Browse Titles - 53 results
Amanecer Andino
Bamboo-Tamboo, Bongo and Belair
Belly to Belly; Dancing Calypso
Nestled in the Port of Spain, the Tom Charles, Fitz Vaughn Bryan, Johnny Gomez and Clarence Curvan Orchestras as well as the Vin Cardinal Combo provide alternatively upbeat and sultry grooves for dancing. These Trinidadian ensembles are experts in the calypso, meringue, bolero, guaracha and mambo dance music ge...
Nestled in the Port of Spain, the Tom Charles, Fitz Vaughn Bryan, Johnny Gomez and Clarence Curvan Orchestras as well as the Vin Cardinal Combo provide alternatively upbeat and sultry grooves for dancing. These Trinidadian ensembles are experts in the calypso, meringue, bolero, guaracha and mambo dance music genres.
Bongo, Backra & Coolie: Jamaican Roots, Vol. 1
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convin...
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic acco...
Jamaican folk music blends African, European and East Indian (in dialect: Bongo, Backra and Coolie) roots into something distinctly Jamaican. Kumina, a magico-religious cult of predominantly rural peasantry, includes invocation of and possession by gods and ancestral spirits aided by songs and drumbeats. Convince, another magico-religious cult that likely originated among the Maroons of the Blue Mountains, differs from kumina on two basic accounts: ghosts called “duppies” rather than gods do the possessing and convince music never uses drums. Yet, kumina and convince share similar lineage from African cultural practices. Also sampled here are examples of “Hindustani” music intended for dancing. These selections use the tabla drum, the “Indian fiddle” (a bowed three-stringed instrument) and a nasal vocal tone. Volume Two (FW04232) continues with Zion Revival, quadrille bands and fife and drum music.
Show more Show less
Brute Force Steel Bands of Antigua
Caribbean Dances
Cruise the Caribbean during the mid-twentieth century heyday of "the society ballroom and the honky-tonk [music] of the West Indies." Stop by Martinique, the Virgin Islands, Guadeloupe, Trinidad, Antigua and Curacao; dance along to calypso, beguine, vals, videe, seven step, quadrille, bula waya and mambo.
Cruise the Caribbean during the mid-twentieth century heyday of "the society ballroom and the honky-tonk [music] of the West Indies." Stop by Martinique, the Virgin Islands, Guadeloupe, Trinidad, Antigua and Curacao; dance along to calypso, beguine, vals, videe, seven step, quadrille, bula waya and mambo.
Caribbean Folk Music, Vol. 1
Whether purely instrumental or with a chorus, each of these recordings manages to capture the spirit of the English, Spanish, and French speaking Caribbean. Many of the recordings are of dance music as music and dance are commonly linked in Caribbean cultures. Representing fifteen countries this collection spea...
Whether purely instrumental or with a chorus, each of these recordings manages to capture the spirit of the English, Spanish, and French speaking Caribbean. Many of the recordings are of dance music as music and dance are commonly linked in Caribbean cultures. Representing fifteen countries this collection speaks to the vibrant nature of the West Indies where even a song like “Nous Allons Dodo” or “We’re Going to Sleep” is anything s...
Whether purely instrumental or with a chorus, each of these recordings manages to capture the spirit of the English, Spanish, and French speaking Caribbean. Many of the recordings are of dance music as music and dance are commonly linked in Caribbean cultures. Representing fifteen countries this collection speaks to the vibrant nature of the West Indies where even a song like “Nous Allons Dodo” or “We’re Going to Sleep” is anything short of a lullaby.
Show more Show less
Conga de Santiago
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying exper...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African and American Indian heritage. Liner notes include information on the History of Carnaval, as well as song and instrument details. Some notation and lyrics.
Show more Show less
The Champion Steel Bands of Trinidad
Chapinlandia - Marimba Music of Guatemala
Anclados en siglos de tradición, la Marimba Chapinlandia y su música expresan el sonido “moderno” de la marimba que se desarrolló alrededor del siglo XX. Sus pegajosas melodías, armonías sentimentales y danzas rítmicas, son el sello característico del instrumento nacional de Guatemala, que trae consigo desde la colonia raíces africanas, indígenas y ladinas de Centro América. Tanto para las fiestas importantes como para los encuentros sociales, la marimba expresa todo el sentimiento guatemalteco como ninguna otra música. Show more Show less
