Browse Titles - 346 results
3 carnivals and a half
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina (London, England: Royal Anthropological Institute, 2007), 51 mins
One day in Valfloriana, one day in Grauno in Val di Cembra, one day in Palù del Fersina in the Val dei Mòcheni) following three (and a half ...) of the most significant traditional carnivals that still take place in Trentino. Far from the now prevalent format of the parade of masked wagons, these carnivals actua...
Sample
directed by Michele Trentini, fl. 2015; produced by Museo degli usi e costumi della gente trentina (London, England: Royal Anthropological Institute, 2007), 51 mins
Description
One day in Valfloriana, one day in Grauno in Val di Cembra, one day in Palù del Fersina in the Val dei Mòcheni) following three (and a half ...) of the most significant traditional carnivals that still take place in Trentino. Far from the now prevalent format of the parade of masked wagons, these carnivals actually correspond to as many winter fertility rites as they are found in folklore throughout Europe.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Giovanni Kezich, 1956-, Museo degli usi e costumi della gente trentina
Author / Creator
Michele Trentini, fl. 2015, Giovanni Kezich, 1956-
Date Published / Released
2007
Publisher
Royal Anthropological Institute
Copyright Message
Copyright © Royal Anthropological Institute
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37 Uses for a Dead Sheep
directed by Ben Hopkins (London, England: Royal Anthropological Institute, 2006), 1 hour 25 mins
The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives in their village to work with the tribe to tell their story. (Winner Basil Wright Film Prize 2007)
Sample
directed by Ben Hopkins (London, England: Royal Anthropological Institute, 2006), 1 hour 25 mins
Description
The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives in their village to work with the tribe to tell their story. (Winner Basil Wright Film Prize 2007)
Date Written / Recorded
2005
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ben Hopkins
Author / Creator
Ben Hopkins
Date Published / Released
2006
Publisher
Royal Anthropological Institute
Topic / Theme
Kyrgyz, Tribal and national groups, Exile, Historical reconstructions, Cultural change and history, Ethnography
Copyright Message
Copyright 2006. Used by permission of Royal Anthropological Institute. All rights reserved.
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1700 Metres from the Future
directed by Ulla Rasmussen, fl. 1990 (London, England: Royal Anthropological Institute, 1990), 1 hour 24 mins
Inhabitants of an isolated settlement called Gásadalur (on the Faroe Islands in the North Atlantic) discuss the pending tunnel planned to connect them to the rest of the island. They share their outlooks concerning the future impact it will have on their present way of life and living conditions.
Sample
directed by Ulla Rasmussen, fl. 1990 (London, England: Royal Anthropological Institute, 1990), 1 hour 24 mins
Description
Inhabitants of an isolated settlement called Gásadalur (on the Faroe Islands in the North Atlantic) discuss the pending tunnel planned to connect them to the rest of the island. They share their outlooks concerning the future impact it will have on their present way of life and living conditions.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ulla Rasmussen, fl. 1990
Author / Creator
Ulla Rasmussen, fl. 1990
Date Published / Released
1990
Publisher
Royal Anthropological Institute
Topic / Theme
Faroese, Islands, Construction, Cultural change and history, Herders, Agrarian life, Rural population, Ethnography
Copyright Message
Copyright © 1990. Used by permission of Royal Anthropological Institute. All rights reserved.
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The Absence of Apricots
directed by Daniel Asadi Faezi, 1993-; produced by Daniel Asadi Faezi, 1993-, University of Television and Film Munich (Royal Anthropological Institute, 2018), 49 mins,
Source: raifilm.org.uk
Source: raifilm.org.uk
In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing massive floods which immersed fields and entire village. Thousands of people got dislocated and had to look for differen...
Sample
directed by Daniel Asadi Faezi, 1993-; produced by Daniel Asadi Faezi, 1993-, University of Television and Film Munich (Royal Anthropological Institute, 2018), 49 mins,
Source: raifilm.org.uk
Source: raifilm.org.uk
Description
In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing massive floods which immersed fields and entire village. Thousands of people got dislocated and had to look for different places where to live. All that remain are memories, passed to the new generation in stories. The Absence of Apricots surveys this hau...
In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing massive floods which immersed fields and entire village. Thousands of people got dislocated and had to look for different places where to live. All that remain are memories, passed to the new generation in stories. The Absence of Apricots surveys this haunted landscape, sketching everyday life of its inhabitants, as it is interwoven with memory, myth, and loss.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Daniel Asadi Faezi, 1993-, University of Television and Film Munich
Author / Creator
Daniel Asadi Faezi, 1993-
Date Published / Released
2018
Publisher
Royal Anthropological Institute
Topic / Theme
Lakes
Copyright Message
Copyright © 2018 Daniel Asadi Faezi
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Across the Border: Afghan Musicians exiled in Peshawar
directed by John Baily, fl. 1973 (London, England: Royal Anthropological Institute, 2008), 54 mins
This documentary, directed by John Baily, features Afghanistan musicians exiles in Peshawar.
Sample
directed by John Baily, fl. 1973 (London, England: Royal Anthropological Institute, 2008), 54 mins
Description
This documentary, directed by John Baily, features Afghanistan musicians exiles in Peshawar.
Field of Study
Anthropology
Content Type
Documentary
Contributor
John Baily, fl. 1973
Author / Creator
John Baily, fl. 1973
Date Published / Released
2008
Publisher
Royal Anthropological Institute
Topic / Theme
Afghan, Exile, Musicians, Cultural identity, Music, Ethnomusicology, Ethnography, Afghans
Copyright Message
Copyright 2008. Used by permission of Royal Anthropological Institute. All rights reserved.
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Adhiambo - Born in the Evening
directed by Ruth Tuchtenhagen, Wenzel Geissler, fl. 2001 and Ruth Prince, fl. 2001 (London, England: Royal Anthropological Institute, 2001), 1 hour 7 mins
‘Adhiambo’ means ‘the one born in the evening’ in the language of the Luo of western Kenya. The film follows NyaSeme, a married mother and grandmother in her late 30s, during the last month of her pregnancy and through the first weeks of her newborn daughter’s life. The first part of the film focuses on...
Sample
directed by Ruth Tuchtenhagen, Wenzel Geissler, fl. 2001 and Ruth Prince, fl. 2001 (London, England: Royal Anthropological Institute, 2001), 1 hour 7 mins
Description
‘Adhiambo’ means ‘the one born in the evening’ in the language of the Luo of western Kenya. The film follows NyaSeme, a married mother and grandmother in her late 30s, during the last month of her pregnancy and through the first weeks of her newborn daughter’s life. The first part of the film focuses on everyday life in NyaSeme’s home, as well as on the work of the anthropologists in the home, who themselves are expecting a child, whi...
‘Adhiambo’ means ‘the one born in the evening’ in the language of the Luo of western Kenya. The film follows NyaSeme, a married mother and grandmother in her late 30s, during the last month of her pregnancy and through the first weeks of her newborn daughter’s life. The first part of the film focuses on everyday life in NyaSeme’s home, as well as on the work of the anthropologists in the home, who themselves are expecting a child, which is born shortly after NyaSeme’s. The second part follows the various small illnesses that the child, goes through. NyaSeme employs the herbal resources of the bush surrounding the home as well as those of the government dispensary; simultaneously, Otto, the anthropologists’ son falls ill and receives various forms of medical treatment. The film creates a personal account of a woman’s life, motherhood, children and the maintenance of bodily health in rural western Kenya, as well as insights into the reflexive and relational nature of ethnographic fieldwork.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Ruth Tuchtenhagen, Wenzel Geissler, fl. 2001, Ruth Prince, fl. 2001
Author / Creator
Ruth Tuchtenhagen, Wenzel Geissler, fl. 2001, Ruth Prince, fl. 2001
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Luo, Field work for anthropology, Childbirth, Pregnancy, Tribal and national groups, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Agave is Life
directed by Meredith Dreiss, fl. 2008 and David Brown, fl. 2014; produced by Meredith Dreiss, fl. 2008, Archeo Productions (London, England: Royal Anthropological Institute, 2014), 1 hour
Agave is Life is a documentary film about mankind’s 10,000 year-long symbiotic alliance with the marvelous agave plant, from which tequila, Mexico’s iconic distilled spirit, is derived. The documentary takes viewers back to a time when hunter-gatherers relied on the agave plant as a source of food, drink, shel...
Sample
directed by Meredith Dreiss, fl. 2008 and David Brown, fl. 2014; produced by Meredith Dreiss, fl. 2008, Archeo Productions (London, England: Royal Anthropological Institute, 2014), 1 hour
Description
Agave is Life is a documentary film about mankind’s 10,000 year-long symbiotic alliance with the marvelous agave plant, from which tequila, Mexico’s iconic distilled spirit, is derived. The documentary takes viewers back to a time when hunter-gatherers relied on the agave plant as a source of food, drink, shelter and fiber while roaming desert regions of Mexico and the American Southwest. With the advent of early agriculture, and later, the d...
Agave is Life is a documentary film about mankind’s 10,000 year-long symbiotic alliance with the marvelous agave plant, from which tequila, Mexico’s iconic distilled spirit, is derived. The documentary takes viewers back to a time when hunter-gatherers relied on the agave plant as a source of food, drink, shelter and fiber while roaming desert regions of Mexico and the American Southwest. With the advent of early agriculture, and later, the development of more complex civilizations, agave played a role in the longevity, success, and ritual life of ancient cultures in these regions. Only recently have archaeologists realized how important the agave plant was to pre-Columbian people living in what may seem like marginal environments. It is through their investigations that the story unfolds, starting with feasting rituals and practices among hunter-gatherers and early agave farmers, and ending with current day environmental concerns. Along the way we learn how this unique desert plant, and its products, once integral to human survival, community gatherings, and religious rites, has become embedded in identity, mythology, art, and cultural traditions. After the Spanish Conquest, the once sacred agave was transformed into an economic commodity with meteoric increases in fiber, pulque, and distilled spirit production. In recent decades, however, competition with beer has all but eliminated Mexico’s once flourishing pulque market while synthetics have severely curtailed the agave fiber industry. Tequila and mezcal producers, the survivors of agave’s early commercial success in Mexico, are threatened today by climate change, water scarcity, and the lack of biological diversity in their fields. While biologists and producers struggle to reverse this negative trend, the multi-purpose agave plant rides through another transition for 21st century consumers. Hope for the plant’s future may one day rely upon more traditional agricultural methods and, as in the past, the use of its many products --- from fuel to musical instruments.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Meredith Dreiss, fl. 2008, Archeo Productions, Edward James Olmos, 1947-
Author / Creator
Meredith Dreiss, fl. 2008, David Brown, fl. 2014
Date Published / Released
2014
Publisher
Royal Anthropological Institute
Speaker / Narrator
Edward James Olmos, 1947-
Topic / Theme
Cultural identity, Globalization, Mescalero
Copyright Message
Copyright © 2014 Royal Anthropological Institute
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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At Low Tide
directed by Anna Grimshaw, fl. 1989-2014; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2016), 1 hour 4 mins
Every day, carrying the simplest of tools, diggers across coastal Maine set out at low tide to dig for clams on the wide mud flats that stretch far into the bay. It is backbreaking work. But it has an unusual beauty that emanates from the ebb and flow of the tide, the shifts of light and wind, the skill and rhyt...
Sample
directed by Anna Grimshaw, fl. 1989-2014; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2016), 1 hour 4 mins
Description
Every day, carrying the simplest of tools, diggers across coastal Maine set out at low tide to dig for clams on the wide mud flats that stretch far into the bay. It is backbreaking work. But it has an unusual beauty that emanates from the ebb and flow of the tide, the shifts of light and wind, the skill and rhythm of digging, and the sound and texture of deep, viscous mud. At Low Tide explores the choreography of digging through a portrait of...
Every day, carrying the simplest of tools, diggers across coastal Maine set out at low tide to dig for clams on the wide mud flats that stretch far into the bay. It is backbreaking work. But it has an unusual beauty that emanates from the ebb and flow of the tide, the shifts of light and wind, the skill and rhythm of digging, and the sound and texture of deep, viscous mud. At Low Tide explores the choreography of digging through a portrait of a man who lives and works according to the tide. In its focus on pattern, movement and repetition, the film evokes the sensory richness and poetic dimensions of clam digging, offering a new perspective on contemporary American culture.
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Field of Study
Anthropology
Content Type
Performance
Contributor
Anna Grimshaw, fl. 1989-2014, Royal Anthropological Institute
Author / Creator
Anna Grimshaw, fl. 1989-2014
Date Published / Released
2016
Publisher
Royal Anthropological Institute
Topic / Theme
Artisanal fishing, Hunting, Clam digging, Cultural life, Tides, Americans
Copyright Message
Copyright © 2016 Royal Anthropological Institute
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Atieno
directed by June Ndinya; produced by Mary Mwende (London, England: Royal Anthropological Institute, 2018), 1 hour 4 mins
Atieno is a collaborative fiction film scripted, acted and directed by DreamGirls, a group of adolescent girls and young women from Nairobi and Kisumu. The film tells of Atieno, a 16 year old girl from a sleepy fishing village. Family circumstances force her to go work for her aunt Bertha in Nairobi and send money...
Sample
directed by June Ndinya; produced by Mary Mwende (London, England: Royal Anthropological Institute, 2018), 1 hour 4 mins
Description
Atieno is a collaborative fiction film scripted, acted and directed by DreamGirls, a group of adolescent girls and young women from Nairobi and Kisumu. The film tells of Atieno, a 16 year old girl from a sleepy fishing village. Family circumstances force her to go work for her aunt Bertha in Nairobi and send money home. In Nairobi, Atieno discovers that the job aunt Bertha has for her is working at a bar, where she gets harassed by the clients. S...
Atieno is a collaborative fiction film scripted, acted and directed by DreamGirls, a group of adolescent girls and young women from Nairobi and Kisumu. The film tells of Atieno, a 16 year old girl from a sleepy fishing village. Family circumstances force her to go work for her aunt Bertha in Nairobi and send money home. In Nairobi, Atieno discovers that the job aunt Bertha has for her is working at a bar, where she gets harassed by the clients. She has a big fight with Bertha and moves out. She eventually does odd jobs for a living before she sets up a small business with her friends. The film is used by the organisation Community Media Trust as an educational outreach tool to facilitate discussions about HIV, transactional sex and entrepreneurship. With the help of a facilitation guide (available here), the audience is asked to discuss the film's open ended finale and to imagine how the characters will develop.
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Field of Study
Anthropology
Content Type
Performance
Contributor
Caroline Anyango, Mary Mwende
Author / Creator
June Ndinya
Date Published / Released
2018
Publisher
Royal Anthropological Institute
Topic / Theme
Gender roles, Entrepreneurship, AIDS
Copyright Message
Copyright © 2018 Royal Anthropological Institute
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