Browse Titles - 6 results
See details
Rational Option Insanity
composed by Gráinne Mulvey, 1966-; conducted by Proinnsías O'Duinn; produced by Christopher Craker, 1959-; performed by Tom Kerstens and Madeleine Staunton, Concorde, in 20th century Irish series (Black Box), 1 hour 1 mins
Sample
composed by Gráinne Mulvey, 1966-; conducted by Proinnsías O'Duinn; produced by Christopher Craker, 1959-; performed by Tom Kerstens and Madeleine Staunton, Concorde, in 20th century Irish series (Black Box), 1 hour 1 mins
Date Written / Recorded
1998-04-28
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Concorde, Tom Kerstens, Madeleine Staunton
Contributor
Proinnsías O'Duinn, Christopher Craker, 1959-
Author / Creator
Gráinne Mulvey, 1966-, Concorde, Tom Kerstens, Madeleine Staunton
Publisher
Black Box
Series
20th century Irish series
×
See details
Evocations
produced by Max Lifchitz, 1948-; performed by Elena Ivanina, Alexander Korneyev, Alexei Sheyin, Alexei Sizov and Alexander Suvorov (North-South), 1 hour 47 mins
Sample
produced by Max Lifchitz, 1948-; performed by Elena Ivanina, Alexander Korneyev, Alexei Sheyin, Alexei Sizov and Alexander Suvorov (North-South), 1 hour 47 mins
Date Written / Recorded
1995-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Elena Ivanina, Alexander Korneyev, Alexei Sheyin, Alexei Sizov, Alexander Suvorov
Contributor
Max Lifchitz, 1948-
Author / Creator
Elena Ivanina, Alexander Korneyev, Alexei Sheyin, Alexei Sizov, Alexander Suvorov
Publisher
North-South
Tracks
×
See details
Ginastera: Chamber Music, Vol. 5
composed by Alberto Evaristo Ginastera, 1916-1983; produced by Michael Ponder, fl. 1989; performed by Olivia Blackburn, Anna Noakes, Gillian Tingay, Gary Kettel, David Emanuel, María Isabel Siewers, Rafael Gintoli, Christopher van Kampen and John Anderson, Lyric Quartet (ASV), 59 mins
Sample
composed by Alberto Evaristo Ginastera, 1916-1983; produced by Michael Ponder, fl. 1989; performed by Olivia Blackburn, Anna Noakes, Gillian Tingay, Gary Kettel, David Emanuel, María Isabel Siewers, Rafael Gintoli, Christopher van Kampen and John Anderson, Lyric Quartet (ASV), 59 mins
Date Written / Recorded
1995-05-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Lyric Quartet, Olivia Blackburn, Anna Noakes, Gillian Tingay, Gary Kettel, David Emanuel, María Isabel Siewers, Rafael Gintoli, Christopher van Kampen, John Anderson
Contributor
Michael Ponder, fl. 1989
Author / Creator
Alberto Evaristo Ginastera, 1916-1983, Lyric Quartet, Olivia Blackburn, Anna Noakes, Gillian Tingay, Gary Kettel, David Emanuel, María Isabel Siewers, Rafael Gintoli, Christopher van Kampen, John Anderson
Publisher
ASV
Tracks
×
See details
Morton Feldman: Composing by Numbers - The Graphic Scores, 1950-67
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Taco Kooistra, Philip Corner, Frank Denyer, 1943- and Marieke Keser, The Barton Workshop (Mode Records), 1 hour 14 mins
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subje...
Sample
composed by Morton Feldman, 1926-1987; conducted by James Fulkerson; produced by James Fulkerson; performed by Taco Kooistra, Philip Corner, Frank Denyer, 1943- and Marieke Keser, The Barton Workshop (Mode Records), 1 hour 14 mins
Description
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subject to the limitations of the players' collective imagination, and tend toward a rarefied pointillism -- a cliché in its own right -- t...
Like fellow composers John Cage, Christian Wolff, and Earle Brown, Morton Feldman experimented for a time with graphic notation, and toyed with the various possibilities of this looser, less prescriptive method. While free of serialist clichés and conventions, the musical results on Composing by Numbers are subject to the limitations of the players' collective imagination, and tend toward a rarefied pointillism -- a cliché in its own right -- that only a devoted fan can follow with persistence. If the brief pieces from the 1950s are heard individually, they seem frustratingly airy, abrupt, and aphoristic; but if heard in sequence, then the changes of instrumentation and different timbral effects at least provide some aural relief. Perhaps most satisfying for its spectral textures, continuity, and length is Intersection I (1951), which the Barton Workshop realizes with much fuller harmonies and richer sonorities. Out of "Last Pieces," The Straits of Magellan (both 1961), and In Search of an Orchestration (1967) are more active than the earlier Projections, and adventurous listeners may appreciate these later compositions for their greater complexity and tension. The ensemble, alternately conducted by James Fulkerson and Jos Zwaanenburg, specializes in the more arcane and experimental music of the late avant-garde, and its explorations of Feldman's graphic scores are a welcome addition to the catalog, even if they are not as absorbing or compelling as many of his later efforts. ~ Blair Sanderson, All Music Guide
Show more
Show less
Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Taco Kooistra, Philip Corner, Frank Denyer, 1943-, Marieke Keser
Contributor
James Fulkerson, Robert Bosch, 1861-1942
Author / Creator
Morton Feldman, 1926-1987, The Barton Workshop, Taco Kooistra, Philip Corner, Frank Denyer, 1943-, Marieke Keser
Publisher
Mode Records
×
See details
Music By Shulamit Ran
composed by Shulamit Ran, 1949-; produced by David Starobin, 1951-; performed by Laura Flax, Eric Wyrick, Erica Kiesewetter, Misha Amory, André Emelianoff, Sarah Rothenberg and Patricia Spencer, Da Capo Chamber Players (Bridge), 57 mins
Sample
composed by Shulamit Ran, 1949-; produced by David Starobin, 1951-; performed by Laura Flax, Eric Wyrick, Erica Kiesewetter, Misha Amory, André Emelianoff, Sarah Rothenberg and Patricia Spencer, Da Capo Chamber Players (Bridge), 57 mins
Date Written / Recorded
1993-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Da Capo Chamber Players, Laura Flax, Eric Wyrick, Erica Kiesewetter, Misha Amory, André Emelianoff, Sarah Rothenberg, Patricia Spencer
Contributor
Paul Zinman, fl. 1984, David Starobin, 1951-
Author / Creator
Shulamit Ran, 1949-, Da Capo Chamber Players, Laura Flax, Eric Wyrick, Erica Kiesewetter, Misha Amory, André Emelianoff, Sarah Rothenberg, Patricia Spencer
Publisher
Bridge
Tracks
×
See details
Pujol: Guitar & Chamber Music
composed by Maximo Diego Pujol, 1957-; produced by John Taylor, 1960-; performed by María Isabel Siewers and Amiram Ganz, Stamic Quartet (ASV), 1 hour 16 mins
Sample
composed by Maximo Diego Pujol, 1957-; produced by John Taylor, 1960-; performed by María Isabel Siewers and Amiram Ganz, Stamic Quartet (ASV), 1 hour 16 mins
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Stamic Quartet, María Isabel Siewers, Amiram Ganz
Contributor
John Taylor, 1960-
Author / Creator
Maximo Diego Pujol, 1957-, Stamic Quartet, María Isabel Siewers, Amiram Ganz
Publisher
ASV
×
