Browse Titles - 161 results
400 Years of Folk Music
Alan Mills and Jean Carignan: Songs, Fiddle Tunes and a Folk-Tale from Canada
All In One Evening
American Folk Song Festival: Jean Thomas, The Traipsin' Woman
American Guitar
Released in 1960, American Guitar features musician and former Sing Out! editor Ed Badeaux performing popular Southern country songs. Badeaux's survey of 19 songs in eight guitar accompaniment stylesperformed on a nylon-stringed classical guitardemonstrates examples of both finger-picked and flat-picked te...
Released in 1960, American Guitar features musician and former Sing Out! editor Ed Badeaux performing popular Southern country songs. Badeaux's survey of 19 songs in eight guitar accompaniment stylesperformed on a nylon-stringed classical guitardemonstrates examples of both finger-picked and flat-picked techniques. 19 tracks, 53 minutes, with liner notes including song descriptions, photos, and guitar accompaniment tablature.
Released in 1960, American Guitar features musician and former Sing Out! editor Ed Badeaux performing popular Southern country songs. Badeaux's survey of 19 songs in eight guitar accompaniment stylesperformed on a nylon-stringed classical guitardemonstrates examples of both finger-picked and flat-picked techniques. 19 tracks, 53 minutes, with liner notes including song descriptions, photos, and guitar accompaniment tablature.
Show more Show lessThe Art of Belly Dancing
The Asch Recordings, 1939 to 1945 - Vol. 2
To finish the FW00AA3 compilation of folk ballads from the Asch Records catalogue, this collection samples songs and instrumentals from many favorite musicians of later fame: Hobart Smith bangs out a rousing “Cindy” on the piano, Woody Guthrie and Sonny Terry paint a scene with “Railroad Blues” using only...
To finish the FW00AA3 compilation of folk ballads from the Asch Records catalogue, this collection samples songs and instrumentals from many favorite musicians of later fame: Hobart Smith bangs out a rousing “Cindy” on the piano, Woody Guthrie and Sonny Terry paint a scene with “Railroad Blues” using only guitar and harmonica and Richard Dyer-Bennet describes how “Two Maidens Went Milking One Day.” Also highlighting the Rev. Gary Da...
To finish the FW00AA3 compilation of folk ballads from the Asch Records catalogue, this collection samples songs and instrumentals from many favorite musicians of later fame: Hobart Smith bangs out a rousing “Cindy” on the piano, Woody Guthrie and Sonny Terry paint a scene with “Railroad Blues” using only guitar and harmonica and Richard Dyer-Bennet describes how “Two Maidens Went Milking One Day.” Also highlighting the Rev. Gary Davis, Bascom Lamar Lunsford and Dock Reese.
Show more Show lessBallads and Songs of the Blue Ridge Mountains: Persistence and Change
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musica...
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musical mountain traditions. Originating from folk music of the British Isles, many of the songs are performed with little or no instrumental...
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musical mountain traditions. Originating from folk music of the British Isles, many of the songs are performed with little or no instrumental accompaniment. These beautiful archaic folk melodies have retained their roots in the ballad and lament tradition, sung here by both men and women (traditionally ballads were sung only by women) with occasional lively banjo accompaniments.
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