Browse Titles - 46 results
The Bora of the Pascoe River: Cape York Peninsula, Northeast Australia
Cambodia: Traditional Music, Vol. 2: Tribe Music, Folk Music and Popular Dances
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the ins...
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the instruments on which the songs were performed for fear that "with the advent of modernization, many kinds of Cambodian music will disappea...
The album opens with an entrancing tune played on a single reed bamboo flute that enthralls and draws the listener into the musical journey presented in this collection. Recorded in 1979 and compiled by revered composer Chinary Ung, Chinary focuses on capturing and documenting both the songs themselves and the instruments on which the songs were performed for fear that "with the advent of modernization, many kinds of Cambodian music will disappear." Liner notes include detailed information on the musical instruments.
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Carnaval in Cuba
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying exper...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African...
As Andrew Schloss explains in the liner notes: “Carnaval has a history of mixing and uniting people of different races, and the merriment and participation in Carnaval has always transcended class boundaries”. Recorded in 1980 in Havana and Santiago de Cuba, Schloss note only captures the unique unifying experience that this celebration perpetuates, but also the vivacity of the Brazilian music which itself is a mélange of Portuguese, African and American Indian heritage. Liner notes include information on the History of Carnaval, as well as song and instrument details. Some notation and lyrics.
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Cello for Happy Days
The Cloister and the Sparrow Hawk
Creole Music of Surinam
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
This collection presents the two main genres of Afro-Dutch Guyanese musicKawina-winti and Kaseko-Opo Poku. Sung in Taki-Taki (a native Creole dialect consisting of English, Dutch, Portuguese, and African languages) this album offers a glimpse into Surinamese life and the music that accompanies it.
Dahomey Suite for Oboe and Piano Based on Seven Documentary Dahomey Songs: With Documentary Recordings
Mieczyslaw Kolinski considers Dahomey Suite to be a stylistic experiment in which he blends West African musical style with the tonal music of the western tradition. Dahomey, now Benin, has a rich musical tradition based in vocal technique that Kolinski translates into beautiful oboe melodies, played by Lois Wa...
Mieczyslaw Kolinski considers Dahomey Suite to be a stylistic experiment in which he blends West African musical style with the tonal music of the western tradition. Dahomey, now Benin, has a rich musical tradition based in vocal technique that Kolinski translates into beautiful oboe melodies, played by Lois Wann, and accompanied by piano and traditional percussion instruments. Extensive liner notes and an in-depth musical analysis complete t...
Mieczyslaw Kolinski considers Dahomey Suite to be a stylistic experiment in which he blends West African musical style with the tonal music of the western tradition. Dahomey, now Benin, has a rich musical tradition based in vocal technique that Kolinski translates into beautiful oboe melodies, played by Lois Wann, and accompanied by piano and traditional percussion instruments. Extensive liner notes and an in-depth musical analysis complete this experiment in style blending.
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The Demonstration Collection of E.M. von Hornbostel and the Berlin Phonogramm-Archiv
