Browse Titles - 34 results
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Anthems from Cambridge
conducted by Richard Marlow; produced by Mark Brown, 1962-; performed by Trinity College Choir (Griffin / Qualiton Imports, Ltd., 2004), 1 hour 14 mins
Sample
conducted by Richard Marlow; produced by Mark Brown, 1962-; performed by Trinity College Choir (Griffin / Qualiton Imports, Ltd., 2004), 1 hour 14 mins
Date Written / Recorded
1986
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Trinity College Choir
Contributor
Richard Marlow, Anthony Howell, Mark Brown, 1962-
Author / Creator
Trinity College Choir
Date Published / Released
2004-01-01
Publisher
Griffin / Qualiton Imports, Ltd.
Copyright Message
2004 Griffin & Co., Ltd.
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Bruckner: Motets
composed by Anton Bruckner, 1824-1896; conducted by Matthew Best; produced by Mark Brown, 1962-; performed by Graham Chambers, Jeremy Gough, Martin Kelly, Thomas Trotter, Philip Salmon and Christopher Stearn, Corydon Singers (Hyperion), 47 mins
This may not be the first Bruckner disc to hear. Surely one of the massive and monumental symphonies is more appropriate. This may not even be the first Bruckner sacred disc to hear. Surely one of the mighty and moving masses is more apposite. But if you really love Bruckner -- and how could anyone resist his form...
Sample
composed by Anton Bruckner, 1824-1896; conducted by Matthew Best; produced by Mark Brown, 1962-; performed by Graham Chambers, Jeremy Gough, Martin Kelly, Thomas Trotter, Philip Salmon and Christopher Stearn, Corydon Singers (Hyperion), 47 mins
Description
This may not be the first Bruckner disc to hear. Surely one of the massive and monumental symphonies is more appropriate. This may not even be the first Bruckner sacred disc to hear. Surely one of the mighty and moving masses is more apposite. But if you really love Bruckner -- and how could anyone resist his formal integrity, his contrapuntal ecstasy, and his spiritual intensity? -- sooner or later you're going to want to check out his Motets. B...
This may not be the first Bruckner disc to hear. Surely one of the massive and monumental symphonies is more appropriate. This may not even be the first Bruckner sacred disc to hear. Surely one of the mighty and moving masses is more apposite. But if you really love Bruckner -- and how could anyone resist his formal integrity, his contrapuntal ecstasy, and his spiritual intensity? -- sooner or later you're going to want to check out his Motets. But which of his Motets: there are dozens of them ranging from a Pange Lingua from 1843 to a Vexilla regis from 1892, and while some of them are nearly on the same level of inspiration as the masses and symphonies, many of them are more mundane than memorable, less Te Deum than tedium.
This disc with Petr Fiala leading the Czech Philharmonic Choir Brno presents a representative selection of the better-known motets -- the stupendous Christus factus est from 1884 and the awe-inspiring Virga Jesse from 1885 -- along with some of the lesser-known works -- the five settings of the Tantum ergo from 1846 and the Ecce sacerdos magnus with trombones and organ from 1885 -- in superb performances -- under the leadership of their founder, the Moravian singers are skillful, soulful, and deeply dedicated to the music -- and fabulous sound -- Musikproduktion Dabringhaus und Grimm's sound puts the listener right there in Brno next to them. Whether it's the one and only recording of Bruckner's Motets one ought to hear is debatable, but it's a fine place to start. ~ James Leonard, All Music Guide Show more Show less
This disc with Petr Fiala leading the Czech Philharmonic Choir Brno presents a representative selection of the better-known motets -- the stupendous Christus factus est from 1884 and the awe-inspiring Virga Jesse from 1885 -- along with some of the lesser-known works -- the five settings of the Tantum ergo from 1846 and the Ecce sacerdos magnus with trombones and organ from 1885 -- in superb performances -- under the leadership of their founder, the Moravian singers are skillful, soulful, and deeply dedicated to the music -- and fabulous sound -- Musikproduktion Dabringhaus und Grimm's sound puts the listener right there in Brno next to them. Whether it's the one and only recording of Bruckner's Motets one ought to hear is debatable, but it's a fine place to start. ~ James Leonard, All Music Guide Show more Show less
Date Written / Recorded
1982-05-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Corydon Singers, Graham Chambers, Jeremy Gough, Martin Kelly, Thomas Trotter, Philip Salmon, Christopher Stearn
Contributor
Matthew Best, Anthony Howell, Mark Brown, 1962-
Author / Creator
Anton Bruckner, 1824-1896, Corydon Singers, Graham Chambers, Jeremy Gough, Martin Kelly, Thomas Trotter, Philip Salmon, Christopher Stearn
Publisher
Hyperion
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Child: Sacred Choral Music
composed by William Child, 1606-1697; conducted by Geoffrey Webber; produced by Michael Ponder, fl. 1989; performed by Andrew Arthur and Jeremy Bines, Choir of Gonville and Caius College, Cambridge (Gaudeamus), 1 hour 5 mins
Sample
composed by William Child, 1606-1697; conducted by Geoffrey Webber; produced by Michael Ponder, fl. 1989; performed by Andrew Arthur and Jeremy Bines, Choir of Gonville and Caius College, Cambridge (Gaudeamus), 1 hour 5 mins
Date Written / Recorded
1997-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of Gonville and Caius College, Cambridge, Andrew Arthur, Jeremy Bines
Contributor
Geoffrey Webber, Martin Haskell, Michael Ponder, fl. 1989
Author / Creator
William Child, 1606-1697, Choir of Gonville and Caius College, Cambridge, Andrew Arthur, Jeremy Bines
Publisher
Gaudeamus
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Choral Evensong live from King's College
conducted by Stephen Cleobury, 1948-; performed by Cambridge, Choir of King's College, Cambridge (Hayes, England: EMI Classics, 2008), 1 hour 16 mins
Sample
conducted by Stephen Cleobury, 1948-; performed by Cambridge, Choir of King's College, Cambridge (Hayes, England: EMI Classics, 2008), 1 hour 16 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of King's College, Cambridge, Cambridge
Contributor
Stephen Cleobury, 1948-
Author / Creator
Choir of King's College, Cambridge, Cambridge
Date Published / Released
2008-07-07
Publisher
Warner Music, EMI Classics
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Christopher Tye
composed by Christopher Tye, 1505-1573; conducted by Edward Higginbottom; produced by Simon Lawman; performed by Ian Fountain, Nigel Gale, Rogers Covey-Crump and Colin Scott-Mason, Choir of New College Oxford (CRD), 56 mins
Sample
composed by Christopher Tye, 1505-1573; conducted by Edward Higginbottom; produced by Simon Lawman; performed by Ian Fountain, Nigel Gale, Rogers Covey-Crump and Colin Scott-Mason, Choir of New College Oxford (CRD), 56 mins
Date Written / Recorded
1982
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of New College Oxford, Ian Fountain, Nigel Gale, Rogers Covey-Crump, Colin Scott-Mason
Contributor
Edward Higginbottom, Bob Auger, 1928-1998, Simon Lawman
Author / Creator
Christopher Tye, 1505-1573, Choir of New College Oxford, Ian Fountain, Nigel Gale, Rogers Covey-Crump, Colin Scott-Mason
Publisher
CRD
Tracks
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composed by Anton Bruckner, 1824-1896 (Profil), 1 min
Field of Study
Classical Music
Content Type
Music recording
Author / Creator
Anton Bruckner, 1824-1896
Publisher
Profil
Copyright Message
Copyright © 2013 by Profil Medien GmbH
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The English Anthem - 1
composed by John Stainer, 1840-1901; conducted by John Scott, 1930-; produced by Mark Brown, 1962-; performed by Andrew Lucas, Christopher Royall, Alan Green, Timothy Jones, Jeremy Budd, Peter Hall, fl. 1982, Geoffrey Shaw, 1879-1943, Nicholas Price and Charles Gibbs, Choir of St. Paul's Cathedral (Hyperion), 1 hour 9 mins
Sample
composed by John Stainer, 1840-1901; conducted by John Scott, 1930-; produced by Mark Brown, 1962-; performed by Andrew Lucas, Christopher Royall, Alan Green, Timothy Jones, Jeremy Budd, Peter Hall, fl. 1982, Geoffrey Shaw, 1879-1943, Nicholas Price and Charles Gibbs, Choir of St. Paul's Cathedral (Hyperion), 1 hour 9 mins
Date Written / Recorded
1989-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of St. Paul's Cathedral, Andrew Lucas, Christopher Royall, Alan Green, Timothy Jones, Jeremy Budd, Peter Hall, fl. 1982, Geoffrey Shaw, 1879-1943, Nicholas Price, Charles Gibbs
Contributor
John Scott, 1930-, Anthony Howell, Mark Brown, 1962-
Author / Creator
John Stainer, 1840-1901, Choir of St. Paul's Cathedral, Andrew Lucas, Christopher Royall, Alan Green, Timothy Jones, Jeremy Budd, Peter Hall, fl. 1982, Geoffrey Shaw, 1879-1943, Nicholas Price, Charles Gibbs
Publisher
Hyperion
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The English Anthem - 5
composed by Charles Hubert Hastings Parry, 1848-; conducted by John Scott, 1930-; produced by Mark Brown, 1962-; performed by Andrew Lucas, Jason Matharu, Reece Proudfoot, Christopher Royall, Timothy Jones, Alastair Mackie and Charles Gibbs, Choir of St. Paul's Cathedral (Hyperion), 1 hour 9 mins
Sample
composed by Charles Hubert Hastings Parry, 1848-; conducted by John Scott, 1930-; produced by Mark Brown, 1962-; performed by Andrew Lucas, Jason Matharu, Reece Proudfoot, Christopher Royall, Timothy Jones, Alastair Mackie and Charles Gibbs, Choir of St. Paul's Cathedral (Hyperion), 1 hour 9 mins
Date Written / Recorded
1994-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of St. Paul's Cathedral, Andrew Lucas, Jason Matharu, Reece Proudfoot, Christopher Royall, Timothy Jones, Alastair Mackie, Charles Gibbs
Contributor
John Scott, 1930-, Anthony Howell, Mark Brown, 1962-
Author / Creator
Charles Hubert Hastings Parry, 1848-, Choir of St. Paul's Cathedral, Andrew Lucas, Jason Matharu, Reece Proudfoot, Christopher Royall, Timothy Jones, Alastair Mackie, Charles Gibbs
Publisher
Hyperion
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Hadley & Rubbra Sacred Choral Music, English Church Music Vol.3
conducted by Geoffrey Webber; produced by Alexander Waugh; performed by John Mark Ainsley, 1963-, Donald Sweeney, Richard Hill, 1980- and Michael Phillips, Choir of Gonville and Caius College, Cambridge, in English church music (ASV, 1993), 1 hour 2 mins
Sample
conducted by Geoffrey Webber; produced by Alexander Waugh; performed by John Mark Ainsley, 1963-, Donald Sweeney, Richard Hill, 1980- and Michael Phillips, Choir of Gonville and Caius College, Cambridge, in English church music (ASV, 1993), 1 hour 2 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of Gonville and Caius College, Cambridge, John Mark Ainsley, 1963-, Donald Sweeney, Richard Hill, 1980-, Michael Phillips
Contributor
Geoffrey Webber, Martin Haskell, Alexander Waugh
Author / Creator
Choir of Gonville and Caius College, Cambridge, John Mark Ainsley, 1963-, Donald Sweeney, Richard Hill, 1980-, Michael Phillips
Date Published / Released
1993
Publisher
ASV
Series
English church music
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Faire is the heaven
directed by Hans Petri, fl. 1996-2017; composed by William Henry Harris, 1883- (1925); conducted by Stephen Cleobury, 1948-; performed by Choir of King's College, Cambridge, in Anthems from King's (Opus Arte, 1996), 5 mins
This is a performance of Faire is the heaven, performed by the Choir of King's College, Cambridge, and conducted by Stephen Cleobury.
Sample
directed by Hans Petri, fl. 1996-2017; composed by William Henry Harris, 1883- (1925); conducted by Stephen Cleobury, 1948-; performed by Choir of King's College, Cambridge, in Anthems from King's (Opus Arte, 1996), 5 mins
Description
This is a performance of Faire is the heaven, performed by the Choir of King's College, Cambridge, and conducted by Stephen Cleobury.
Date Written / Recorded
1925
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Choir of King's College, Cambridge
Contributor
Stephen Cleobury, 1948-
Author / Creator
William Henry Harris, 1883-, Hans Petri, fl. 1996-2017, Choir of King's College, Cambridge
Date Published / Released
1996
Publisher
Opus Arte
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of Opus Arte.
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