Browse Titles - 35 results

André Previn: The Kindness of Strangers
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directed by Tony Palmer, 1941-; composed by André Previn, 1929-2019, Johannes Brahms, 1833-1897, Maurice Ravel, 1875-1937 and Erich Wolfgang Korngold, 1897-1957; conducted by André Previn, 1929-2019; produced by Reiner Moritz, 1938- and Mike Bluett, fl. 1993; performed by Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958- and André Previn, 1929-2019, Emerson Quartet, WDR Symphony Orchestra Cologne and NHK Strings, in André Previn: The Kindness of Strangers (Germany: ArtHaus Musik, 2012), 1 hour 30 mins
Andre George Previn’s simultaneous world careers as a director, composer and pianist are extremely thrilling and interesting, and they cannot be told in just a few words. The names of his teachers and the artists and orchestras with which he worked belong to the select few of their field in the classic scene. Pr...
directed by Tony Palmer, 1941-; composed by André Previn, 1929-2019, Johannes Brahms, 1833-1897, Maurice Ravel, 1875-1937 and Erich Wolfgang Korngold, 1897-1957; conducted by André Previn, 1929-2019; produced by Reiner Moritz, 1938- and Mike Bluett, fl. 1993; performed by Renée Fleming, 1959-, Grady Tate, 1932-, Ray Brown, 1926-2002, Dame Kiri Te Kanawa, 1944-, David E. Finck, 1958- and André Previn, 1929-2019, Emerson Quartet, WDR Symphony Orchestra Cologne and NHK Strings, in André Previn: The Kindness of Strangers (Germany: ArtHaus Musik, 2012), 1 hour 30 mins
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Beautifully Scary: Contemporary Music in America
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directed by Russ Wiltse, fl. 1994; produced by Russ Wiltse, fl. 1994, Beyond Definition Films (Privately Published, 2016), 1 hour 1 mins
Beautifully Scary explores the landscape of contemporary music in America in the 20th century and beyond. The documentary features generations of composers who represent trends in modern classical music. Interviews with some of the most influential composers in American such as Elliott Carter, Milton Babbitt and P...
directed by Russ Wiltse, fl. 1994; produced by Russ Wiltse, fl. 1994, Beyond Definition Films (Privately Published, 2016), 1 hour 1 mins
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Between Two Worlds: Erich Wolfgang Korngold
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directed by Barrie Gavin, 1935-; composed by Erich Wolfgang Korngold, 1897-1957; conducted by Hugh Wolff; produced by Reiner Moritz Associates, London, England; performed by Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955- and Leonidas Kavakos, 1967-, HR-Symphony Orchestra, Frankfurt, in Between Two Worlds: Erich Wolfgang Korngold (Bristol, England: Digital Classics Distribution, 2001), 59 mins
directed by Barrie Gavin, 1935-; composed by Erich Wolfgang Korngold, 1897-1957; conducted by Hugh Wolff; produced by Reiner Moritz Associates, London, England; performed by Alexander Frey, fl. 1985, Anne Sofie von Otter, 1955- and Leonidas Kavakos, 1967-, HR-Symphony Orchestra, Frankfurt, in Between Two Worlds: Erich Wolfgang Korngold (Bristol, England: Digital Classics Distribution, 2001), 59 mins
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Boulez on Varèse, Part I, Offrandes
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directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part I, in Boulez on Varèse, Part I: Offrandes (Kent, CT: Creative Arts Television, 1971), 29 mins
Pierre Boulez rehearses the 1920's composition "Offrandes" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part I of a two-part series using this technique and the music of Varese. Boulez' intention, as stated in his remarks, is to have the...
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part I, in Boulez on Varèse, Part I: Offrandes (Kent, CT: Creative Arts Television, 1971), 29 mins
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Boulez on Varèse, Part II, Octandre
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directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part II, in Boulez on Varèse, Part II: Octandre (Kent, CT: Creative Arts Television, 1971), 28 mins
Pierre Boulez rehearses the 1920's composition "Octandre" by Edgard Varese, and discusses the piece with music critic Michael Steinberg. The piece is then performed again. This is Part II of a two-part series using this technique and the music of Varese. Boulez is particularly interested in modern music and in l...
directed by Merrill Brockway, 1923-2013; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez on Varèse, Part II, in Boulez on Varèse, Part II: Octandre (Kent, CT: Creative Arts Television, 1971), 28 mins
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Boulez x 3, Part III, Music Director and Contemporary Music
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directed by Merrill Brockway, 1923-2013; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part III, in Boulez x 3, Part III: Music Director and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, comp...
directed by Merrill Brockway, 1923-2013; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY, in Boulez x 3, Part III, in Boulez x 3, Part III: Music Director and Contemporary Music (Kent, CT: Creative Arts Television, 1975), 29 mins
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Bruckners Entscheidung
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directed by Jan Schmidt-Garre, 1962- (Halle, Saxony-Anhalt: Monarda Arts, 1995), 1 hour 19 mins
The dramatization of a severe professional and personal crisis in the life of Anton Bruckner, who has to make the most important decision he will ever make whether to stay in his hometown of Linz as a teacher and organist or go to Vienna to work as a composer. This period of soul-searching makes his later symphoni...
directed by Jan Schmidt-Garre, 1962- (Halle, Saxony-Anhalt: Monarda Arts, 1995), 1 hour 19 mins
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CAGE: Music, Art, Chess
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produced by Brian Brandt, fl. 2011; performed by Margaret Leng Tan, 1945- and Larry List, in John Cage, Vol. 34: The Works for Piano 7 (New York, NY: Mode Records, 2006), 33 mins
produced by Brian Brandt, fl. 2011; performed by Margaret Leng Tan, 1945- and Larry List, in John Cage, Vol. 34: The Works for Piano 7 (New York, NY: Mode Records, 2006), 33 mins
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Concerto for Orchestra, Sz. 116: Documentary
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directed by Günter Atteln, fl. 2004-2015; composed by Béla Bartók, 1881-1945 (1943); conducted by Pierre Boulez, 1925-2016; produced by Paul Smaczny, fl. 1995-2015 and Günter Atteln, fl. 2004-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Discovering Masterpieces of Classical Music: Béla Bartók Concerto for Orchestra (EuroArts, 2007), 28 mins
This documentary features a performance of Concerto for Orchestra, performed by Berlin Philharmonic Orchestra, and conducted by Pierre Boulez.
directed by Günter Atteln, fl. 2004-2015; composed by Béla Bartók, 1881-1945 (1943); conducted by Pierre Boulez, 1925-2016; produced by Paul Smaczny, fl. 1995-2015 and Günter Atteln, fl. 2004-2015; performed by Berlin Philharmonic Orchestra (Berliner Philharmoniker), in Discovering Masterpieces of Classical Music: Béla Bartók Concerto for Orchestra (EuroArts, 2007), 28 mins
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13. The Philharmonic Intermissions Begin, 1936-1938
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written by James Pegolotti; in Deems Taylor: A Biography (Boston, MA: Northeastern University Press, 2003), 237-254
written by James Pegolotti; in Deems Taylor: A Biography (Boston, MA: Northeastern University Press, 2003), 237-254
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