisely this refusal of premature closure that makes viewers so much more aware of their relationship to the film and its protagonists.
Show more
Show less
Field of Study
Film
Content Type
Documentary
Contributor
Flora M'mbugu-Schelling, fl. 1992, Full Frame Production
Author / Creator
Flora M'mbugu-Schelling, fl. 1992
Date Published / Released
1992
Publisher
California Newsreel
Topic / Theme
Rock quarries and quarrying, Refugees, Women in workforce, Economic depressions, Tanzanians, Bantu
Copyright Message
Copyright © 1992 California Newsreel
×
See details
നാല് പെണ്ണുങ്ങള്
directed by Adoor Gopalakrishnan, 1941-; performed by Padmapriya, fl. 2004-2012, Nandita Das, 1969- and Geetu Mohandas, 1981- (India: Adoor Gopalakhrishnan Productions), 1 hour 41 mins
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be wi...
Sample
directed by Adoor Gopalakrishnan, 1941-; performed by Padmapriya, fl. 2004-2012, Nandita Das, 1969- and Geetu Mohandas, 1981- (India: Adoor Gopalakhrishnan Productions), 1 hour 41 mins
Description
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be with the love of her life. However, the couple's happiness is disrupted when they are caught sleeping on the pavement by the police who...
Based on the short story by Thakazhi Sivasankara Pillai, acclaimed director Adoor Gopalakrishnan's film version focuses on the lives of four women, each of whom is faced with a marital issue. The first story, 'The Prostitute,' features a young prostitute who has decided to give up her life on the streets to be with the love of her life. However, the couple's happiness is disrupted when they are caught sleeping on the pavement by the police who assume they have been engaging in illegal sexual activity. Unable to prove they are married, the couple is threatened with imprisonment. The second story, The 'Virgin,' focuses on a woman whose parents marry her off to a shopkeeper. However, unable to bring himself to be intimate with his new wife, the husband sends the young woman back to her mother and father. The third story, 'The Housewife,' features a married middle-aged woman who is unable to have children of her own. A visiting classmate offers an idea to help solve her problem, but his solution implies dire consequences. The final story involves a woman for whom her parents cannot find a husband. When her younger sister is offered a marriage proposal, the parents are faced with having to break tradition by marrying their youngest daughter off before their eldest. Awards/Festivals: Golden Lotus Award, Best Director, National Film Awards, India, 2009; Seattle International Film Festival 2008.
Show more
Show less
Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Padmapriya, fl. 2004-2012, Nandita Das, 1969-, Geetu Mohandas, 1981-
Contributor
Adoor Gopalakrishnan, 1941-
Author / Creator
Adoor Gopalakrishnan, 1941-, Padmapriya, fl. 2004-2012, Nandita Das, 1969-, Geetu Mohandas, 1981-
Date Published / Released
2007
Publisher
Adoor Gopalakhrishnan Productions
Topic / Theme
Indian, Relationships, Sexuality, Children, Gender roles, Prostitution, Arranged marriages, Indians (Asian)
Copyright Message
Copyright © 2007 Used by permission of Adoor Gopalakhrishnan Productions.
×
