Browse Titles - 2 results
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Lucille
written by Sebastian Danchin, 1955-; in Blues Boy: The Life and Music of B. B. King (Jackson, MS: University Press of Mississippi, 1998), 126-138
Sample
written by Sebastian Danchin, 1955-; in Blues Boy: The Life and Music of B. B. King (Jackson, MS: University Press of Mississippi, 1998), 126-138
Field of Study
American Music
Content Type
Biography
Author / Creator
Sebastian Danchin, 1955-
Date Published / Released
1998
Publisher
University Press of Mississippi
Person Discussed
B. B. King, 1925-2015, Blind Lemon Jefferson, 1897-1929, Lonnie Johnson, 1889-1970, Charlie Christian, 1916-1942, Ivory Joe Hunter, 1914-1974, Louis Jordan, 1908-1975, Roy Hawkins, 1903-1974
Topic / Theme
African American, Musicians, Songs, Performance practice, Expression in performance, Performance influences, Radio programs, Improvisation, Guitar, electric, Guitar
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The Modern Scene
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Person Discussed
John Coltrane, 1926-1967, Dizzy Gillespie, 1917-1993, Count Basie, 1904-1984, Lester Young, 1909-1959, Miles Davis, 1926-1991, Ornette Coleman, 1930-2000, Cecil Percival Taylor, 1929-2018, Coleman Hawkins, 1904-1969, Charlie Parker, 1920-1955, Thelonious Monk, 1917-1982
Topic / Theme
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950...
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950-1953, Beat Generation, 1950's-1960's, Saxophone, Piano, Drum kit, Big band, Bass, double, Trumpet
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