Browse Titles - 223 results
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6 Miniatures for Marimba solo
directed by Agnes Meth; composed by Matthias Schmitt, 1958-; produced by Bernhard Fleischer, 1971- and Xavier Thillen; performed by Evelyn Glennie, 1965-, in Evelyn Glennie à Luxembourg (EuroArts, 2005), 12 mins
This is a performance of 6 Miniatures for Marimba solo, performed by Evelyn Glennie.
Sample
directed by Agnes Meth; composed by Matthias Schmitt, 1958-; produced by Bernhard Fleischer, 1971- and Xavier Thillen; performed by Evelyn Glennie, 1965-, in Evelyn Glennie à Luxembourg (EuroArts, 2005), 12 mins
Description
This is a performance of 6 Miniatures for Marimba solo, performed by Evelyn Glennie.
Date Written / Recorded
2004-09
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Evelyn Glennie, 1965-
Contributor
Bernhard Fleischer, 1971-, Xavier Thillen
Author / Creator
Matthias Schmitt, 1958-, Agnes Meth, Evelyn Glennie, 1965-
Date Published / Released
2005
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Adios Nonino
directed by Beatrix Conrad, fl. 2007-2014; composed by Astor Piazzolla, 1921-1992 (1961); produced by Salve TV; performed by Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska and Erwin Schrott (Berlin, Berlin State: C Major Entertainment, 2013), 6 mins
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Er...
Sample
directed by Beatrix Conrad, fl. 2007-2014; composed by Astor Piazzolla, 1921-1992 (1961); produced by Salve TV; performed by Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska and Erwin Schrott (Berlin, Berlin State: C Major Entertainment, 2013), 6 mins
Description
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Erwin Schrott presents a musical journey through the wonderful world of Tango and the music of Latin America through the streets of Bueno...
After winning Placido Domingo’s International Voice Competition, Operalia, in 1998, Erwin Schrott became an operatic superstar, burning up the stages of all the important opera houses of the world like Milan, London, Vienna, Berlin and Paris. In "Rojotango", recorded at the legendary Admiralspalast in Berlin, Erwin Schrott presents a musical journey through the wonderful world of Tango and the music of Latin America through the streets of Buenos Aires, where Tangos, Milongas and other popular melodies -are being played and sung. The programme features a varied and exciting selection of passionate tangos by Astor Piazzolla and Pablo Ziegler as well as evocative Argentinean and Brazilian folk songs. After the highly successful release of his "Rojotango" album, awarded with the German ECHO KLASSIK, Erwin Schrott now presents "Rojotango" live on stage.
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Date Written / Recorded
1961
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska, Erwin Schrott
Contributor
Salve TV
Author / Creator
Astor Piazzolla, 1921-1992, Beatrix Conrad, fl. 2007-2014, Luis Ribeiro, Mario Stefano Pietrodarchi, Julius Darvas, Ana Topalovic, Rusanda Panfili, Ondrej Janoska, Roman Janoska, Frantisek Janoska, Erwin Schrott
Date Published / Released
2013
Publisher
C Major Entertainment
Copyright Message
Copyright © 2013 C Major Entertainment
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Aitsi
composed by Giacinto Scelsi, 1905-1988 (1974); performed by Aki Takahashi, in Giacinto Scelsi: The Piano Works 3 (Mode Records, 2006), 5 mins
Sample
composed by Giacinto Scelsi, 1905-1988 (1974); performed by Aki Takahashi, in Giacinto Scelsi: The Piano Works 3 (Mode Records, 2006), 5 mins
Date Written / Recorded
1974
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Aki Takahashi
Author / Creator
Giacinto Scelsi, 1905-1988, Aki Takahashi
Date Published / Released
2006
Publisher
Mode Records
Topic / Theme
Classical Music
Copyright Message
Copyright © 2006 by Mode Records
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Alan Berg: 4 Pieces pour violoncelle et piano Op. 5
directed by François Goetghebeur, 1974-; composed by Alban Berg, 1885-1935; produced by Daniel Charrier; performed by Jean-Guilhem Queyras, 1967- and Michel Dalberto, in Jean-Guihen Queyras, violoncello. Michel Dalberto, piano (CLC Productions, 2010), 8 mins
This is a performance of Jean-Guihen Queyras, violoncello. Michel Dalberto, piano, performed by Michel Dalberto and directed by Francois Goetghebeur.
Sample
directed by François Goetghebeur, 1974-; composed by Alban Berg, 1885-1935; produced by Daniel Charrier; performed by Jean-Guilhem Queyras, 1967- and Michel Dalberto, in Jean-Guihen Queyras, violoncello. Michel Dalberto, piano (CLC Productions, 2010), 8 mins
Description
This is a performance of Jean-Guihen Queyras, violoncello. Michel Dalberto, piano, performed by Michel Dalberto and directed by Francois Goetghebeur.
Date Written / Recorded
2010-01-29
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Jean-Guilhem Queyras, 1967-, Michel Dalberto
Contributor
François Goetghebeur, 1974-, Daniel Charrier
Author / Creator
Alban Berg, 1885-1935, François Goetghebeur, 1974-, Jean-Guilhem Queyras, 1967-, Michel Dalberto
Date Published / Released
2010
Publisher
CLC Productions
Copyright Message
Copyright © 2010 by CLC Productions
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Alt-Wein from Triakontameron
directed by Jan Schmidt-Garre, 1962-; composed by Leopold Godowsky, 1870-1938 (1920); produced by Jan Schmidt-Garre, 1962- and Marieke Schroeder, 1970-; performed by Boris Berezovsky, in Legato - The World of Piano: Boris Berezovsky, Change of Plans (EuroArts, 2006), 2 mins
This is a performance of Alt-Wein from Triakontameron, performed by Boris Berezovsky.
Sample
directed by Jan Schmidt-Garre, 1962-; composed by Leopold Godowsky, 1870-1938 (1920); produced by Jan Schmidt-Garre, 1962- and Marieke Schroeder, 1970-; performed by Boris Berezovsky, in Legato - The World of Piano: Boris Berezovsky, Change of Plans (EuroArts, 2006), 2 mins
Description
This is a performance of Alt-Wein from Triakontameron, performed by Boris Berezovsky.
Date Written / Recorded
1920, 2006-07-14
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Boris Berezovsky
Contributor
Jan Schmidt-Garre, 1962-, Marieke Schroeder, 1970-
Author / Creator
Leopold Godowsky, 1870-1938, Jan Schmidt-Garre, 1962-, Boris Berezovsky
Date Published / Released
2006
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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Annum per annum
directed by Steven Maes; composed by Arvo Pärt, 1935- (1980); conducted by Philippe Herreweghe; produced by Evil Penguin TV; performed by Maude Gratton, Collegium Vocale Gent (Ghent) (Berlin, Berlin State: EuroArts, 2020), 10 mins
OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium VocaleCommissioned by the City of Ghent and on the occasion of the Van Eyck Year 2020, the Estonian composer Arvo Pärt wrote a new work with the world-famous altarpiece the “Adoration of the Mystic Lamb” as its starting point. Around t...
Sample
directed by Steven Maes; composed by Arvo Pärt, 1935- (1980); conducted by Philippe Herreweghe; produced by Evil Penguin TV; performed by Maude Gratton, Collegium Vocale Gent (Ghent) (Berlin, Berlin State: EuroArts, 2020), 10 mins
Description
OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium VocaleCommissioned by the City of Ghent and on the occasion of the Van Eyck Year 2020, the Estonian composer Arvo Pärt wrote a new work with the world-famous altarpiece the “Adoration of the Mystic Lamb” as its starting point. Around this world creation, which was given the title “Für Jan van Eyck”, Philippe Herreweghe and Collegium Vocale Gent present an exquisi...
OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium VocaleCommissioned by the City of Ghent and on the occasion of the Van Eyck Year 2020, the Estonian composer Arvo Pärt wrote a new work with the world-famous altarpiece the “Adoration of the Mystic Lamb” as its starting point. Around this world creation, which was given the title “Für Jan van Eyck”, Philippe Herreweghe and Collegium Vocale Gent present an exquisite programme of mass movements, motets and organ works by Claudio Monteverdi, Anton Bruckner and Olivier Messiaen.
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Date Written / Recorded
1980, 2020-09-22
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Collegium Vocale Gent (Ghent), Maude Gratton
Contributor
Philippe Herreweghe, Evil Penguin TV
Author / Creator
Arvo Pärt, 1935-, Steven Maes, Collegium Vocale Gent (Ghent), Maude Gratton
Date Published / Released
2020
Publisher
EuroArts
Copyright Message
Copyright © 2020 EuroArts Music International
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ASLSP
directed by Tim Chu; composed by John Cage, 1912-1992; produced by Brian Brandt, fl. 2011 and Michael Hynes; performed by Gary Verkade, 1954-, in John Cage - The Works for Organ (New York, NY: Mode Records, 2013), 24 mins
This release is the first complete recording of all of Cage's works for organ, plus 4'33". The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate "prepared" instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accord...
Sample
directed by Tim Chu; composed by John Cage, 1912-1992; produced by Brian Brandt, fl. 2011 and Michael Hynes; performed by Gary Verkade, 1954-, in John Cage - The Works for Organ (New York, NY: Mode Records, 2013), 24 mins
Description
This release is the first complete recording of all of Cage's works for organ, plus 4'33". The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate "prepared" instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through t...
This release is the first complete recording of all of Cage's works for organ, plus 4'33". The organ is ideally suited to Cage’s aesthetic — its multitude of stops make it the ultimate "prepared" instrument. The fact that sound emanates from a number of pipes placed at discrete locations in space nicely accords with Cage's idea of the separation of sounds in space. And it represents vast possibilities that could be released as sound through the use of chance operations. For this reason Cage's organ music occupies a small but quite important place within his output.
For Some of "The Harmony of Maine" Cage selected 18th-century American hymns by Supply Belcher and altered them by extending certain tones and removing others through chance operations so as to attenuate the functional harmony underlying them. Here and there, melodic fragments from the original hymns remain.
ASLSP and Organ2/ASLSP are wonderful explorations of sound written for the German organist Gerd Zacher, an important champion of new music.
Souvenir is an unusual work for Cage from 1984. After receiving half of the commission fee from the American Guild of Organists, he learned that they wanted him to make a piece that was similar to the 1948 piano composition Dream. Never one to repeat himself literally, he returned the commission fee, but it was remailed to him with assurances that he could make whatever kind of piece he wished. Thus liberated, he decided to comply with the original request, and so Souvenir is a melodious work with repetitions yet with the intrusions of harsh tone clusters, which make it something "new."
American organist Gary Verkade, a Zacher student, is on the faculty of the Musikhögskola in Piteå, Sweden. He has appeared at major festivals and concerts throughout Europe and the USA. Verkade was one of the registrants in the first German performance of Some of "The Harmony of Maine."
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Date Written / Recorded
2007-11
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Gary Verkade, 1954-
Contributor
Brian Brandt, fl. 2011, Michael Hynes
Author / Creator
John Cage, 1912-1992, Tim Chu, Gary Verkade, 1954-
Date Published / Released
2013
Publisher
Mode Records
Copyright Message
Copyright © 2013. Used by permission of Mode Records. All rights reserved.
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ASLSP, for piano or organ
directed by Tim Chu; composed by John Cage, 1912-1992; produced by Brian Brandt, fl. 2011 and Michael Hynes; performed by Gary Verkade, 1954-, in The Works for Organ (Mode Records, 2013), 30 mins
Sample
directed by Tim Chu; composed by John Cage, 1912-1992; produced by Brian Brandt, fl. 2011 and Michael Hynes; performed by Gary Verkade, 1954-, in The Works for Organ (Mode Records, 2013), 30 mins
Date Written / Recorded
2007-11-10
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gary Verkade, 1954-
Contributor
Brian Brandt, fl. 2011, Michael Hynes
Author / Creator
John Cage, 1912-1992, Tim Chu, Gary Verkade, 1954-
Date Published / Released
2013
Publisher
Mode Records
Copyright Message
Copyright © 2013 by Mode Records
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BACK HOME in Georgia: Khatia Buniatishvili and Zubin Mehta
directed by Holger Preusse; composed by Robert Schumann, 1810-1856; conducted by Zubin Mehta, 1936-; produced by Claus Wischmann, 1966-, Westdeutscher Rundfunk, ARTE and Sounding Images; performed by Khatia Buniatishvili, 1987-, Israel Philharmonic Orchestra (Berlin, Berlin State: C Major Entertainment, 2018), 53 mins
They have known each for a long time and performed many concerts together: the pianist Khatia Buniatishvili and the conductor Zubin Mehta. Perhaps that is why they can be so open with each other during rehearsals of Robert Schumann's Piano Concerto in A-Minor. Back Home with the two musicians and the Israel Philha...
Sample
directed by Holger Preusse; composed by Robert Schumann, 1810-1856; conducted by Zubin Mehta, 1936-; produced by Claus Wischmann, 1966-, Westdeutscher Rundfunk, ARTE and Sounding Images; performed by Khatia Buniatishvili, 1987-, Israel Philharmonic Orchestra (Berlin, Berlin State: C Major Entertainment, 2018), 53 mins
Description
They have known each for a long time and performed many concerts together: the pianist Khatia Buniatishvili and the conductor Zubin Mehta. Perhaps that is why they can be so open with each other during rehearsals of Robert Schumann's Piano Concerto in A-Minor. Back Home with the two musicians and the Israel Philharmonic Orchestra in Georgia under special conditions. The rehearsals in Tbilisi, capital of Georgia, take place in the great music hall...
They have known each for a long time and performed many concerts together: the pianist Khatia Buniatishvili and the conductor Zubin Mehta. Perhaps that is why they can be so open with each other during rehearsals of Robert Schumann's Piano Concerto in A-Minor. Back Home with the two musicians and the Israel Philharmonic Orchestra in Georgia under special conditions. The rehearsals in Tbilisi, capital of Georgia, take place in the great music hall. The concert two hours drive away under the open skies of Tsinandali – a brand new concert place, built up to the very last minute.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Israel Philharmonic Orchestra, Khatia Buniatishvili, 1987-
Contributor
Zubin Mehta, 1936-, Claus Wischmann, 1966-, Westdeutscher Rundfunk, ARTE, Sounding Images
Author / Creator
Robert Schumann, 1810-1856, Holger Preusse, Israel Philharmonic Orchestra, Khatia Buniatishvili, 1987-
Date Published / Released
2018
Publisher
C Major Entertainment
Topic / Theme
Concerto
Copyright Message
Copyright © 2018 C Major Entertainment
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Bailecito
directed by Pierre Cavasillas; composed by Jose Resta, fl. 1945 (1943); produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Daniel Barenboim, 1942-, in Barenboim: Jubilee Concert in Buenos Aires (EuroArts, 2000), 3 mins
This is a performance of Bailecito, performed by Daniel Barenboim.
Sample
directed by Pierre Cavasillas; composed by Jose Resta, fl. 1945 (1943); produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Daniel Barenboim, 1942-, in Barenboim: Jubilee Concert in Buenos Aires (EuroArts, 2000), 3 mins
Description
This is a performance of Bailecito, performed by Daniel Barenboim.
Date Written / Recorded
1943, 2000-08-19
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Daniel Barenboim, 1942-
Contributor
Paul Smaczny, fl. 1995-2015, Isabel Iturriagagoitia
Author / Creator
Jose Resta, fl. 1945, Pierre Cavasillas, Daniel Barenboim, 1942-
Date Published / Released
2000
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
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