Browse Titles - 13 results
American Folk Song Festival: Jean Thomas, The Traipsin' Woman
Between the Sound and the Sea: Music of the North Carolina Outer Banks
Dock Boggs, Vol. 3
Moran "Dock" Boggs, miner and musician, was first recognized for his "unorthodox" playing style. His popularity only grew after he was featured on the Anthology of American Folk Music (SFW40090) in 1952 and made Boggs one of the most influential musicians in America. This third installment of Boggs’ music on...
Moran "Dock" Boggs, miner and musician, was first recognized for his "unorthodox" playing style. His popularity only grew after he was featured on the Anthology of American Folk Music (SFW40090) in 1952 and made Boggs one of the most influential musicians in America. This third installment of Boggs’ music on Folkways includes the classics "Turkey in the Straw" and the haunting "Prayer of a Miner’s Child." Extensive liner notes accompany...
Moran "Dock" Boggs, miner and musician, was first recognized for his "unorthodox" playing style. His popularity only grew after he was featured on the Anthology of American Folk Music (SFW40090) in 1952 and made Boggs one of the most influential musicians in America. This third installment of Boggs’ music on Folkways includes the classics "Turkey in the Straw" and the haunting "Prayer of a Miner’s Child." Extensive liner notes accompany this album and include facsimiles of some of Boggs’ original handwritten lyrics.
Show more Show lessElizabeth Cotten, Volume 3: When I'm Gone
Folk Music of Washington Square
Kevin Roth Sings and Plays Dulcimer
Louisiana Creole Music
Mary Lou Williams: The Asch Recordings 1944-47
This double set brings together thirty-five sides recorded by Mary Lou Williams for Moses Asch between 1944 and 1947. Twenty-eight of these songs were previously only released on 78 rpm, and this collection includes solo and trio performances, as well as small-group and big band recordings.
This double set brings together thirty-five sides recorded by Mary Lou Williams for Moses Asch between 1944 and 1947. Twenty-eight of these songs were previously only released on 78 rpm, and this collection includes solo and trio performances, as well as small-group and big band recordings.