Browse Titles - 25 results
Alive & Kicking, Program 93, Carmen: El Baile
Alive & Kicking, Program 93, Estilos Flamencos
Art of Spain, Episode 1, The Moorish South
Arturo Sandoval - Live in England, 1992
Balkan Fever conducted by Kristjan Järvi
Chicuelo-Marco Mezquida
Céu: Noite Brasileira
Céu doesn’t fit in any box, and that’s perfect. Her 2005 self-titled debut album *CéU* propelled her to the forefront of the international music scene and a year after, Herbie Hancock invited her to perform the song "Tempo de Amor" by Baden Powell and Vinícius de Moraes in a duo. She performs here in 2017 a...
Céu doesn’t fit in any box, and that’s perfect. Her 2005 self-titled debut album *CéU* propelled her to the forefront of the international music scene and a year after, Herbie Hancock invited her to perform the song "Tempo de Amor" by Baden Powell and Vinícius de Moraes in a duo. She performs here in 2017 at the Moods Club, one year after the release of her latest album *Tropix*, whose musical direction was entrusted to Frenchman Hervé Sa...
Céu doesn’t fit in any box, and that’s perfect. Her 2005 self-titled debut album *CéU* propelled her to the forefront of the international music scene and a year after, Herbie Hancock invited her to perform the song "Tempo de Amor" by Baden Powell and Vinícius de Moraes in a duo. She performs here in 2017 at the Moods Club, one year after the release of her latest album *Tropix*, whose musical direction was entrusted to Frenchman Hervé Salters, aka General Elektriks.
Her voice touches and caresses: it is soft, smooth and powerful at the same time. The diversity and subtlety of her vocal range bewitches her audiences. On some tracks, synthetic and psychedelic pop resounds, on others, soul with the scent of choro: here is a concert with cosmopolitan flavours, a multicultural sound that comes straight from Brazil.
**Anaïs Christidis Guillemard**
Show more Show lessLes enfants de Django
The fine flower of gypsy jazz pays a vibrant tribute to his spiritual father onstage in Le Mans. An hour of joy and melancholy, Django-style.
You should see the smile on the faces of Stochelo Rosenberg, Romane and Marc Lebevillon when they kick off this concert in homage to Django Reinhardt on the stage of the Eur...
The fine flower of gypsy jazz pays a vibrant tribute to his spiritual father onstage in Le Mans. An hour of joy and melancholy, Django-style.
You should see the smile on the faces of Stochelo Rosenberg, Romane and Marc Lebevillon when they kick off this concert in homage to Django Reinhardt on the stage of the Europa Jazz Festival in 2011. It’s proof positive that the godfather of gypsy jazz has lost none of his aura and that his music continue...
The fine flower of gypsy jazz pays a vibrant tribute to his spiritual father onstage in Le Mans. An hour of joy and melancholy, Django-style.
You should see the smile on the faces of Stochelo Rosenberg, Romane and Marc Lebevillon when they kick off this concert in homage to Django Reinhardt on the stage of the Europa Jazz Festival in 2011. It’s proof positive that the godfather of gypsy jazz has lost none of his aura and that his music continues to inspire joy, melancholy and the spirit of resistance, even though more than 60 years have passed since his death.
Joined by Angelo Debarre and Christophe Cavero, these musicians are among the most famous successors to the guitarist with the burnt hand, an all-star band, Gypsy by adoption, that knows his repertoire inside and out and that continues to transmit its timeless beauty. There’s a little thing that bothers me when it comes to gypsy jazz, and it’s that people very often don’t lead it back to jazz. They talk about ethnic music and make an association with Tzigane music, which has absolutely nothing to do with it, explains Romane, who fell under its spell at a very early age, just like his onstage companions. Their frenzied strings and learned voices guide us throughout this moving film, a veritable ode to the composer of Minor Swing and Nuages. We’re all children of Django.
Michael Patin
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