Browse Titles - 6 results
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The Byrd Edition, Vol. 1: Propers for Lady Mass in Advent
composed by William Byrd, 1540-1623; conducted by Andrew Carwood; produced by David Skinner; performed by Cardinall's Musick and Frideswide Consort (Gaudeamus), 2 hours 8 mins
Sample
composed by William Byrd, 1540-1623; conducted by Andrew Carwood; produced by David Skinner; performed by Cardinall's Musick and Frideswide Consort (Gaudeamus), 2 hours 8 mins
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cardinall's Musick, Frideswide Consort
Contributor
Andrew Carwood, Martin Haskell, David Skinner
Author / Creator
William Byrd, 1540-1623, Cardinall's Musick, Frideswide Consort
Publisher
Gaudeamus
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Mily Balakirev: The Complete Piano Music, Vol. 3
composed by Mikhail Ivanovich Glinka, 1804-1857; produced by Richard Kapp, 1920-; performed by Alexander Paley (Essay), 1 hour 13 mins
Sample
composed by Mikhail Ivanovich Glinka, 1804-1857; produced by Richard Kapp, 1920-; performed by Alexander Paley (Essay), 1 hour 13 mins
Date Written / Recorded
1992-10-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Alexander Paley
Contributor
Mikhail Liberman, Richard Kapp, 1920-
Author / Creator
Mikhail Ivanovich Glinka, 1804-1857, Alexander Paley
Publisher
Essay
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Encore
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a differe...
Sample
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Description
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andr...
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of {+The Phantom of the Opera} and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection. There are four songs recorded for those album sessions that were not released -- Lloyd Webber's "Whistle Down the Wind," Burton Lane and Alan Jay Lerner's "One More Walk Around the Garden," Stephen Sondheim's "What More Do I Need," and George and Ira Gershwin's "In the Mandarin's Orchid Garden." The last three, fairly obscure songs by well-known show-music songwriters, are typical of the non-Lloyd Webber choices found on The Songs That Got Away and Surrender. Also typical are the Lloyd Webber oddities, such as Italian-language versions of "With One Look" from {+Sunset Boulevard} and "Memory" from {+Cats}. If the mixed bag of material works, it's because of the unflappable Brightman, who doesn't only gamely undertake the selections, but throws herself into them, making "Piano" (as "Memory" somehow comes out in Italian) sound like an opera selection. "What More Do I Need," a comic celebration of love in dirty old New York, is beyond her, but not much else is. ~ William Ruhlmann, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Contributor
Glenn Gould, 1932-1982
Author / Creator
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Date Published / Released
2001
Publisher
CBC Records
Series
Musica viva
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Musiques Nuptiales
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Date Published / Released
2001
Publisher
Forlane CI
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Organ Dreams - 1
produced by Paul Spicer, 1952-; performed by Christopher Herrick (Hyperion), 1 hour 14 mins
Sample
produced by Paul Spicer, 1952-; performed by Christopher Herrick (Hyperion), 1 hour 14 mins
Date Written / Recorded
1998-03-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Christopher Herrick
Contributor
Simon Eadon, fl. 1970, Paul Spicer, 1952-
Author / Creator
Christopher Herrick
Publisher
Hyperion
Tracks
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Taverner: Missa Mater Christi sanctissima
composed by John Taverner, 1490-1545; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen and Fretwork (Helios), 1 hour 4 mins
Sample
composed by John Taverner, 1490-1545; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen and Fretwork (Helios), 1 hour 4 mins
Date Written / Recorded
1992-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen, Fretwork
Contributor
Harry Christophers, 1953-, Anthony Howell, Mark Brown, 1962-
Author / Creator
John Taverner, 1490-1545, The Sixteen, Fretwork
Publisher
Helios
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