Browse Titles - 168 results
![[16] A dance](https://d3crmev290s45i.cloudfront.net/private-content/1003423xxx/1003423533/1003423533-size-exact-140x0.jpg?Expires=1685615872&Signature=y~rhTmmvUXAT1nI~NSh00j5uUSNxEIaf~pAlUDnk67DbEqb0GwAYGlVPjwO46Wk-xV6IbRDmXR-k0DhCqL-Mpr8UjEi5CLd0pKnD477o~uvwUWEkH8gUASi7qGiW4qMuFNx-~i20MvB3K-ker-DPWeRZ2v5kNKEUWuP8tLyulhoNLyPrvmugb7WCps-T-ho-tQEJhgYA~IHMJZz5~AWFOzGpMUTGO3tTPhYOV3ApgzkIdlFo7a7qo1igX5zwJdUBZ3lwCKuR3D3uMFiV6MkKUFiWTXbdSRH6ZAgpQp7rQVzJ6E8AP7x-yna77fOgKb3yyruXTJNcpf-9CIcl~XTkpA__&Key-Pair-Id=APKAIYBBFISOSAGCCZWA "[16] A dance")
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[16] A dance
edited by Martha Maas; composed by Anonymous (1660), [16] A dance (Middleton, WI: A-R Editions, Inc., 1974), 1 page(s)
Sample
edited by Martha Maas; composed by Anonymous (1660), [16] A dance (Middleton, WI: A-R Editions, Inc., 1974), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1660
Field of Study
Classical Music
Content Type
Score
Contributor
Martha Maas
Author / Creator
Anonymous
Date Published / Released
1974
Publisher
A-R Editions, Inc.
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2001 TMEA: Texas Tech University Symphonic Wind Ensemble
performed by Texas Tech University Symphonic Wind Ensemble (Mark Custom, 2001), 50 mins
Sample
performed by Texas Tech University Symphonic Wind Ensemble (Mark Custom, 2001), 50 mins
Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Texas Tech University Symphonic Wind Ensemble
Author / Creator
Texas Tech University Symphonic Wind Ensemble
Date Published / Released
2001
Publisher
Mark Custom
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Alan Mills and Jean Carignan: Songs, Fiddle Tunes and a Folk-Tale from Canada
(Folkways Records, 1961), 47 mins
Sample
(Folkways Records, 1961), 47 mins
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1961
Publisher
Folkways Records
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Alfredo Catalani: Complete Piano Music/"Impressioni" (10)
composed by Alfredo Catalani, 1854-1893; produced by Andrew Keener, 1954-; performed by Pietro Spada (ASV), 1 hour 19 mins
Sample
composed by Alfredo Catalani, 1854-1893; produced by Andrew Keener, 1954-; performed by Pietro Spada (ASV), 1 hour 19 mins
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Pietro Spada
Contributor
Mike Clements, Andrew Keener, 1954-
Author / Creator
Alfredo Catalani, 1854-1893, Pietro Spada
Publisher
ASV
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American Folk Song Festival: Jean Thomas, The Traipsin' Woman
produced by Jean Bell Thomas, 1882-1982 (Folkways Records, 1960), 54 mins
Created in 1931, the American Folk Song Festival helped Kentucky mountain singers share their music with the world. Perhaps more relevantly, it allowed the rest of the world to hear the music of these singers, including members of the Hatfield and McCoy families. This album was recorded in the 1950s, and feature...
Sample
produced by Jean Bell Thomas, 1882-1982 (Folkways Records, 1960), 54 mins
Description
Created in 1931, the American Folk Song Festival helped Kentucky mountain singers share their music with the world. Perhaps more relevantly, it allowed the rest of the world to hear the music of these singers, including members of the Hatfield and McCoy families. This album was recorded in the 1950s, and features singers of all ages.
Field of Study
American Music
Content Type
Music recording
Contributor
Jean Bell Thomas, 1882-1982
Date Published / Released
1960
Publisher
Folkways Records
Tracks
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Amy Beach Vol. 1: Solo Piano Music: By the Still Waters
composed by Amy Beach, 1867-1944; produced by Adam Abeshouse, fl. 1999; performed by Joanne Polk (Arabesque), 1 hour 8 mins
Sample
composed by Amy Beach, 1867-1944; produced by Adam Abeshouse, fl. 1999; performed by Joanne Polk (Arabesque), 1 hour 8 mins
Date Written / Recorded
1996-08-08
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Joanne Polk
Contributor
Adam Abeshouse, fl. 1999
Author / Creator
Amy Beach, 1867-1944, Joanne Polk
Publisher
Arabesque
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Sonate per Tromba e Organo
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Sample
composed by Girolamo Fantini, 1600-1675; produced by Alessandro Nava; performed by Gabriele Cassone, Antonio Frigé, 1958- and Walter Morelli, in Ancient music (Nuova Era), 1 hour 38 mins
Date Written / Recorded
1989-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Contributor
Roberto Chinellato, Alessandro Nava
Author / Creator
Girolamo Fantini, 1600-1675, Gabriele Cassone, Antonio Frigé, 1958-, Walter Morelli
Publisher
Nuova Era
Series
Ancient music
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Angela Hewitt-Granados: 12 Spanish Dances
composed by Enrique Granados (y Campiña), 1867-1916; produced by Keith Horner; performed by Angela Hewitt (CBC Records), 1 hour 6 mins
Sample
composed by Enrique Granados (y Campiña), 1867-1916; produced by Keith Horner; performed by Angela Hewitt (CBC Records), 1 hour 6 mins
Date Written / Recorded
1994-02-24
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Angela Hewitt
Contributor
Ed Marshall, fl. 1953, Keith Horner
Author / Creator
Enrique Granados (y Campiña), 1867-1916, Angela Hewitt
Publisher
CBC Records
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Encores
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Sample
composed by Paul Reade, 1943-1997; produced by Andrew Keener, 1954-; performed by Emma Johnson, 1966-, Skaila Kanga and Julius Drake, in ASV digital (ASV, 1993), 1 hour 8 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Contributor
Martin Haskell, Andrew Keener, 1954-
Author / Creator
Paul Reade, 1943-1997, Emma Johnson, 1966-, Skaila Kanga, Julius Drake
Date Published / Released
1993
Publisher
ASV
Series
ASV digital
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Bartok: Piano Music
composed by Béla Bartók, 1881-1945; produced by Roy Emerson; performed by Peter Frankl (ASV), 8 hours 1 mins
French Bartók? Isn't that a contradiction in terms? After all, doesn't French mean smooth, refined, and elegant? And doesn't Bartók mean raw, angular, and brutal? Yes and no. French, modernist French, can also mean hard, harsh, and edgy, and Bartók, at least some Bartók, can also mean cool, considered, and con...
Sample
composed by Béla Bartók, 1881-1945; produced by Roy Emerson; performed by Peter Frankl (ASV), 8 hours 1 mins
Description
French Bartók? Isn't that a contradiction in terms? After all, doesn't French mean smooth, refined, and elegant? And doesn't Bartók mean raw, angular, and brutal? Yes and no. French, modernist French, can also mean hard, harsh, and edgy, and Bartók, at least some Bartók, can also mean cool, considered, and concentrated. In this two-disc set of piano music recorded between 1974 and 1976, French modernist piano player Michel Béroff meets Hunga...
French Bartók? Isn't that a contradiction in terms? After all, doesn't French mean smooth, refined, and elegant? And doesn't Bartók mean raw, angular, and brutal? Yes and no. French, modernist French, can also mean hard, harsh, and edgy, and Bartók, at least some Bartók, can also mean cool, considered, and concentrated. In this two-disc set of piano music recorded between 1974 and 1976, French modernist piano player Michel Béroff meets Hungarian modernist composer Bartók, and, perhaps to the amazement of some, finds common ground. Béroff's tone is big, his touch is muscular, and his sense of rhythm is rock solid, all qualities that fit Bartók to a T. Listen to Béroff launch into the sets of Romanian, Hungarian, and Bulgarian dances that start off the set, listen to his fierce attacks, his keen accents, and his propulsive rhythms: is this not Bartók playing of the first rank? Then listen to Béroff tear into the sonata and the sonatina that follows, listen to his masterful sforzandos, his magisterial cross-rhythms, and his complete command of asymmetrical form: is this not Bartók playing of the highest order? And while it's true the Béroff may come down a bit too hard on the Ten Easy Pieces and the selections from For Children, no one could debate his intensity or his dedication. For listeners used to Hungarian pianists playing Bartók, Béroff may seem perhaps too French at first, but anyone with a fondness for the Hungarian composer will surely come to appreciate Béroff's virtuoso technique and his modernist approach. EMI's late stereo recordings are clear, warm, and honest. ~ James Leonard, All Music Guide
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Date Written / Recorded
1989-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Peter Frankl
Contributor
Martin Haskell, Roy Emerson
Author / Creator
Béla Bartók, 1881-1945, Peter Frankl
Publisher
ASV
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