Browse Titles - 11 results
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(What Did I Do To Be So) Black and Blue
produced by Richard Martin and Meagan Hennessey; performed by Edith Wilson, 1896-1981 and Mary Stafford, 1895-1938, Mary Stafford & Her Jazz Band; in Ain't Gonna Settle Down: The Pioneering Blues of Mary Stafford & Edith Wilson (Archeophone Records, 2008), 3 mins
Sample
produced by Richard Martin and Meagan Hennessey; performed by Edith Wilson, 1896-1981 and Mary Stafford, 1895-1938, Mary Stafford & Her Jazz Band; in Ain't Gonna Settle Down: The Pioneering Blues of Mary Stafford & Edith Wilson (Archeophone Records, 2008), 3 mins
Date Written / Recorded
1930-10-06
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Mary Stafford & Her Jazz Band, Edith Wilson, 1896-1981, Mary Stafford, 1895-1938
Contributor
Richard Martin, Meagan Hennessey
Author / Creator
Mary Stafford & Her Jazz Band, Edith Wilson, 1896-1981, Mary Stafford, 1895-1938
Date Published / Released
2008
Publisher
Archeophone Records
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American Ballads
(Folkways Records, 1957), 50 mins
This collection reminds us that the ballad's purpose, first and foremost, is to tell a story. These songs narrate tales of ordinary people—hoboes and lovers and sailors—and their extraordinary deeds. From "John Henry" to "Lady Margaret," Pete Seeger's expressive style is ideally communicative.
Sample
(Folkways Records, 1957), 50 mins
Description
This collection reminds us that the ballad's purpose, first and foremost, is to tell a story. These songs narrate tales of ordinary people—hoboes and lovers and sailors—and their extraordinary deeds. From "John Henry" to "Lady Margaret," Pete Seeger's expressive style is ideally communicative.
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1957
Publisher
Folkways Records
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Ballads and Songs of the Blue Ridge Mountains: Persistence and Change
produced by Eric H. Davidson, 1937-2015 and Paul Newman (Folkways Records, 1968), 53 mins
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musica...
Sample
produced by Eric H. Davidson, 1937-2015 and Paul Newman (Folkways Records, 1968), 53 mins
Description
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musical mountain traditions. Originating from folk music of the British Isles, many of the songs are performed with little or no instrumental...
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musical mountain traditions. Originating from folk music of the British Isles, many of the songs are performed with little or no instrumental accompaniment. These beautiful archaic folk melodies have retained their roots in the ballad and lament tradition, sung here by both men and women (traditionally ballads were sung only by women) with occasional lively banjo accompaniments.
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Field of Study
American Music
Content Type
Music recording
Contributor
Eric H. Davidson, 1937-2015, Paul Newman
Date Published / Released
1968
Publisher
Folkways Records
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Bluegrass From the Blue Ridge: A Half Century of Change: Country Band Music of Virginia
produced by Paul Newman and Eric H. Davidson, 1937-2015 (Folkways Records, 1967), 47 mins
Sample
produced by Paul Newman and Eric H. Davidson, 1937-2015 (Folkways Records, 1967), 47 mins
Field of Study
American Music
Content Type
Music recording
Contributor
Paul Newman, Eric H. Davidson, 1937-2015
Date Published / Released
1967
Publisher
Folkways Records
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Dock Boggs: Legendary Singer and Banjo Player
produced by Mike Seeger, 1933-2009 (Folkways Records, 1964), 48 mins
Banjo player Dock Boggs once said, "Lonesome songs always appealed to me." This collection features classic dark and lonely songs like "Pretty Polly" and "Oh Death." Meant as a companion album to FW05458, this volume's liner notes include background information on Boggs, miscellaneous facts, and banjo tunings fo...
Sample
produced by Mike Seeger, 1933-2009 (Folkways Records, 1964), 48 mins
Description
Banjo player Dock Boggs once said, "Lonesome songs always appealed to me." This collection features classic dark and lonely songs like "Pretty Polly" and "Oh Death." Meant as a companion album to FW05458, this volume's liner notes include background information on Boggs, miscellaneous facts, and banjo tunings for each song.
Field of Study
American Music
Content Type
Music recording
Contributor
Mike Seeger, 1933-2009
Date Published / Released
1964
Publisher
Folkways Records
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Dock Boggs, Vol. 2
produced by Mike Seeger, 1933-2009 (Folkways Records, 1965), 45 mins
Known for his passion for music, Dock Boggs "not only lived through Cumberland's long night but...prevailed over it. He has mastered it and infused its raw spirit and tragic temperament into his old songs," writes Jon Pankake in the liner notes. This album was recorded in 1964 at Boggs' sister's house, and Mike...
Sample
produced by Mike Seeger, 1933-2009 (Folkways Records, 1965), 45 mins
Description
Known for his passion for music, Dock Boggs "not only lived through Cumberland's long night but...prevailed over it. He has mastered it and infused its raw spirit and tragic temperament into his old songs," writes Jon Pankake in the liner notes. This album was recorded in 1964 at Boggs' sister's house, and Mike Seeger provides guitar accompaniment.
Field of Study
American Music
Content Type
Music recording
Contributor
Mike Seeger, 1933-2009
Date Published / Released
1965
Publisher
Folkways Records
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A Folk Concert in Town Hall, New York
(Folkways Records, 1959), 46 mins
This live recording of three very different singers presents Jean Ritchie's southern ballads, Oscar Brand's sea songs and "atomic blues," and Dave Sear's repertoire of Scottish songs. The three enjoy working together, and their enthusiasm is audible in both the music and the spoken introductions to several tracks...
Sample
(Folkways Records, 1959), 46 mins
Description
This live recording of three very different singers presents Jean Ritchie's southern ballads, Oscar Brand's sea songs and "atomic blues," and Dave Sear's repertoire of Scottish songs. The three enjoy working together, and their enthusiasm is audible in both the music and the spoken introductions to several tracks.
Field of Study
American Music
Content Type
Music recording
Date Published / Released
1959
Publisher
Folkways Records
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The Battle of Maxton Field
performed by Pete Seeger, 1919-2014; in Hootenanny at Carnegie Hall (Folkways Records, 1960), 5 mins
Recorded at three "hoots" in 1958 and 1959, this album represents a tradition that, at the time it was made, was nearly two decades old. Through the course of hootenanny history, certain constants remained: variety, social commentary, and above all, a great deal of audience participation. This album embodies al...
Sample
performed by Pete Seeger, 1919-2014; in Hootenanny at Carnegie Hall (Folkways Records, 1960), 5 mins
Description
Recorded at three "hoots" in 1958 and 1959, this album represents a tradition that, at the time it was made, was nearly two decades old. Through the course of hootenanny history, certain constants remained: variety, social commentary, and above all, a great deal of audience participation. This album embodies all three.
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Pete Seeger, 1919-2014
Author / Creator
Pete Seeger, 1919-2014
Date Published / Released
1960
Publisher
Folkways Records
Topic / Theme
Civil rights
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Description
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Paula Lockheart, fl. 1982
Author / Creator
Paula Lockheart, fl. 1982
Date Published / Released
1992
Publisher
Rounder Records
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High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood
written by Robert Springer; edited by Robert Springer; in Nobody Knows Where The Blues Come From: Lyrics and History (Jackson, MS: University Press of Mississippi, 2006), 12-84
Sample
written by Robert Springer; edited by Robert Springer; in Nobody Knows Where The Blues Come From: Lyrics and History (Jackson, MS: University Press of Mississippi, 2006), 12-84
Field of Study
American Music
Content Type
General reference book
Contributor
Robert Springer
Author / Creator
Robert Springer
Date Published / Released
2006
Publisher
University Press of Mississippi
Person Discussed
Herbert Hoover, 1874-1964, Big Bill Broonzy, 1893-1958, Bessie Smith, 1894-1937, Rev. Sutton E. Griggs, 1872-1933, Lonnie Johnson, 1889-1970, Melvin Jackson, 1915-1976, Blind Lemon Jefferson, 1897-1929, Sippie Wallace, 1898-1986, Laura Smith, Barbecue Bob, 1902-1931, Alice Pearson, Rev. J.M. Gates, 1884-1941, Rev. Moses Mason, Charley Patton, 1891-1934, Luella Miller
Topic / Theme
African American, Floods, Disaster relief, Racism, Segregation, Musicians, Poets, Rivers, River levees, Earthquakes, Refugee camps, Musicology, Performance practice, Audio recordings, Lyrics, Folklore, Record labels, African American Music, Blues, Mississippi River Flood 1927
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