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[32] Madonna mia pietà, Op. 1
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edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 and Emanuel Adrianssen, 1554-1604 (1555), [32] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 5 page(s)
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edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 and Emanuel Adrianssen, 1554-1604 (1555), [32] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 5 page(s)
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[37] Madonna mia pietà, Op. 1
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edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 (1555), [37] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 3 page(s)
Sample
edited by Donna G. Cardamone, 1938-2009; composed by Orlande de Lassus (Orlando di Lasso), 1532-1594 (1555), [37] Madonna mia pietà (Middleton, WI: A-R Editions, Inc., 1991), 3 page(s)
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Things that Gain
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composed by Gerald Barry, 1952-; produced by Christopher Craker, 1959-; performed by Kevin Volans, 1949-, Gerald Barry, 1952-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster and Robert Ault, Xenia Ensemble, in 20th century Irish series (Black Box), 1 hour
Sample
composed by Gerald Barry, 1952-; produced by Christopher Craker, 1959-; performed by Kevin Volans, 1949-, Gerald Barry, 1952-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster and Robert Ault, Xenia Ensemble, in 20th century Irish series (Black Box), 1 hour
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Aaron Copland: 81st Birthday Concert
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composed by Aaron Copland, 1900-1990; produced by Becky Starobin; performed by Jan DeGaetani, 1933-1989 and Leo Smit, 1921-1999 (Bridge), 54 mins
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composed by Aaron Copland, 1900-1990; produced by Becky Starobin; performed by Jan DeGaetani, 1933-1989 and Leo Smit, 1921-1999 (Bridge), 54 mins
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Anthem
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produced by Luna Pearl Woolf, 1973-; performed by Matt Haimovitz, 1970- (Artemis-Vanguard), 1 hour 9 mins
In the liner notes for this album, the immensely talented cellist Matt Haimovitz describes it as "my celebration of American music through the lens of the solo cello." True, but one is tempted to add that Haimovitz's electrifying performance is an apotheosis of the cello itself. For example, in the unsettling, but...
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produced by Luna Pearl Woolf, 1973-; performed by Matt Haimovitz, 1970- (Artemis-Vanguard), 1 hour 9 mins
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Any Resemblance is Purely Coincidental
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produced by Charles Dodge, 1942- and Foster Reed; performed by Enrico Caruso, 1873-1921, Alan Feinberg, Joan La Barbara, 1947- and Baird Dodge (New Albion Records, 1992), 44 mins
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produced by Charles Dodge, 1942- and Foster Reed; performed by Enrico Caruso, 1873-1921, Alan Feinberg, Joan La Barbara, 1947- and Baird Dodge (New Albion Records, 1992), 44 mins
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The Archer's Tune
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edited by Karl Kroeger; composed by Victor Pelissier, 1745-1820 (1812), The Archer's Tune (Middleton, WI: A-R Editions, Inc., 1984), 1 page(s)
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edited by Karl Kroeger; composed by Victor Pelissier, 1745-1820 (1812), The Archer's Tune (Middleton, WI: A-R Editions, Inc., 1984), 1 page(s)
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The Art of the Curved Bow, Vol. 1
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composed by Johann Sebastian Bach, 1685-1750; produced by Michael Bach Bachtischa; performed by Michael Bach, 1958- and Mechthild Seitz, 1957- (Mode Records), 5 hours 14 mins
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composed by Johann Sebastian Bach, 1685-1750; produced by Michael Bach Bachtischa; performed by Michael Bach, 1958- and Mechthild Seitz, 1957- (Mode Records), 5 hours 14 mins
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Assumpta est Maria
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performed by Vox Nostra (Vox Nostra, 2010), 1 hour 5 mins
"Assumpta Est Maria" is a collection of ceremonial vocal music connected to the high feast day of the Assumption of Mary. With Latin plainchant and polyphonic compositions, the sequence is based on the structure of a late medieval mass.

The music of the proper (lat. proprium), always occasion-specific, contains...

Sample
performed by Vox Nostra (Vox Nostra, 2010), 1 hour 5 mins
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