Browse Titles - 8 results
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Sonate per Tromba e Organo
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Sample
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Date Written / Recorded
1989-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Contributor
Roberto Chinellato, Alessandro Nava
Author / Creator
Girolamo Fantini, 1600-1675, Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Publisher
Nuova Era
Series
Ancient music
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The Art of the Recorder
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently ju...
Sample
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Description
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness t...
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields. Contemporary performances of the Italian concertos here may have a bit more zip, but actually the group serves as a nicely restrained foil for Petri, who can easily hold the spotlight all by herself. Her sheer technical facility continues to amaze in the little-known French works of the eighteenth century mixed in the program. About the only complaint is the short shrift given to contemporary music, which Petri has championed energetically, both in Denmark and internationally. Despite the inclusion in the booklet of an entire section devoted to the twentieth century, the only contemporary work included is Gordon Jacob's Suite for recorder and strings -- an explicitly neo-Baroque work that is not even typical of the music Petri has commissioned for the instrument. Nevertheless, all the music in this box is worth having and hearing. Listen to the sharp registral leaps in the Allegro molto finale of Vivaldi's Concerto in C for flautino, RV 443 (CD 1, track 3): nobody does these as crisply as Petri does. A nice resource for those who enjoy Baroque recorder music. ~ James Manheim, All Music Guide
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Date Written / Recorded
1989
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Trio Sonnerie, Marion Verbruggen
Contributor
Nicholas Parker, Nick Parker, fl. 1980
Author / Creator
Giovanni Battista Fontana, 1571-1630, Trio Sonnerie, Marion Verbruggen
Publisher
Gaudeamus
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Bartok: Music for Violin and Piano
composed by Béla Bartók, 1881-1945; produced by Lindsay Pell; performed by Susanne Stanzeleit and Gustáv Fenyõ (ASV), 1 hour 4 mins
Sample
composed by Béla Bartók, 1881-1945; produced by Lindsay Pell; performed by Susanne Stanzeleit and Gustáv Fenyõ (ASV), 1 hour 4 mins
Date Written / Recorded
1993
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Susanne Stanzeleit, Gustáv Fenyõ
Contributor
Philip Hobbs, Lindsay Pell
Author / Creator
Béla Bartók, 1881-1945, Susanne Stanzeleit, Gustáv Fenyõ
Publisher
ASV
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The Flute Album
performed by Michael Parloff, Gerald Ranck and Warren Jones (Essay, 1993), 1 hour 10 mins
Sample
performed by Michael Parloff, Gerald Ranck and Warren Jones (Essay, 1993), 1 hour 10 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Michael Parloff, Gerald Ranck, Warren Jones
Author / Creator
Michael Parloff, Gerald Ranck, Warren Jones
Date Published / Released
1993
Publisher
Essay
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Medtner: Sonata-skazka for piano in Cm; Quintet in C
composed by Nicolas Medtner, 1880-1951; produced by Jeremy Hayes; performed by Hamish Milne, Boris Berezovsky, Kenneth Sillito, Malcolm Latchem, Robert Smissen and Stephen Orton (CRD), 1 hour 10 mins
Sample
composed by Nicolas Medtner, 1880-1951; produced by Jeremy Hayes; performed by Hamish Milne, Boris Berezovsky, Kenneth Sillito, Malcolm Latchem, Robert Smissen and Stephen Orton (CRD), 1 hour 10 mins
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Hamish Milne, Boris Berezovsky, Kenneth Sillito, Malcolm Latchem, Robert Smissen, Stephen Orton
Contributor
Steve Portnoi, Jeremy Hayes
Author / Creator
Nicolas Medtner, 1880-1951, Hamish Milne, Boris Berezovsky, Kenneth Sillito, Malcolm Latchem, Robert Smissen, Stephen Orton
Publisher
CRD
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Musica da Camera - L. Crescini · G. Pianezzola · S. Heger
composed by Aldo Finzi, 1897-1945; produced by Riccardo Caramella; performed by Giambattista Pianezzola, Simonetta Heger and Laura Crescini, Quartetto Erasmus (Nuova Era), 1 hour 13 mins
Sample
composed by Aldo Finzi, 1897-1945; produced by Riccardo Caramella; performed by Giambattista Pianezzola, Simonetta Heger and Laura Crescini, Quartetto Erasmus (Nuova Era), 1 hour 13 mins
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Quartetto Erasmus, Giambattista Pianezzola, Simonetta Heger, Laura Crescini
Contributor
Luigi Oselin, fl. 1994, Riccardo Caramella
Author / Creator
Aldo Finzi, 1897-1945, Quartetto Erasmus, Giambattista Pianezzola, Simonetta Heger, Laura Crescini
Publisher
Nuova Era
Tracks
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A Portrait of the Viola
produced by Max Wilcox; performed by Helen Callus and Robert McDonald (ASV), 1 hour 6 mins
Sample
produced by Max Wilcox; performed by Helen Callus and Robert McDonald (ASV), 1 hour 6 mins
Date Written / Recorded
2001-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Helen Callus, Robert McDonald
Contributor
Max Wilcox
Author / Creator
Helen Callus, Robert McDonald
Publisher
ASV
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Stravinsky: Music for Piano (1911-1942)
produced by William Daghlian; performed by Aleck Karis, fl. 1990 and Robert Lubin (Bridge), 1 hour 12 mins
Sample
produced by William Daghlian; performed by Aleck Karis, fl. 1990 and Robert Lubin (Bridge), 1 hour 12 mins
Date Written / Recorded
1993-03-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Aleck Karis, fl. 1990, Robert Lubin
Contributor
Mike von Kurtzfrau, William Daghlian
Author / Creator
Aleck Karis, fl. 1990, Robert Lubin
Publisher
Bridge
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