Browse Titles - 24 results
3 Piano Concertos/3 Piano Sonatas
composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
Sample
composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Schlierbacher Kammerorchester, Gerrit Zitterbart, 1952-
Contributor
Thomas Fey, 1960-
Author / Creator
Johann Christian Bach, 1735-1782, Wolfgang Amadeus Mozart, 1756-1791, Schlierbacher Kammerorchester, Gerrit Zitterbart, 1952-
Date Published / Released
1996
Publisher
Hänssler Classic
Person Discussed
(Johann Georg) Leopold Mozart, 1719-1787
Topic / Theme
Music criticism, Musical technique, Music arrangement, Sonata, Concerto, Piano
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Bach: Influences of Böhm & Buxtehude
composed by Johann Sebastian Bach, 1685-1750; performed by Wolfgang Zerer, Bach: Influences of Böhm & Buxtehude (Hänssler Classic, 1999), 19 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Wolfgang Zerer, Bach: Influences of Böhm & Buxtehude (Hänssler Classic, 1999), 19 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Wolfgang Zerer
Author / Creator
Johann Sebastian Bach, 1685-1750, Wolfgang Zerer
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Johann Adam Reincken, 1623-1722, Dieterich Buxtehude, 1637-1707, Georg Böhm, 1661-1733, Johann Pachelbel, 1653-1706, Johannes Heermann, 1585-1647
Topic / Theme
Music theory, Music arrangement, Musical meter and rhythm, Prelude / Fugue, Organ
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Bach: Liepzig Chorales, BWV 652-667
composed by Johann Sebastian Bach, 1685-1750; performed by Bine Katrine Bryndorf, Bach: Liepzig Chorales, BWV 652-667 (Hänssler Classic, 1999), 23 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Bine Katrine Bryndorf, Bach: Liepzig Chorales, BWV 652-667 (Hänssler Classic, 1999), 23 page(s)
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Bine Katrine Bryndorf
Author / Creator
Johann Sebastian Bach, 1685-1750, Bine Katrine Bryndorf
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Johann Pachelbel, 1653-1706, Martin Luther, 1483-1546, Robert Schumann, 1810-1856
Topic / Theme
Music theory, Music arrangement, Chorale, Organ
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Bach: Secular Cantatas, BWV 212-213
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Christine Schäfer, 1965-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart, Bach: Secular Cantatas, BWV 212-213 (Hänssler Classic, 2000), 33 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Helmuth Rilling, 1933-; performed by Christine Schäfer, 1965-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart, Bach: Secular Cantatas, BWV 212-213 (Hänssler Classic, 2000), 33 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Christine Schäfer, 1965-
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Christine Schäfer, 1965-
Date Published / Released
2000
Publisher
Hänssler Classic
Person Discussed
Picander, 1700-1764, Georg Philipp Teleman
Topic / Theme
Folk music, Music arrangement, Cantata, Traditional, Voice
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Bach: Six Sonatas, BWV 525-530
composed by Johann Sebastian Bach, 1685-1750; performed by Kay Johannsen, Bach: Six Sonatas, BWV 525-530 (Hänssler Classic, 1998), 15 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Kay Johannsen, Bach: Six Sonatas, BWV 525-530 (Hänssler Classic, 1998), 15 page(s)
Date Written / Recorded
1997
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Kay Johannsen
Author / Creator
Johann Sebastian Bach, 1685-1750, Kay Johannsen
Date Published / Released
1998
Publisher
Hänssler Classic
Person Discussed
Arcangelo Corelli, 1653-1713, Albert Schweitzer, 1875-1965, Fryderyk Franciszek Chopin, 1810-1849, Wilhelm Friedemann Bach, 1710-1784, Samuel Wesley, 1766-1837, Marcel Dupré, 1886-1971, William Quincy Porter, 1897-
Topic / Theme
Music theory, Music arrangement, Musical meter and rhythm, Sonata, Organ
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Bach: Sonatas for Viola da Gamba & Harpsichord, BWV 1027-1029
composed by Johann Sebastian Bach, 1685-1750; performed by Hille Perl, Bach: Sonatas for Viola da Gamba & Harpsichord, BWV 1027-1029 (Hänssler Classic, 1999), 14 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Hille Perl, Bach: Sonatas for Viola da Gamba & Harpsichord, BWV 1027-1029 (Hänssler Classic, 1999), 14 page(s)
Date Written / Recorded
1998
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Hille Perl
Author / Creator
Johann Sebastian Bach, 1685-1750, Hille Perl
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
(Johann Georg) Leopold Mozart, 1719-1787, Orlando Gibbons, 1583-1625, Matthew Locke, 1604-1677, Johann Christian Bach, 1735-1782, Henry Purcell, 1659-1695
Topic / Theme
Music criticism, Music theory, Music arrangement, Sonata, Viol da Gamba, Harpsichord
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Bach: Toccatas, BWV 910-916
composed by Johann Sebastian Bach, 1685-1750; performed by Peter Watchorn, Bach: Toccatas, BWV 910-916 (Hänssler Classic, 1999), 18 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Peter Watchorn, Bach: Toccatas, BWV 910-916 (Hänssler Classic, 1999), 18 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Peter Watchorn
Author / Creator
Johann Sebastian Bach, 1685-1750, Peter Watchorn
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Johann Adam Reincken, 1623-1722, Dieterich Buxtehude, 1637-1707, Matthias Weckmann, 1616-1674, Johann Jakob Froberger, 1616-1667, Girolamo Frescobaldi, 1583-1643, Albert Schweitzer, 1875-1965, Nicolas Gerber, 1969-
Topic / Theme
Music theory, Music arrangement, Toccata, Improvisation, Harpsichord
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Bach: Transcriptions of Concerti & Trios
composed by Johann Sebastian Bach, 1685-1750; performed by Pieter van Dijk, Bach: Transcriptions of Concerti & Trios (Hänssler Classic, 1999), 20 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750; performed by Pieter van Dijk, Bach: Transcriptions of Concerti & Trios (Hänssler Classic, 1999), 20 page(s)
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Pieter van Dijk
Author / Creator
Johann Sebastian Bach, 1685-1750, Pieter van Dijk
Date Published / Released
1999
Publisher
Hänssler Classic
Person Discussed
Antonio Vivaldi, 1678-1741, Johann Ernst, 1696-1715, Max Schneider, 1875-1967, Georg Philipp Telemann, 1681-1767
Topic / Theme
Music theory, Music arrangement, Concerto, Organ
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The Modern Scene
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Person Discussed
John Coltrane, 1926-1967, Dizzy Gillespie, 1917-1993, Count Basie, 1904-1984, Lester Young, 1909-1959, Miles Davis, 1926-1991, Ornette Coleman, 1930-2000, Cecil Percival Taylor, 1929-2018, Coleman Hawkins, 1904-1969, Charlie Parker, 1920-1955, Thelonious Monk, 1917-1982
Topic / Theme
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950...
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950-1953, Beat Generation, 1950's-1960's, Saxophone, Piano, Drum kit, Big band, Bass, double, Trumpet
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Improvising the Text: Euro America and African American Approaches to Jazz Narrative
written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 139-161
Sample
written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 139-161
Field of Study
American Music
Content Type
General reference book
Author / Creator
Jon Panish
Date Published / Released
1997
Publisher
University Press of Mississippi
Person Discussed
Jack Kerouac, 1922-1969, Amiri Baraka, 1934-2014, John Clellon Holmes, 1926-1988, Charlie Parker, 1920-1955
Topic / Theme
Caucasian American, African American, Writers, Literary criticism, Fiction, Performance criticism, Racial identity, Musicians, Fictional characters, Performance practice, Expression in performance, Music arrangement, Performance influences, Improvisation, Beat Generation, 1950's-1960's
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