Browse Titles - 97 results
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Plantation Echoes, B Flat Major
composed by Theodore H. Northrup, 1866-1919; in 100 Ragtime Classics (Donn Printing Company, 1963)
Sample
composed by Theodore H. Northrup, 1866-1919; in 100 Ragtime Classics (Donn Printing Company, 1963)
Field of Study
American Music
Content Type
Score
Author / Creator
Theodore H. Northrup, 1866-1919
Date Published / Released
1963
Publisher
Donn Printing Company
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Africa and the Blues
written by Gerhard Kubik, 1934- (Jackson, MS: University Press of Mississippi, 1999), 240 page(s)
Sample
written by Gerhard Kubik, 1934- (Jackson, MS: University Press of Mississippi, 1999), 240 page(s)
Field of Study
American Music
Content Type
General reference book
Author / Creator
Gerhard Kubik, 1934-
Date Published / Released
1999
Publisher
University Press of Mississippi
Topic / Theme
African American Music, Blues
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2: 1866-1900: The Music of Emancipation
written by Hansonia L. Caldwell, fl. 1999; in African American Music: A Chronology: 1619-1995 (Los Angeles, CA: Ikoro Communications, 1995), 69-104
Sample
written by Hansonia L. Caldwell, fl. 1999; in African American Music: A Chronology: 1619-1995 (Los Angeles, CA: Ikoro Communications, 1995), 69-104
Field of Study
American Music
Author / Creator
Hansonia L. Caldwell, fl. 1999
Date Published / Released
1995
Publisher
Ikoro Communications
Topic / Theme
African American, Emancipation of slaves, Cultural identity, Music origins, Sociocultural trends, Performance influences, Traditional
Copyright Message
Copyright Statement: Copyright © 1995 by Hansonia L. Caldwell.
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African American Music: A Chronology: 1619-19952: 1866-1900: The Music of Emancipation
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 36 page(s)
Sample
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 36 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Hansonia L. Caldwell, fl. 1999
Date Published / Released
1995
Publisher
Ikoro Communications
Topic / Theme
African American, Emancipation of slaves, Cultural identity, Music origins, Sociocultural trends, Performance influences, Traditional
Copyright Message
Copyright Statement: Copyright © 1995 by Hansonia L. Caldwell.
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Chapter IX: Dances of the American Negroes
written by Henry Edward Krehbiel, 1854-1923; in Afro American Folksongs (New York, NY: Frederick Ungar Publishing Company, 1962), 121-135
Sample
written by Henry Edward Krehbiel, 1854-1923; in Afro American Folksongs (New York, NY: Frederick Ungar Publishing Company, 1962), 121-135
Field of Study
American Music
Content Type
General reference book
Author / Creator
Henry Edward Krehbiel, 1854-1923
Date Published / Released
1962
Publisher
Frederick Ungar Publishing Company
Topic / Theme
African, Dahomey, Creole, Dance and dancing, Musical meter and rhythm, Music theory, Traditional
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2: Going to a Go-Go
written by Kip Lornell and Charles C. Stephenson, Jr.; in The Beat: Go-Go Music from Washington, D.C. (Jackson, MS: University Press of Mississippi, 2009), 63-90
Sample
written by Kip Lornell and Charles C. Stephenson, Jr.; in The Beat: Go-Go Music from Washington, D.C. (Jackson, MS: University Press of Mississippi, 2009), 63-90
Field of Study
American Music
Author / Creator
Kip Lornell, Charles C. Stephenson, Jr.
Date Published / Released
2009
Publisher
University Press of Mississippi
Person Discussed
Chuck Brown, 1936-
Topic / Theme
African American, Church services, Cultural identity, Performance influences, Concerts, Performance practice, Music theory, Audio recordings, Improvisation
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Bird Lives!: The High Life and Hard Times of Charlie (Yardbird) Parker
written by Ross Russell, 1909-2000 (New York: Da Capo Press, 1996), 432 page(s)
Sample
written by Ross Russell, 1909-2000 (New York: Da Capo Press, 1996), 432 page(s)
Field of Study
American Music
Content Type
Biography
Author / Creator
Ross Russell, 1909-2000
Date Published / Released
1996
Publisher
Da Capo Press
Topic / Theme
African American Music
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The Black Composer Speaks
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Sample
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Field of Study
American Music
Content Type
Biography
Contributor
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Author / Creator
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Date Published / Released
1978
Publisher
Scarecrow Press
Topic / Theme
African American Music
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Lucille
written by Sebastian Danchin, 1955-; in Blues Boy: The Life and Music of B. B. King (Jackson, MS: University Press of Mississippi, 1998), 126-138
Sample
written by Sebastian Danchin, 1955-; in Blues Boy: The Life and Music of B. B. King (Jackson, MS: University Press of Mississippi, 1998), 126-138
Field of Study
American Music
Content Type
Biography
Author / Creator
Sebastian Danchin, 1955-
Date Published / Released
1998
Publisher
University Press of Mississippi
Person Discussed
B. B. King, 1925-2015, Blind Lemon Jefferson, 1897-1929, Lonnie Johnson, 1889-1970, Charlie Christian, 1916-1942, Ivory Joe Hunter, 1914-1974, Louis Jordan, 1908-1975, Roy Hawkins, 1903-1974
Topic / Theme
African American, Musicians, Songs, Performance practice, Expression in performance, Performance influences, Radio programs, Improvisation, Guitar, electric, Guitar
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The Modern Scene
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Person Discussed
John Coltrane, 1926-1967, Dizzy Gillespie, 1917-1993, Count Basie, 1904-1984, Lester Young, 1909-1959, Miles Davis, 1926-1991, Ornette Coleman, 1930-2000, Cecil Percival Taylor, 1929-2018, Coleman Hawkins, 1904-1969, Charlie Parker, 1920-1955, Thelonious Monk, 1917-1982
Topic / Theme
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950...
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950-1953, Beat Generation, 1950's-1960's, Saxophone, Piano, Drum kit, Big band, Bass, double, Trumpet
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