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Irish Dance Music
Reg Hall brings together a comprehensive collection of traditional Irish dance music spanning from 1928-1963. Hall explains that much of the music collected on this album was made "largely as popular music for restricted sale to Irish country working-class people at home and in the ghettos in England and America"....
Reg Hall brings together a comprehensive collection of traditional Irish dance music spanning from 1928-1963. Hall explains that much of the music collected on this album was made "largely as popular music for restricted sale to Irish country working-class people at home and in the ghettos in England and America". The album thus provides a privileged insight into music that was previously unheard by the larger public. Jolly jigs, melodic reels an...
Reg Hall brings together a comprehensive collection of traditional Irish dance music spanning from 1928-1963. Hall explains that much of the music collected on this album was made "largely as popular music for restricted sale to Irish country working-class people at home and in the ghettos in England and America". The album thus provides a privileged insight into music that was previously unheard by the larger public. Jolly jigs, melodic reels and hornpipes exemplify the genres of Irish dance music through the years. Liner notes include an introduction by Reg Hall, as well as information on the performers and songs themselves.
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Irish Music from Cleveland, Vol. 2: The Community Tradition
Irish Music from Cleveland, Vol. 3: The Continuing Tradition
Irish Music in London Pubs
Full of lively music and uplifted voices, this collection of Irish music was released in 1965 after on-sight recording at The King’s Arms and The Bedford Arms in London. Recorders Ralph Rinzler and Barry Murphy thank the proprietors of these buildings for giving them use of the recording machine and “the fac...
Full of lively music and uplifted voices, this collection of Irish music was released in 1965 after on-sight recording at The King’s Arms and The Bedford Arms in London. Recorders Ralph Rinzler and Barry Murphy thank the proprietors of these buildings for giving them use of the recording machine and “the facilities of the place, including drinks.”
