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Dabuyabarugu: Inside the Temple - Sacred Music of the Garifuna of Belize
The Garifuna are descendants of escaped slaves who intermarried with native Carib and Arawak Indians. This album is a collection of music recorded during a dugu, a two week ceremonial feast that attempts to placate the gods. Requiring a year of preparation, and an ample supply of rum, the music heard on this al...
The Garifuna are descendants of escaped slaves who intermarried with native Carib and Arawak Indians. This album is a collection of music recorded during a dugu, a two week ceremonial feast that attempts to placate the gods. Requiring a year of preparation, and an ample supply of rum, the music heard on this album is meant to send one into a transient state.
Hassidic Tunes of Dancing and Rejoicing
Music from an Equatorial Microcosm: Fang Bwiti Music from Gabon Republic, Africa, with Mbiri Selections
Music of Guatemala, Vol. 2
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their...
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the culture... Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the cultures of rural Guatemala are the result of the confrontation over several centuries of two very different civilizations, the indigenous Mayan, and the Western, introduced by the Spanish in the 16th century. Both cultures have borrowed traits form the other, and this is nowhere more evident than in their music, which is a mixture of European, Indian, and perhaps also African elements..."
Jacques Jangoux
Producido y grabado por Jacques Jangoux.
"La música que se presenta en este álbum es típica de la Guatemala rural. Muchos de los habitantes de esta área son indios descendientes de los Mayas, pero también se pueden encontrar "ladinos" casi en todo el país rural guatemalteco, es decir, personas de diversos orígenes étnicos que hablan castellano en sus casas y han adoptado las costumbres ladinas, principalmente españolas. No completamente, porque ambas culturas de la Guatemala rural son el resultado de una confrontación de varios siglos entre civilizaciones muy diferentes, la Maya y la occidental, introducida por los españoles en el siglo XVI. Ambas culturas han tomado algunos rasgos de la otra, y esto no puede ser más evidente en ningún otro sitio que es su música, que es una mezcla de elementos europeos, indígenas y quizá también africanos..."
Jacques Jangoux
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Traditional Songs of the Western Torres Straits, South Pacific
One might plausibly assert that the Melanesians of the western Torres Strait have moved along with the world, turning to new cultural practices and losing interest in the traditions perceived as old and outdated once Western ideas and technologies reached the islands’ shores. The liner notes explain that most...
One might plausibly assert that the Melanesians of the western Torres Strait have moved along with the world, turning to new cultural practices and losing interest in the traditions perceived as old and outdated once Western ideas and technologies reached the islands’ shores. The liner notes explain that most of the songs and dances on this recording are documentations of a now extinct tradition that largely disappeared around the turn of the...
One might plausibly assert that the Melanesians of the western Torres Strait have moved along with the world, turning to new cultural practices and losing interest in the traditions perceived as old and outdated once Western ideas and technologies reached the islands’ shores. The liner notes explain that most of the songs and dances on this recording are documentations of a now extinct tradition that largely disappeared around the turn of the twentieth century, in fact asserting that this recording may have been the last time many of the songs were ever performed. This aside, the legends and folk tales woven into chants and drumming provide a compelling look into the past.
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