Browse Titles - 85 results
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3 Violin Sonatas/21 Hungarian Dances
produced by Da-Hong Seetoo; performed by Aaron Rosand (Musical Concepts, 2012), 2 hours 7 mins
Sample
produced by Da-Hong Seetoo; performed by Aaron Rosand (Musical Concepts, 2012), 2 hours 7 mins
Date Written / Recorded
1993
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Aaron Rosand
Contributor
Da-Hong Seetoo
Author / Creator
Aaron Rosand
Date Published / Released
2012
Publisher
Musical Concepts
Copyright Message
Copyright 2012 by Musical Concepts
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12 Danzas Espanolas
composed by Enrique Granados (y Campiña), 1867-1916; produced by Robert Woods, 1947-; performed by Angel Romero and Celedonio Romero (Telarc, 1991), 59 mins
Sample
composed by Enrique Granados (y Campiña), 1867-1916; produced by Robert Woods, 1947-; performed by Angel Romero and Celedonio Romero (Telarc, 1991), 59 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Angel Romero, Celedonio Romero
Contributor
Bruce Leek, Robert Woods, 1947-
Author / Creator
Enrique Granados (y Campiña), 1867-1916, Angel Romero, Celedonio Romero
Date Published / Released
1991
Publisher
Telarc
Copyright Message
Copyright © 1991. Used by permission of Telarc International Corporation. All rights reserved.
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The 21 Hungarian Dances
composed by Johannes Brahms, 1833-1897; performed by Oscar Shumsky, 1917-2000 and Frank Maus (MusicMasters, 1998), 52 mins
Sample
composed by Johannes Brahms, 1833-1897; performed by Oscar Shumsky, 1917-2000 and Frank Maus (MusicMasters, 1998), 52 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Oscar Shumsky, 1917-2000, Frank Maus
Author / Creator
Johannes Brahms, 1833-1897, Oscar Shumsky, 1917-2000, Frank Maus
Date Published / Released
1998-01-01
Publisher
MusicMasters
Copyright Message
1998 Amerco, LLC.
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(Claves Records, 2008), 17 mins
Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2008-12-01
Publisher
Claves Records
Copyright Message
2008 Claves Records
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Sonate per Tromba e Organo
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Sample
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Date Written / Recorded
1989-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Contributor
Roberto Chinellato, Alessandro Nava
Author / Creator
Girolamo Fantini, 1600-1675, Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Publisher
Nuova Era
Series
Ancient music
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The Art of Rachmaninov, Vol. 8
performed by Sergey Vasil'yevich Rachmaninov, 1873-1943 (Classical Records, 2006), 1 hour 9 mins
Sample
performed by Sergey Vasil'yevich Rachmaninov, 1873-1943 (Classical Records, 2006), 1 hour 9 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Sergey Vasil'yevich Rachmaninov, 1873-1943
Author / Creator
Sergey Vasil'yevich Rachmaninov, 1873-1943
Date Published / Released
2006-02-07
Publisher
Classical Records
Copyright Message
2005 Classical Records
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The Art of the Recorder
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently ju...
Sample
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Description
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness t...
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields. Contemporary performances of the Italian concertos here may have a bit more zip, but actually the group serves as a nicely restrained foil for Petri, who can easily hold the spotlight all by herself. Her sheer technical facility continues to amaze in the little-known French works of the eighteenth century mixed in the program. About the only complaint is the short shrift given to contemporary music, which Petri has championed energetically, both in Denmark and internationally. Despite the inclusion in the booklet of an entire section devoted to the twentieth century, the only contemporary work included is Gordon Jacob's Suite for recorder and strings -- an explicitly neo-Baroque work that is not even typical of the music Petri has commissioned for the instrument. Nevertheless, all the music in this box is worth having and hearing. Listen to the sharp registral leaps in the Allegro molto finale of Vivaldi's Concerto in C for flautino, RV 443 (CD 1, track 3): nobody does these as crisply as Petri does. A nice resource for those who enjoy Baroque recorder music. ~ James Manheim, All Music Guide
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Date Written / Recorded
1989
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Trio Sonnerie, Marion Verbruggen
Contributor
Nicholas Parker, Nick Parker, fl. 1980
Author / Creator
Giovanni Battista Fontana, 1571-1630, Trio Sonnerie, Marion Verbruggen
Publisher
Gaudeamus
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Encores
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Sample
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Contributor
Martin Haskell, Andrew Keener, 1954-
Author / Creator
Paul Reade, 1943-1997, Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Date Published / Released
1993
Publisher
ASV
Series
ASV digital
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Bartok: Music for Violin and Piano
composed by Béla Bartók, 1881-1945; produced by Lindsay Pell; performed by Susanne Stanzeleit and Gustáv Fenyõ (ASV), 1 hour 4 mins
Sample
composed by Béla Bartók, 1881-1945; produced by Lindsay Pell; performed by Susanne Stanzeleit and Gustáv Fenyõ (ASV), 1 hour 4 mins
Date Written / Recorded
1993
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Susanne Stanzeleit, Gustáv Fenyõ
Contributor
Philip Hobbs, Lindsay Pell
Author / Creator
Béla Bartók, 1881-1945, Susanne Stanzeleit, Gustáv Fenyõ
Publisher
ASV
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BBC Proms, Hungarian Dance No. 5
directed by Matthew Woodward, fl. 1998; composed by Johannes Brahms, 1833-1897 (1880); conducted by Jiří Bělohlávek, 1946-; presented by Katie Derham, 1970-; produced by Julie Heptonstall, British Broadcasting Corporation; performed by Benjamin Grosvenor, 1992-, BBC Symphony Orchestra, in BBC Proms (London, England: BBC Worldwide, 2011), 5 mins
Established by Sir Henry Wood in 1895, the aim of the Proms has always been to present the widest possible range of music, performed to the highest standards, to large audiences. This year's First Night offers a varied taster for the new season, building to one of Janacek's most visceral and optimistic works - the...
Sample
directed by Matthew Woodward, fl. 1998; composed by Johannes Brahms, 1833-1897 (1880); conducted by Jiří Bělohlávek, 1946-; presented by Katie Derham, 1970-; produced by Julie Heptonstall, British Broadcasting Corporation; performed by Benjamin Grosvenor, 1992-, BBC Symphony Orchestra, in BBC Proms (London, England: BBC Worldwide, 2011), 5 mins
Description
Established by Sir Henry Wood in 1895, the aim of the Proms has always been to present the widest possible range of music, performed to the highest standards, to large audiences. This year's First Night offers a varied taster for the new season, building to one of Janacek's most visceral and optimistic works - the extraordinary celebration of Slavic culture, the Glagolitic Mass.
Date Written / Recorded
1880
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
BBC Symphony Orchestra, Benjamin Grosvenor, 1992-
Contributor
Jiří Bělohlávek, 1946-, Julie Heptonstall, British Broadcasting Corporation
Author / Creator
Johannes Brahms, 1833-1897, Matthew Woodward, fl. 1998, BBC Symphony Orchestra, Benjamin Grosvenor, 1992-, Katie Derham, 1970-
Date Published / Released
2011
Publisher
BBC Worldwide
Series
BBC Proms
Copyright Message
Copyright © 2011 BBC Worldwide
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