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American Music for Chamber Ensemble
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conducted by Max Lifchitz, 1948-; produced by Christopher Greenleaf, fl. 1991; performed by Tracie Lozano Howard, Danielle Woerner and Max Lifchitz, 1948-, North/South Consonance Ensemble (North-South), 5 hours 26 mins
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conducted by Max Lifchitz, 1948-; produced by Christopher Greenleaf, fl. 1991; performed by Tracie Lozano Howard, Danielle Woerner and Max Lifchitz, 1948-, North/South Consonance Ensemble (North-South), 5 hours 26 mins
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The American Scene
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composed by William Grant Still Jr., 1895-1978; conducted by Richard Auldon Clark; produced by Richard Auldon Clark; performed by Margaret Astrup, Manhattan Chamber Orchestra (Newport Classic, 1995), 1 hour 14 mins
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composed by William Grant Still Jr., 1895-1978; conducted by Richard Auldon Clark; produced by Richard Auldon Clark; performed by Margaret Astrup, Manhattan Chamber Orchestra (Newport Classic, 1995), 1 hour 14 mins
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Bridge: Music for Viola
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composed by Frank Bridge, 1879-1941; produced by Michael Ponder, fl. 1989; performed by Louise Williams, David Owen Norris and Jean Rigby, 1955- (ASV), 1 hour 11 mins
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composed by Frank Bridge, 1879-1941; produced by Michael Ponder, fl. 1989; performed by Louise Williams, David Owen Norris and Jean Rigby, 1955- (ASV), 1 hour 11 mins
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Flashbacks: Music by Mario Davidovsky
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composed by Mario Davidovsky, 1934-; conducted by Jeffrey Milarsky; performed by David Starobin, 1951-, Susan Narucki, Peggy Pearson, Bayla Keyes, Mary Ruth Ray and Rhonda Rider, New York New Music Ensemble and Speculum Musicae (Bridge), 1 hour 6 mins
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composed by Mario Davidovsky, 1934-; conducted by Jeffrey Milarsky; performed by David Starobin, 1951-, Susan Narucki, Peggy Pearson, Bayla Keyes, Mary Ruth Ray and Rhonda Rider, New York New Music Ensemble and Speculum Musicae (Bridge), 1 hour 6 mins
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Moore, Dorothy Rudd
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written by Helen Walker-Hill; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 7 page(s)
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written by Helen Walker-Hill; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 7 page(s)
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Perkinson, Coleridge-Taylor
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written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
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written by Malcolm J. Breda, fl. 1999; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
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Smith, Hale
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written by Malcolm J. Breda, fl. 1999 and Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
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written by Malcolm J. Breda, fl. 1999 and Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 9 page(s)
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International Dictionary of Black Composers, vol. 2: Johnson-Work
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written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
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written by Samuel A. Floyd, Jr; edited by Samuel A. Floyd, Jr (Chicago, IL: Fitzroy Dearborn Publishers, 1999), 659 page(s)
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Maw: Ghost Dances/La Vita Nuova/Roman Canticle
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composed by Nicholas Maw, 1935-2009; conducted by Christopher Kendall; produced by Nicholas Maw, 1935-2009; performed by Carmen Pelton and William Sharp, Twentieth Century Consort (ASV), 1 hour 5 mins
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composed by Nicholas Maw, 1935-2009; conducted by Christopher Kendall; produced by Nicholas Maw, 1935-2009; performed by Carmen Pelton and William Sharp, Twentieth Century Consort (ASV), 1 hour 5 mins
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Michael Veltman: Ja; Dem Rhein Entgegen; To C.; Trio
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composed by Michael Veltman, 1960-; produced by Uwe Walter, fl. 1989; performed by Gudrun Ossoba, Silke Stapf and Michael Veltman, 1960-, Ensemble Tra i Tempi (Hänssler Classic), 1 hour 4 mins
Sample
composed by Michael Veltman, 1960-; produced by Uwe Walter, fl. 1989; performed by Gudrun Ossoba, Silke Stapf and Michael Veltman, 1960-, Ensemble Tra i Tempi (Hänssler Classic), 1 hour 4 mins
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