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The Modern Scene
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
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written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
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Improvising the Text: Euro America and African American Approaches to Jazz Narrative
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written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 139-161
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Denise LaSalle: True-to-Life Stuff
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written by David Freeland; in Ladies of Soul (Jackson, MS: University Press of Mississippi, 2001), 37-70
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written by David Freeland; in Ladies of Soul (Jackson, MS: University Press of Mississippi, 2001), 37-70
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Louis on Record
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written by John James Chilton, 1932-; in Louis: The Louis Armstrong Story, 1900-1971 (Boston, MA: Little, Brown and Company, 1971), 219-245
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written by John James Chilton, 1932-; in Louis: The Louis Armstrong Story, 1900-1971 (Boston, MA: Little, Brown and Company, 1971), 219-245
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Riding on a Blue Note: Jazz and American Pop
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written by Gary Giddins, 1948- (New York, NY: Oxford University Press, 1981), 313 page(s)
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written by Gary Giddins, 1948- (New York, NY: Oxford University Press, 1981), 313 page(s)
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Chapter 4: Sing no hymns of your own composing
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written by Shane White and Graham White; in The Sounds of Slavery: Discovering African American History through Songs, Sermons, and Speech (Boston, MA: Beacon Press, 2005), 77-93
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The Teddy Wilson Era
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written by Donald Clarke, 1940-; in Wishing on the Moon: The Life and Times of Billie Holiday (New York, NY: Da Capo Press, 2000), 97-107
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written by Donald Clarke, 1940-; in Wishing on the Moon: The Life and Times of Billie Holiday (New York, NY: Da Capo Press, 2000), 97-107
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