Browse Titles - 21 results
Bach: Partita No. 5; Sinfonias; Italian Concerto; Concerto in D minor
composed by Johann Sebastian Bach, 1685-1750; conducted by Ernest McMillan, 1893-1973; performed by Glenn Gould, 1932-1982, Toronto Symphony Orchestra (CBC Records), 1 hour 13 mins
Sample
composed by Johann Sebastian Bach, 1685-1750; conducted by Ernest McMillan, 1893-1973; performed by Glenn Gould, 1932-1982, Toronto Symphony Orchestra (CBC Records), 1 hour 13 mins
Date Written / Recorded
1954-04-10
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Toronto Symphony Orchestra, Glenn Gould, 1932-1982
Contributor
Ernest McMillan, 1893-1973, Peter Cook
Author / Creator
Johann Sebastian Bach, 1685-1750, Toronto Symphony Orchestra, Glenn Gould, 1932-1982
Publisher
CBC Records
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Bruch: Kol Nidrei
composed by Max Christian Friedrich Bruch, 1838-1920; produced by Michael Ponder, fl. 1989; performed by Philip Dukes, Sophie Rahman and Robert Plane (ASV), 1 hour 15 mins
Sample
composed by Max Christian Friedrich Bruch, 1838-1920; produced by Michael Ponder, fl. 1989; performed by Philip Dukes, Sophie Rahman and Robert Plane (ASV), 1 hour 15 mins
Date Written / Recorded
2001-12-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Philip Dukes, Sophie Rahman, Robert Plane
Contributor
Michael Ponder, fl. 1989
Author / Creator
Max Christian Friedrich Bruch, 1838-1920, Philip Dukes, Sophie Rahman, Robert Plane
Publisher
ASV
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Bruch: Violin Concerto No. 1; Swedish Dances; Symphony No. 1
composed by Max Christian Friedrich Bruch, 1838-1920; conducted by Sir Neville Marriner, 1924-2016; produced by Andrew Keener, 1954-; performed by Pamela Frank, Academy of St Martin in the Fields (Hänssler Classic), 1 hour 4 mins
This is a truly great performance of Bruch's justly famous First Violin Concerto, a warm-hearted, big-toned performance of stunning virtuosity and consummate musicianship. Pamela Frank clearly loves the work and lavishes all her affection and attention on it. Neville Marriner may not love the work as much as Frank...
Sample
composed by Max Christian Friedrich Bruch, 1838-1920; conducted by Sir Neville Marriner, 1924-2016; produced by Andrew Keener, 1954-; performed by Pamela Frank, Academy of St Martin in the Fields (Hänssler Classic), 1 hour 4 mins
Description
This is a truly great performance of Bruch's justly famous First Violin Concerto, a warm-hearted, big-toned performance of stunning virtuosity and consummate musicianship. Pamela Frank clearly loves the work and lavishes all her affection and attention on it. Neville Marriner may not love the work as much as Frank, but he clearly loves making music as much as she does, and he supports her interpretation like a father supports a daughter. When thi...
This is a truly great performance of Bruch's justly famous First Violin Concerto, a warm-hearted, big-toned performance of stunning virtuosity and consummate musicianship. Pamela Frank clearly loves the work and lavishes all her affection and attention on it. Neville Marriner may not love the work as much as Frank, but he clearly loves making music as much as she does, and he supports her interpretation like a father supports a daughter. When this performance was recorded in 2001, the Academy of St. Martin-in-the-Fields was no longer a chamber orchestra, but rather a full-bodied and deep-toned romantic orchestra with the richer colors and lusher textures that better suited Bruch's music.
Coupled with the concerto are equally great performances of Bruch's unjustly neglected Swedish Dances and First Symphony. Marriner's enthusiastic conducting and the Academy's energetic playing make Bruch's Swedish Dances sound nearly on a par with Brahms' Hungarian Dances or Dvorák's Slavonic Dances and his First Symphony sound almost as fine as Schumann's First or Bruckner's First. Anyone who knows Bruch's First Concerto will want to hear Frank's performances of it, and anyone who knows Bruch's concerto will want to get to know his Swedish Dances and First Symphony, too. Hänssler's sound is acceptable overall, but a bit constricted in climaxes and a little thin on top. ~ James Leonard, All Music Guide Show more Show less
Coupled with the concerto are equally great performances of Bruch's unjustly neglected Swedish Dances and First Symphony. Marriner's enthusiastic conducting and the Academy's energetic playing make Bruch's Swedish Dances sound nearly on a par with Brahms' Hungarian Dances or Dvorák's Slavonic Dances and his First Symphony sound almost as fine as Schumann's First or Bruckner's First. Anyone who knows Bruch's First Concerto will want to hear Frank's performances of it, and anyone who knows Bruch's concerto will want to get to know his Swedish Dances and First Symphony, too. Hänssler's sound is acceptable overall, but a bit constricted in climaxes and a little thin on top. ~ James Leonard, All Music Guide Show more Show less
Date Written / Recorded
2001
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Academy of St Martin in the Fields, Pamela Frank
Contributor
Sir Neville Marriner, 1924-2016, John Timperley, Andrew Keener, 1954-
Author / Creator
Max Christian Friedrich Bruch, 1838-1920, Academy of St Martin in the Fields, Pamela Frank
Publisher
Hänssler Classic
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Concerto A
edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1746), Concerto A (Chrysander at Bergdorf-bei-Hamburg, 1902), 8 page(s)
Sample
edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1746), Concerto A (Chrysander at Bergdorf-bei-Hamburg, 1902), 8 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1746
Field of Study
Classical Music
Contributor
Friedrich Chrysander, 1826-1901
Author / Creator
George Frideric Handel, 1685-1759
Date Published / Released
1902
Publisher
Chrysander at Bergdorf-bei-Hamburg
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The Flute Album
performed by Michael Parloff, Gerald Ranck and Warren Jones (Essay, 1993), 1 hour 10 mins
Sample
performed by Michael Parloff, Gerald Ranck and Warren Jones (Essay, 1993), 1 hour 10 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Michael Parloff, Gerald Ranck, Warren Jones
Author / Creator
Michael Parloff, Gerald Ranck, Warren Jones
Date Published / Released
1993
Publisher
Essay
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Le Grande Orgue Heroique
produced by Ivan Pastor, fl. 1986; performed by Jean-Paul Lécot, 1947- and Françoise-Henri Houbart, 1952- (Forlane CI), 54 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Jean-Paul Lécot, 1947- and Françoise-Henri Houbart, 1952- (Forlane CI), 54 mins
Date Written / Recorded
1993-01-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Jean-Paul Lécot, 1947-, Françoise-Henri Houbart, 1952-
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Jean-Paul Lécot, 1947-, Françoise-Henri Houbart, 1952-
Publisher
Forlane CI
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Liszt Piano Music, Vol. 9: Sonata, Elegies & Consolations
composed by Franz Liszt, 1811-1886; produced by Martin Compton; performed by Leslie Howard (Hyperion), 3 hours 31 mins
Sample
composed by Franz Liszt, 1811-1886; produced by Martin Compton; performed by Leslie Howard (Hyperion), 3 hours 31 mins
Date Written / Recorded
1990-04-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Leslie Howard
Contributor
Tryggvi Tryggvason, Martin Compton
Author / Creator
Franz Liszt, 1811-1886, Leslie Howard
Publisher
Hyperion
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London’s Flautists
produced by John Hadden, fl. 1970; performed by Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder and Susan Bicknell (CRD), 1 hour 8 mins
Sample
produced by John Hadden, fl. 1970; performed by Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder and Susan Bicknell (CRD), 1 hour 8 mins
Date Written / Recorded
1990-06-17
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder, Susan Bicknell
Contributor
John Hadden, fl. 1970
Author / Creator
Nancy Hadden, Lucy Carolan, Erin Headly, Catherine Mackintosh, Risa Browder, Susan Bicknell
Publisher
CRD
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Made in America: The Complete Works by William Russell
composed by William "Bill" Russell, 1905-1992; conducted by Charles Wood, 1866-1926; produced by Brian Brandt, fl. 2011; performed by Laurie Frink, Essential Music (Mode Records), 4 hours 19 mins
Sample
composed by William "Bill" Russell, 1905-1992; conducted by Charles Wood, 1866-1926; produced by Brian Brandt, fl. 2011; performed by Laurie Frink, Essential Music (Mode Records), 4 hours 19 mins
Date Written / Recorded
1991-08-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Essential Music, Laurie Frink
Contributor
Charles Wood, 1866-1926, David Avidor, Brian Brandt, fl. 2011
Author / Creator
William "Bill" Russell, 1905-1992, Essential Music, Laurie Frink
Publisher
Mode Records
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The Music of Michael Conway Baker
composed by Michael Conway Baker, 1937-; conducted by Kazuyoshi Akiyama; produced by Anton Kwiatkowski, fl. 1969; performed by Marina Piccinni, Steven Dann, 1953-, Ann Mortifee and Robert Silverman, CBC Vancouver Orchestra (CBC Records, 2001), 1 hour 9 mins
Sample
composed by Michael Conway Baker, 1937-; conducted by Kazuyoshi Akiyama; produced by Anton Kwiatkowski, fl. 1969; performed by Marina Piccinni, Steven Dann, 1953-, Ann Mortifee and Robert Silverman, CBC Vancouver Orchestra (CBC Records, 2001), 1 hour 9 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
CBC Vancouver Orchestra, Marina Piccinni, Steven Dann, 1953-, Ann Mortifee, Robert Silverman
Contributor
Kazuyoshi Akiyama, James Reid, fl. 1985, Anton Kwiatkowski, fl. 1969
Author / Creator
Michael Conway Baker, 1937-, CBC Vancouver Orchestra, Marina Piccinni, Steven Dann, 1953-, Ann Mortifee, Robert Silverman
Date Published / Released
2001
Publisher
CBC Records
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