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Boulez: A New Season
directed by Merrill Brockway, 1923-2013; composed by Joseph Haydn, 1732-1809; conducted by Pierre Boulez, 1925-2016; designed by Hal Lauter, fl. 1972; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; interview by James Macandrew, 1906-1988; performed by New York Philharmonic, in Boulez: A New Season (Kent, CT: Creative Arts Television, 1972), 28 mins
Pierre Boulez, Music Director of the New York Philharmonic, rehearses members of the New York Philharmonic in the three movement overture to Haydn's opera "The Improvised Meeting" (L'Incontro Improviso). Boulez discusses with Michael Tilson Thomas, Music Director of the Buffalo Philharmonic, music and various aspe...
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directed by Merrill Brockway, 1923-2013; composed by Joseph Haydn, 1732-1809; conducted by Pierre Boulez, 1925-2016; designed by Hal Lauter, fl. 1972; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; interview by James Macandrew, 1906-1988; performed by New York Philharmonic, in Boulez: A New Season (Kent, CT: Creative Arts Television, 1972), 28 mins
Description
Pierre Boulez, Music Director of the New York Philharmonic, rehearses members of the New York Philharmonic in the three movement overture to Haydn's opera "The Improvised Meeting" (L'Incontro Improviso). Boulez discusses with Michael Tilson Thomas, Music Director of the Buffalo Philharmonic, music and various aspects of the challenges of presenting music to audiences. Performance of the Overture :25 Boulez conducting Haydn in studio.:45 Program...
Pierre Boulez, Music Director of the New York Philharmonic, rehearses members of the New York Philharmonic in the three movement overture to Haydn's opera "The Improvised Meeting" (L'Incontro Improviso). Boulez discusses with Michael Tilson Thomas, Music Director of the Buffalo Philharmonic, music and various aspects of the challenges of presenting music to audiences. Performance of the Overture :25 Boulez conducting Haydn in studio.:45 Program host Jim MacAndrew explains this is first of two programs (the second is Stravinsky's "Concertino") rehearsed and conducted by Boulez.6:55 Boulez in conversation with Michael Tilson Thomas re programs. "Programs should be 'seasons.'" Explains why he chose Liszt last year and Haydn this year (1972). Both "not fully known composers." Haydn "not treated importantly." Haydn's "Masses" not known (except "The Nelson"). Boulez gives history of Haydn and his period and of his operas. They were not performed in Vienna, only in private for Prince Esterhazy. "L'Incontro Improviso" was related to Mozart's "Abduction from the Seraglio". 18th century opera was "escape theatre." Discusses instruments used and explains the three movement overture to "L'Incontro", calls it "not frozen Haydn." 11:00 Rehearsal of the Overture… "keeping together ... precise dotted 8th note ... no crescendo ... very smooth now ..." 14:00 Performance of the Overture (the three movements clearly separated).
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Date Written / Recorded
1972
Field of Study
Classical Music
Content Type
Performance, Interview
Performer / Ensemble
New York Philharmonic
Contributor
Pierre Boulez, 1925-2016, Larry Schneider, fl. 1964-1977, Hal Lauter, fl. 1972, Merrill Brockway, 1923-2013, Camera Three, New York, NY, Joseph Haydn, 1732-1809, Charles Grenier, fl. 1949-1972
Author / Creator
Joseph Haydn, 1732-1809, Merrill Brockway, 1923-2013, New York Philharmonic, James Macandrew, 1906-1988
Date Published / Released
1972
Publisher
Creative Arts Television
Person Discussed
Pierre Boulez, 1925-2016
Topic / Theme
Rehearsals, Performing ensembles, Music, Overture, Classical
Copyright Message
Copyright © 1972 Creative Arts Television
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