Browse Titles - 179 results
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1-4-84 Information Sheets
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:4:84 (New Delhi, Delhi State) (1963) , 13 page(s)
Instrumental prelude, Nat and Qawwali, Hindustani classical music, tabla instrumental piece, Flute tunes, Church Choir, Christmas Carols and Malayalam songs recorded in Kerala.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:4:84 (New Delhi, Delhi State) (1963) , 13 page(s)
Description
Instrumental prelude, Nat and Qawwali, Hindustani classical music, tabla instrumental piece, Flute tunes, Church Choir, Christmas Carols and Malayalam songs recorded in Kerala.
Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Qawwali, Rag, Carol, Praise Song, Sacred, Indian - Hindustani Classical, Tabla, Flute
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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1-41-84 Information Sheets
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:41:84 (New Delhi, Delhi State) (1963) , 2 page(s)
ghazal, Qawwali(?) and Hindustani classical music-instrumental- Sarod played by Shyam Ganguli. It also includes Sufi devotional music-Na't and ghazal
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:41:84 (New Delhi, Delhi State) (1963) , 2 page(s)
Description
ghazal, Qawwali(?) and Hindustani classical music-instrumental- Sarod played by Shyam Ganguli. It also includes Sufi devotional music-Na't and ghazal
Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indian - Hindustani Classical, Qawwali, Indian - Ghazal, Khyal, Rag, Poetry, Praise Song, Sarod
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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1-43-84 Information Sheets - Not Available in Collection
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:43:84 (New Delhi, Delhi State) (1964) , 1 page(s)
This includes Naat and other related genres of devotional music, Qawwali in praise of Moinuddin Chisti and ghazals.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:43:84 (New Delhi, Delhi State) (1964) , 1 page(s)
Description
This includes Naat and other related genres of devotional music, Qawwali in praise of Moinuddin Chisti and ghazals.
Date Written / Recorded
1964
Field of Study
World Music
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Qawwali, Sufi, Indian - Hindi Devotional, Poetry, Indian - Ghazal, Praise Song, Love Song
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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1-44-84 Information Sheets
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:44:84 (New Delhi, Delhi State) (1964) , 2 page(s)
Sindhi devotional music recorded at a Satsang(devotional gathering),including a Praise song, bhajan, songs of Shah Latif, Sindhi folk songs, Jhule Lal, Sassi Punnu, Doha, Kabir bhajan and a wedding song, with narrations and introductions to the songs.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:44:84 (New Delhi, Delhi State) (1964) , 2 page(s)
Description
Sindhi devotional music recorded at a Satsang(devotional gathering),including a Praise song, bhajan, songs of Shah Latif, Sindhi folk songs, Jhule Lal, Sassi Punnu, Doha, Kabir bhajan and a wedding song, with narrations and introductions to the songs.
Date Written / Recorded
1964
Field of Study
World Music
Content Type
Field notes
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indian - Hindi Devotional, Bhajan, Wedding Music, Song, Praise Song, Voice
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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Akasozi bamunanika (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
The new Lubili (palace of the Kabaka, King of Bugunda) is very beautiful. The Kabaka is good and does his duties well -- We like him -- and also his office bearers.' This is the gist of the song.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
Description
The new Lubili (palace of the Kabaka, King of Bugunda) is very beautiful. The Kabaka is good and does his duties well -- We like him -- and also his office bearers.' This is the gist of the song.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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(Folkways Records, 1976), 46 mins
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1976
Publisher
Folkways Records
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Allah, Allah (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR171 , 1 min
Two chants in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of a dead sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of "grunting" is found in many African tribes who have experienced the influence...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR171 , 1 min
Description
Two chants in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of a dead sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of "grunting" is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the Transkei although they are said to have left East Africa about 400 years ago...
Two chants in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of a dead sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of "grunting" is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the Transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today.
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Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Ancient Civilizations of Southern Africa, Vol. 4: The Xhosa People
performed by Blues Ntaka, 1935- (ARC Music Productions, 2009), 1 hour 8 mins, 18 page(s)
Sample
performed by Blues Ntaka, 1935- (ARC Music Productions, 2009), 1 hour 8 mins, 18 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Blues Ntaka, 1935-
Author / Creator
Blues Ntaka, 1935-
Date Published / Released
2009
Publisher
ARC Music Productions
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Anthology of Portuguese Music, Vol. 1: Tras-Os-Montes and Vol. 2: Algarve
produced by Fernando Lopes-Graça, 1906-1994 and Michel Giacometti (Folkways Records, 1962), 1 hour 39 mins
Sample
produced by Fernando Lopes-Graça, 1906-1994 and Michel Giacometti (Folkways Records, 1962), 1 hour 39 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Fernando Lopes-Graça, 1906-1994, Michel Giacometti
Date Published / Released
1962
Publisher
Folkways Records
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Arap Chepsiolei (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR164 (1950) , 1 page(s)
This lyre is strummed like a Guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was: - 308, 256, 232, 206, 180, (154) vs.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR164 (1950) , 1 page(s)
Description
This lyre is strummed like a Guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was: - 308, 256, 232, 206, 180, (154) vs.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Lyre, Kipukandet
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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