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The Apocalypse Now Sessions
Director Francis Ford Coppola asked Mickey Hart to provide a percussive underscore for his 1979 film Apocalypse Now. Combining the quiet sounds of tablas with harsher sounds of drumsets and demonstrating Hart’s propensity for unusual time signatures, the album echoes the tones of war and death, and features...
Director Francis Ford Coppola asked Mickey Hart to provide a percussive underscore for his 1979 film Apocalypse Now. Combining the quiet sounds of tablas with harsher sounds of drumsets and demonstrating Hart’s propensity for unusual time signatures, the album echoes the tones of war and death, and features extended tracks as well as tracks not included on the original LP release. Says Hart, “If you are paranoid, please don't listen to th...
Director Francis Ford Coppola asked Mickey Hart to provide a percussive underscore for his 1979 film Apocalypse Now. Combining the quiet sounds of tablas with harsher sounds of drumsets and demonstrating Hart’s propensity for unusual time signatures, the album echoes the tones of war and death, and features extended tracks as well as tracks not included on the original LP release. Says Hart, “If you are paranoid, please don't listen to this music. It is dark... The music reaches out and grabs you. It is sad...and cats hate it.” Originally released in 1980, The Apocalypse Now Sessions was reissued in its expanded form in 1991 as part of “THE WORLD” series (now part of the Mickey Hart Collection made available by Smithsonian Folkways).
Visit mickeyhart.net for additional photos and videos from this album
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Music to Be Born By
This soothing, 70-minute soundscape, originally created for the birth of Mickey Hart’s son Taro in 1983, was intended to transform the coldness of a hospital birthing room into a warm, rhythmic environment for the process of labor and birthing. However, after requests by several friends to use the album for the...
This soothing, 70-minute soundscape, originally created for the birth of Mickey Hart’s son Taro in 1983, was intended to transform the coldness of a hospital birthing room into a warm, rhythmic environment for the process of labor and birthing. However, after requests by several friends to use the album for their own birthing processes, Hart decided to release the recording for the general public. The music consists of Taro's heartbeat (recor...
This soothing, 70-minute soundscape, originally created for the birth of Mickey Hart’s son Taro in 1983, was intended to transform the coldness of a hospital birthing room into a warm, rhythmic environment for the process of labor and birthing. However, after requests by several friends to use the album for their own birthing processes, Hart decided to release the recording for the general public. The music consists of Taro's heartbeat (recorded in utero) overdubbed with bass harmonics (provided by Bobby Vega), drums, and wooden shakuhachi flute (played by Steve Douglas). Music to be Born By was issued in 1988 as part of “THE WORLD” series (now part of the Mickey Hart Collection made available by Smithsonian Folkways).
Visit mickeyhart.net for additional photos and videos from this album
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