Browse Titles - 17 results
Alan Mills and Jean Carignan: Songs, Fiddle Tunes and a Folk-Tale from Canada
American Folk Song Festival: Jean Thomas, The Traipsin' Woman
Cambodia: Traditional Music, Vol. 2: Tribe Music, Folk Music and Popular Dances
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the ins...
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the instruments on which the songs were performed for fear that "with the advent of modernization, many kinds of Cambodian music will disappea...
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the instruments on which the songs were performed for fear that "with the advent of modernization, many kinds of Cambodian music will disappear." Liner notes include detailed information on the musical instruments.
Show more Show lessThe Demonstration Collection of E.M. von Hornbostel and the Berlin Phonogramm-Archiv
Essay in Ragtime: Ragtime Piano Classics
Facundo Gonzáles: New Mexican Violinista
Kenneth M. Bilby
"La pequeña villa de Chamisal está ubicada en las faldas de las montañas Sangre de Cristo, al noreste de Santa Fe, con una población de varios cientos de personas, en su mayoría hispano-americanos. Esta tranquila aldea campesina es el hogar de Facundo Gonzales, un sobresaliente violinista. El señor Gonzales, que tenía setenta y ocho años de edad en el momento de la grabación, ha estado tocando el violín por más de seis décadas. El aprendió a interpretar el instrumento hace mucho tiempo, como parte del tradicional dúo violín-guitarra que acompaña las danzas folclóricas ‘hispano-coloniales’..."
Kenneth M. Bilby
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