Browse Titles - 5 results
American Debuts
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 5 hours 8 mins
Sample
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 5 hours 8 mins
Date Written / Recorded
1992
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Max Lifchitz, 1948-
Contributor
James McLean, Max Lifchitz, 1948-
Author / Creator
Max Lifchitz, 1948-
Publisher
North-South
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Erik Satie: Menus propos enfantins; Enfantillages pittoresques; Peccadiles importunes
composed by Erik Satie, 1866-1925; produced by Ivan Pastor, fl. 1986; performed by France Clidat (Forlane CI), 1 hour 4 mins
Sample
composed by Erik Satie, 1866-1925; produced by Ivan Pastor, fl. 1986; performed by France Clidat (Forlane CI), 1 hour 4 mins
Date Written / Recorded
1982-01-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
France Clidat
Contributor
Jean-Martial Golaz, fl. 1982, Ivan Pastor, fl. 1986
Author / Creator
Erik Satie, 1866-1925, France Clidat
Publisher
Forlane CI
Tracks
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The Essential Emma Johnson
conducted by Raymond Leppard, 1927-; produced by Ray Crick; performed by Emma Johnson, 1966-, Julius Drake, Gordon Back and Malcolm Martineau, English Chamber Orchestra (ASV), 2 mins
Sample
conducted by Raymond Leppard, 1927-; produced by Ray Crick; performed by Emma Johnson, 1966-, Julius Drake, Gordon Back and Malcolm Martineau, English Chamber Orchestra (ASV), 2 mins
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
English Chamber Orchestra, Emma Johnson, 1966-, Julius Drake, Gordon Back, Malcolm Martineau
Contributor
Raymond Leppard, 1927-, Ray Crick
Author / Creator
English Chamber Orchestra, Emma Johnson, 1966-, Julius Drake, Gordon Back, Malcolm Martineau
Publisher
ASV
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Encore
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a differe...
Sample
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Description
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andr...
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of {+The Phantom of the Opera} and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection. There are four songs recorded for those album sessions that were not released -- Lloyd Webber's "Whistle Down the Wind," Burton Lane and Alan Jay Lerner's "One More Walk Around the Garden," Stephen Sondheim's "What More Do I Need," and George and Ira Gershwin's "In the Mandarin's Orchid Garden." The last three, fairly obscure songs by well-known show-music songwriters, are typical of the non-Lloyd Webber choices found on The Songs That Got Away and Surrender. Also typical are the Lloyd Webber oddities, such as Italian-language versions of "With One Look" from {+Sunset Boulevard} and "Memory" from {+Cats}. If the mixed bag of material works, it's because of the unflappable Brightman, who doesn't only gamely undertake the selections, but throws herself into them, making "Piano" (as "Memory" somehow comes out in Italian) sound like an opera selection. "What More Do I Need," a comic celebration of love in dirty old New York, is beyond her, but not much else is. ~ William Ruhlmann, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Contributor
Glenn Gould, 1932-1982
Author / Creator
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Date Published / Released
2001
Publisher
CBC Records
Series
Musica viva
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Works For Piano
composed by Erik Satie, 1866-1925; produced by Ivan Pastor, fl. 1986; performed by France Clidat (Forlane CI), 1 hour 12 mins
Sample
composed by Erik Satie, 1866-1925; produced by Ivan Pastor, fl. 1986; performed by France Clidat (Forlane CI), 1 hour 12 mins
Date Written / Recorded
1980-01-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
France Clidat
Contributor
Jean-Martial Golaz, fl. 1982, Ivan Pastor, fl. 1986
Author / Creator
Erik Satie, 1866-1925, France Clidat
Publisher
Forlane CI
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