Browse Titles - 15 results
In Lines of Dazzling Light
composed by John Buckley, 1951-; produced by Christopher Craker, 1959-; performed by Aidìn Halpin, William Dowdall, 1951-, Kenneth Edge, Cormac Ó Haodáin, Darragh Morgan, Guy Cowley, Clare Hutchings, Philip Gibbon and Ian Pace, in 20th century Irish series (Black Box), 1 hour 11 mins
Sample
composed by John Buckley, 1951-; produced by Christopher Craker, 1959-; performed by Aidìn Halpin, William Dowdall, 1951-, Kenneth Edge, Cormac Ó Haodáin, Darragh Morgan, Guy Cowley, Clare Hutchings, Philip Gibbon and Ian Pace, in 20th century Irish series (Black Box), 1 hour 11 mins
Date Written / Recorded
1998-06-16
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Aidìn Halpin, William Dowdall, 1951-, Kenneth Edge, Cormac Ó Haodáin, Darragh Morgan, Guy Cowley, Clare Hutchings, Philip Gibbon, Ian Pace
Contributor
Christopher Craker, 1959-
Author / Creator
John Buckley, 1951-, Aidìn Halpin, William Dowdall, 1951-, Kenneth Edge, Cormac Ó Haodáin, Darragh Morgan, Guy Cowley, Clare Hutchings, Philip Gibbon, Ian Pace
Publisher
Black Box
Series
20th century Irish series
Tracks
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(Tactus, 2008), 1 hour 13 mins
Date Written / Recorded
2007-04-14
Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2008
Publisher
Tactus
Copyright Message
Copyright © 2008 by Tactus
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The Art of the Recorder
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently ju...
Sample
composed by Giovanni Battista Fontana, 1571-1630; produced by Nick Parker, fl. 1980; performed by Marion Verbruggen, Trio Sonnerie (Gaudeamus), 50 mins
Description
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness t...
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields. Contemporary performances of the Italian concertos here may have a bit more zip, but actually the group serves as a nicely restrained foil for Petri, who can easily hold the spotlight all by herself. Her sheer technical facility continues to amaze in the little-known French works of the eighteenth century mixed in the program. About the only complaint is the short shrift given to contemporary music, which Petri has championed energetically, both in Denmark and internationally. Despite the inclusion in the booklet of an entire section devoted to the twentieth century, the only contemporary work included is Gordon Jacob's Suite for recorder and strings -- an explicitly neo-Baroque work that is not even typical of the music Petri has commissioned for the instrument. Nevertheless, all the music in this box is worth having and hearing. Listen to the sharp registral leaps in the Allegro molto finale of Vivaldi's Concerto in C for flautino, RV 443 (CD 1, track 3): nobody does these as crisply as Petri does. A nice resource for those who enjoy Baroque recorder music. ~ James Manheim, All Music Guide
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Date Written / Recorded
1989
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Trio Sonnerie, Marion Verbruggen
Contributor
Nicholas Parker, Nick Parker, fl. 1980
Author / Creator
Giovanni Battista Fontana, 1571-1630, Trio Sonnerie, Marion Verbruggen
Publisher
Gaudeamus
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Baroque Trumpetissimo
conducted by Richard Kapp, 1920-; produced by Adam Abeshouse, fl. 1999; performed by Richard Kapp, 1920-, David Bilger, Stephen Burns, Edward Carroll, Ricardo Cobo, Raymond Mase, Timothy Morrison, Ben Harms, Atsuko Sato and Alex Holton, fl. 1998, Philharmonia Virtuosi (Essay), 57 mins
Sample
conducted by Richard Kapp, 1920-; produced by Adam Abeshouse, fl. 1999; performed by Richard Kapp, 1920-, David Bilger, Stephen Burns, Edward Carroll, Ricardo Cobo, Raymond Mase, Timothy Morrison, Ben Harms, Atsuko Sato and Alex Holton, fl. 1998, Philharmonia Virtuosi (Essay), 57 mins
Date Written / Recorded
1993-03-14
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philharmonia Virtuosi, Richard Kapp, 1920-, David Bilger, Stephen Burns, Edward Carroll, Ricardo Cobo, Raymond Mase, Timothy Morrison, Ben Harms, Atsuko Sato, Alex Holton, fl. 1998
Contributor
Richard Kapp, 1920-, Adam Abeshouse, fl. 1999
Author / Creator
Philharmonia Virtuosi, Richard Kapp, 1920-, David Bilger, Stephen Burns, Edward Carroll, Ricardo Cobo, Raymond Mase, Timothy Morrison, Ben Harms, Atsuko Sato, Alex Holton, fl. 1998
Publisher
Essay
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Contemporary Romantics
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 1 hour 7 mins
Sample
produced by Max Lifchitz, 1948-; performed by Max Lifchitz, 1948- (North-South), 1 hour 7 mins
Date Written / Recorded
1992
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Max Lifchitz, 1948-
Contributor
James McLean, Max Lifchitz, 1948-
Author / Creator
Max Lifchitz, 1948-
Publisher
North-South
Tracks
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Goddess of the Moon
composed by Charles T. Griffes, 1884-1920; produced by John Ostendorf; performed by Erica Kiesewetter, Eric Wyrick, Nardo Poy, Rafael Figueroa, Diane Walsh, Sato Moughalian, Alan R. Kay, Diane Lesser, Jordan Frazier and Paul Hostetter, 1964-, Perspectives Ensemble (Newport Classic), 1 hour 2 mins
Sample
composed by Charles T. Griffes, 1884-1920; produced by John Ostendorf; performed by Erica Kiesewetter, Eric Wyrick, Nardo Poy, Rafael Figueroa, Diane Walsh, Sato Moughalian, Alan R. Kay, Diane Lesser, Jordan Frazier and Paul Hostetter, 1964-, Perspectives Ensemble (Newport Classic), 1 hour 2 mins
Date Written / Recorded
1995-04-11
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Perspectives Ensemble, Erica Kiesewetter, Eric Wyrick, Nardo Poy, Rafael Figueroa, Diane Walsh, Sato Moughalian, Alan R. Kay, Diane Lesser, Jordan Frazier, Paul Hostetter, 1964-
Contributor
Joseph Stanko, John Ostendorf
Author / Creator
Charles T. Griffes, 1884-1920, Perspectives Ensemble, Erica Kiesewetter, Eric Wyrick, Nardo Poy, Rafael Figueroa, Diane Walsh, Sato Moughalian, Alan R. Kay, Diane Lesser, Jordan Frazier, Paul Hostetter, 1964-
Publisher
Newport Classic
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International Dictionary of Black Composers, vol. 2: Johnson-WorkPerkinson, Coleridge-Taylor
written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Sample
written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Malcolm J. Breda, fl. 1999
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Person Discussed
Coleridge-Taylor Perkinson, 1932-2004
Topic / Theme
African American, Musicians, Music composition, Music education, Music theory, Performance practice, African American Music, Voice
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International Dictionary of Black Composers, vol. 2: Johnson-Work
written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
Sample
written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
Field of Study
American Music
Content Type
Biography, Compendium
Contributor
Samuel A. Floyd, Jr
Author / Creator
Samuel A. Floyd, Jr
Date Published / Released
1999
Publisher
Fitzroy Dearborn Publishers
Topic / Theme
African American Music
Sections
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London’s Flautists
produced by John Hadden, fl. 1970; performed by Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder and Susan Bicknell (CRD), 1 hour 8 mins
Sample
produced by John Hadden, fl. 1970; performed by Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder and Susan Bicknell (CRD), 1 hour 8 mins
Date Written / Recorded
1990-06-17
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder, Susan Bicknell
Contributor
John Hadden, fl. 1970
Author / Creator
Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder, Susan Bicknell
Publisher
CRD
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Mensa Sonora - Biber and his contemporaries
performed by Ensemble Masques (Groupe Analekta, Inc., 2006), 1 hour 9 mins
Sample
performed by Ensemble Masques (Groupe Analekta, Inc., 2006), 1 hour 9 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ensemble Masques
Author / Creator
Ensemble Masques
Date Published / Released
2006-03-21
Publisher
Groupe Analekta, Inc.
Copyright Message
2006 Analekta
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