Browse Titles - 92 results
Alan Mills and Jean Carignan: Songs, Fiddle Tunes and a Folk-Tale from Canada
Anthology of Portuguese Music, Vol. 1: Tras-Os-Montes and Vol. 2: Algarve
Belly to Belly; Dancing Calypso
Nestled in the Port of Spain, the Tom Charles, Fitz Vaughn Bryan, Johnny Gomez and Clarence Curvan Orchestras as well as the Vin Cardinal Combo provide alternatively upbeat and sultry grooves for dancing. These Trinidadian ensembles are experts in the calypso, meringue, bolero, guaracha and mambo dance music ge...
Nestled in the Port of Spain, the Tom Charles, Fitz Vaughn Bryan, Johnny Gomez and Clarence Curvan Orchestras as well as the Vin Cardinal Combo provide alternatively upbeat and sultry grooves for dancing. These Trinidadian ensembles are experts in the calypso, meringue, bolero, guaracha and mambo dance music genres.
The Bora of the Pascoe River: Cape York Peninsula, Northeast Australia
Border Bash: Tex-Mex Dance Music, Vol. 2
"As boundaries go, the Rio Grande River which separates Texas and Mexico has never been much of a barrier between the two cultures. Daily, thousands of people cross the Rio Grande both legally and illegally. The result is a constant intermingling of cult...
"As boundaries go, the Rio Grande River which separates Texas and Mexico has never been much of a barrier between the two cultures. Daily, thousands of people cross the Rio Grande both legally and illegally. The result is a constant intermingling of cultures. Nowhere is this mixture of cultures as evident as in Tex-Mex music..."
Producido por Ben Tavera King. Grabado por Dubby Hankin... Produced by Ben Tavera King. Recorded by Dubby Hankins.
"As boundaries go, the Rio Grande River which separates Texas and Mexico has never been much of a barrier between the two cultures. Daily, thousands of people cross the Rio Grande both legally and illegally. The result is a constant intermingling of cultures. Nowhere is this mixture of cultures as evident as in Tex-Mex music..."
Producido por Ben Tavera King. Grabado por Dubby Hankins.
"En tanto de límites se trata, el Río Grande [Río Bravo] que separa Texas y México nunca ha sido una barrera infranqueable entre las dos culturas. Miles de personas cruzan diariamente el río, de manera legal o ilegal. El resultado es una constante mezcla de culturas, y en ningún lugar es más evidente la combinación que en la música Tex-Mex..."
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Brute Force Steel Bands of Antigua
Cape Breton Fiddle and Piano Music
Caribbean Dances
Cruise the Caribbean during the mid-twentieth century heyday of "the society ballroom and the honky-tonk [music] of the West Indies." Stop by Martinique, the Virgin Islands, Guadeloupe, Trinidad, Antigua and Curacao; dance along to calypso, beguine, vals, videe, seven step, quadrille, bula waya and mambo.
Cruise the Caribbean during the mid-twentieth century heyday of "the society ballroom and the honky-tonk [music] of the West Indies." Stop by Martinique, the Virgin Islands, Guadeloupe, Trinidad, Antigua and Curacao; dance along to calypso, beguine, vals, videe, seven step, quadrille, bula waya and mambo.
Carnaval in Cuba
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying exper...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African and American Indian heritage. Liner notes include information on the History of Carnaval, as well as song and instrument details. Some notation and lyrics.
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