Browse Titles - 393 results
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(Groupe Analekta, Inc., 2005)
Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2005-12-20
Publisher
Groupe Analekta, Inc.
Copyright Message
1998 Analekta
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20 Ans d'Excellence
conducted by Jeanne Lamon, Matthias Maute, 1963-, Geneviève Soly, Bruno Weil, 1949-, Joseph Rescigno, Ronald Zollman, Ivan Marinov, Matthias Bamert, A. Alexandrov, Yoav Talmi and Christos Hatzis, 1953-; performed by Ensemble Caprice, L'Ensemble des Idees Heureuses, Les Voix Baroques, The Gryphon Trio, I Musici de Montréal, Red Army Chorus and Angèle Dubeau & La Pietà (Groupe Analekta, Inc., 2008)
Sample
conducted by Jeanne Lamon, Matthias Maute, 1963-, Geneviève Soly, Bruno Weil, 1949-, Joseph Rescigno, Ronald Zollman, Ivan Marinov, Matthias Bamert, A. Alexandrov, Yoav Talmi and Christos Hatzis, 1953-; performed by Ensemble Caprice, L'Ensemble des Idees Heureuses, Les Voix Baroques, The Gryphon Trio, I Musici de Montréal, Red Army Chorus and Angèle Dubeau & La Pietà (Groupe Analekta, Inc., 2008)
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ensemble Caprice, L'Ensemble des Idees Heureuses, Les Voix Baroques, The Gryphon Trio, I Musici de Montréal, Red Army Chorus, Angèle Dubeau & La Pietà
Contributor
Jeanne Lamon, Matthias Maute, 1963-, Geneviève Soly, Bruno Weil, 1949-, Joseph Rescigno, Ronald Zollman, Ivan Marinov, Matthias Bamert, A. Alexandrov, Yoav Talmi, Christos Hatzis, 1953-
Author / Creator
Ensemble Caprice, L'Ensemble des Idees Heureuses, Les Voix Baroques, The Gryphon Trio, I Musici de Montréal, Red Army Chorus, Angèle Dubeau & La Pietà
Date Published / Released
2008-03-18
Publisher
Groupe Analekta, Inc.
Copyright Message
2008 Analekta
Tracks
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2000 Florida State University Marching Chiefs: Millennium
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2001), 1 hour 5 mins, 30 page(s)
Sample
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2001), 1 hour 5 mins, 30 page(s)
Date Written / Recorded
2000-11-22
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Contributor
Tom Hunter
Author / Creator
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Date Published / Released
2001
Publisher
Mark Custom
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2001 Florida State University Marching Chiefs: FSUSA
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2002), 1 hour 9 mins, 28 page(s)
Sample
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2002), 1 hour 9 mins, 28 page(s)
Date Written / Recorded
2001-11-26
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Contributor
Tom Hunter
Author / Creator
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Date Published / Released
2002
Publisher
Mark Custom
Tracks
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2003 Florida State University Marching Chiefs: Sound of the Seminoles
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2004), 57 mins, 23 page(s)
Sample
performed by Dr. Patrick Dunnigan, fl. 1991, Florida State University Marching Chiefs (Mark Custom, 2004), 57 mins, 23 page(s)
Date Written / Recorded
2003
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Contributor
Tom Hunter
Author / Creator
Florida State University Marching Chiefs, Dr. Patrick Dunnigan, fl. 1991
Date Published / Released
2004
Publisher
Mark Custom
Tracks
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2004 Florida State University Marching Chiefs: Seminole Uprising
performed by Florida State University Marching Chiefs (Mark Custom, 2005), 56 mins, 28 page(s)
Sample
performed by Florida State University Marching Chiefs (Mark Custom, 2005), 56 mins, 28 page(s)
Date Written / Recorded
2004-11
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Florida State University Marching Chiefs
Contributor
Tom Hunter
Author / Creator
Florida State University Marching Chiefs
Date Published / Released
2005
Publisher
Mark Custom
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Things that Gain
composed by Gerald Barry, 1952-; produced by Christopher Craker, 1959-; performed by Kevin Volans, 1949-, Gerald Barry, 1952-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster and Robert Ault, Xenia Ensemble, in 20th century Irish series (Black Box), 1 hour
Sample
composed by Gerald Barry, 1952-; produced by Christopher Craker, 1959-; performed by Kevin Volans, 1949-, Gerald Barry, 1952-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster and Robert Ault, Xenia Ensemble, in 20th century Irish series (Black Box), 1 hour
Date Written / Recorded
1998-04-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Xenia Ensemble, Kevin Volans, 1949-, Gerald Barry, 1952-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster, Robert Ault
Contributor
Christopher Craker, 1959-
Author / Creator
Gerald Barry, 1952-, Xenia Ensemble, Kevin Volans, 1949-, Nicholas Clapton, Catherine Edwards, Anthony Lamb, Victoria Medcalf, Andrew Webster, Robert Ault
Publisher
Black Box
Series
20th century Irish series
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Aaron Copland: 81st Birthday Concert
composed by Aaron Copland, 1900-1990; produced by Becky Starobin; performed by Jan DeGaetani, 1933-1989 and Leo Smit, 1921-1999 (Bridge), 54 mins
Sample
composed by Aaron Copland, 1900-1990; produced by Becky Starobin; performed by Jan DeGaetani, 1933-1989 and Leo Smit, 1921-1999 (Bridge), 54 mins
Date Written / Recorded
1981-11-14
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Jan DeGaetani, 1933-1989, Leo Smit, 1921-1999
Contributor
Paul Zinman, fl. 1984, Becky Starobin
Author / Creator
Aaron Copland, 1900-1990, Jan DeGaetani, 1933-1989, Leo Smit, 1921-1999
Publisher
Bridge
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Afro-Dominican Music from San Cristobal, Dominican Republic
produced by Morton Marks, fl. 1982 and Isidro Bobadilla (Folkways Records, 1983), 37 mins
"The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo...
Sample
produced by Morton Marks, fl. 1982 and Isidro Bobadilla (Folkways Records, 1983), 37 mins
Description
"The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Domi... "The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Dominicana es un país culturalmente muy complejo, que puede ser divido a grandes rasgos en zonas culturales diferentes. Dentro de ellas se encuentran la más hispánica o ibérica hacia el norte (el Cibao), y la más africana hacia el sur de la región central (incluyendo a la provincia de San Cristóbal y toda el área que circunda la capital, Santo Domingo). La música recogida en esta grabación muestra ejemplos de diversos estilos de golpes de tambor de San Cristóbal..."
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"La República Domi... "The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Dominicana es un país culturalmente muy complejo, que puede ser divido a grandes rasgos en zonas culturales diferentes. Dentro de ellas se encuentran la más hispánica o ibérica hacia el norte (el Cibao), y la más africana hacia el sur de la región central (incluyendo a la provincia de San Cristóbal y toda el área que circunda la capital, Santo Domingo). La música recogida en esta grabación muestra ejemplos de diversos estilos de golpes de tambor de San Cristóbal..."
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Morton Marks, fl. 1982, Isidro Bobadilla
Date Published / Released
1983
Publisher
Folkways Records
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al Tango: Tango of the World/Tanga Świata/Tangos der Welt/Tango mundial
(Stowarzyszenie FoMA, 2006), 1 hour 3 mins
The first CD of al Tango orchestra, in sale starting from April 2006. The cd album “tango of the world” includes 19 original tango songs performed by al Tango vocalist Piotr Rafałko in twelve languages: Polish, Castellano (ríoplatense), Russian, German, Turkish, French, Finnish, Jewish, Slovakian, Romanian,...
Sample
(Stowarzyszenie FoMA, 2006), 1 hour 3 mins
Description
The first CD of al Tango orchestra, in sale starting from April 2006. The cd album “tango of the world” includes 19 original tango songs performed by al Tango vocalist Piotr Rafałko in twelve languages: Polish, Castellano (ríoplatense), Russian, German, Turkish, French, Finnish, Jewish, Slovakian, Romanian, Italian and Czech. „tango of the world” presents tango repertoire originating from many countries all over the world where tango en...
The first CD of al Tango orchestra, in sale starting from April 2006. The cd album “tango of the world” includes 19 original tango songs performed by al Tango vocalist Piotr Rafałko in twelve languages: Polish, Castellano (ríoplatense), Russian, German, Turkish, French, Finnish, Jewish, Slovakian, Romanian, Italian and Czech. „tango of the world” presents tango repertoire originating from many countries all over the world where tango enjoyed great popularity and is trying to prove the thesis that, tango... is not Argentinian! .TANGO IS NOT ARGENTINIAN !Everyone will tell you that tango is Argentinian. But tango dies of exhaustion once the distance among the buildings is bigger than 200 metres. I mean, tango is urban music, so it cannot be representative for the whole country, especially if this country is mostly a desert. (…) If we take into account the place of birth and life of most tango authors and composers, orchestra founders, singers, musicians and followers, we must admit that tango is not Argentinian but porteño. Fundamental musical tango traditions African and Spanish candombe and milongas, tragic tone and dramatic lyrics (Neapolitan folk songs), language (Spanish Ríoplatense), origin of the greatest artists of the genre (in many cases still not clear), instruments (the bandoneón was invented in Germany, the typical tango orchestra is a semi-folk imitation of the great symphonic orchestra, with Italian and other European instruments), even the African etymology of its name – all these elements contribute to the world origin of tango, once more, not international, but world, which wants to say “from the whole world”. (...) To prove this thesis, let me tell an anecdote. While staying in New York, a tango musician could not enter his flat because it was locked from the inside. He asked for help an Argentinian boy from Brooklyn, of Italian roots, who was just passing by. The boy gets into the flat through the back stairs, wakes the singer (Carlos Gardel, about whom we do not know until today if he was French or Uruguayan) and asks him to open the door. When both the singer and the musician thank him, the boy says that he can play bandoneón because he has classes with a Hungarian bandoneonist. The famous Gardel, curious about the boy (and who is this boy? Piazzolla himself), asks him to play a tango. And then, what this French or Uruguayan singer says in Spanish to the Argentian boy of Italian origin brought up in the US who learned to play German bandoneón from a Hungarian bandoneonist? “You play bandoneón like a genuine Spaniard!” (this anecdote is taken from the biography of Astor Piazzolla by Natalio Gorín). To conclude: although, following our mental habits, we try to categorise every single thing in order to define its origin, it is difficult to classify tango , as well as the Republic of Argentina, and put it within the limits of a strictly defined nation. It rather oscillates between locality and universality. Tango is an example of the phenomenon that an Anglo-Saxon writer Roland Robertson called “glocalization”, i.e. local globalization. I would also say in the very Papal style – which corresponds ideally with Roma, where these reflexions have been conceived – that tango is Urbi et Orbi. Or, to be more provocative: tango is not Argentinian, so it does not matter what numerous nationalists say about it without even knowing how to sing or dance it. The article was published in El Farolito (July 2003) Author: Fernando Iglesias Polish to English translation: Anna Wojtych
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Field of Study
Classical Music
Content Type
Music recording
Date Published / Released
2006
Publisher
Stowarzyszenie FoMA
Topic / Theme
20's, 30's, 40's
Copyright Message
2006 Stowarzyszenie FoMA
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