Browse Titles - 78 results
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3 Days To Forever
directed by Riri Riza, 1970-; produced by Mira Lesmana, 1964-; performed by Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982- and Tutie Kirana, 1952- (Indonesia: Miles Films), 1 hour 39 mins
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by ca...
Sample
directed by Riri Riza, 1970-; produced by Mira Lesmana, 1964-; performed by Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982- and Tutie Kirana, 1952- (Indonesia: Miles Films), 1 hour 39 mins
Description
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by car takes three as the two young people take detours to explore the exotic countryside while smoking joints and popping pills. Their adv...
Preferring not to fly, Indonesian cousins Ambar and Suf make a car trip from Jakarta to a family wedding one day away. Ambar's older sister is finally getting married at age 27, and her mother has given nephew Suf the important task of transporting the wedding dinnerware. But what should have taken one day by car takes three as the two young people take detours to explore the exotic countryside while smoking joints and popping pills. Their adventures open honest but painful dialogue between the two throughout the rest of their trip. Through sparring and silence the two are growing closer - perhaps closer than cousins should. Adult
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982-, Tutie Kirana, 1952-
Contributor
Mira Lesmana, 1964-
Author / Creator
Riri Riza, 1970-, Nicholas Saputra, 1984-, Ringgo Agus Rahman, 1982-, Tutie Kirana, 1952-
Date Published / Released
2007
Publisher
Miles Films
Topic / Theme
Sexuality
Copyright Message
Copyright © 2007 Used by permission of Miles Films.
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Adarna and the Memory of Crystal
directed by Vicente Salumbides, fl. 1925-1949 and Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Ester Magalona, fl. 1940-1949, Fred Cortes, fl. 1940-1950 and Mila del Sol, 1923- (Philippines: Privately Published, 2006), 6 mins
Legend has it that an elusive, magical bird called the Adarna can heal any sickness through song, but it can also turn men into stone with its droppings. This does not stop three princes – Don Pedro, Don Diego & Don Juan – from looking for the bird in the hope of helping their ailing father. But who catches th...
Sample
directed by Vicente Salumbides, fl. 1925-1949 and Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Ester Magalona, fl. 1940-1949, Fred Cortes, fl. 1940-1950 and Mila del Sol, 1923- (Philippines: Privately Published, 2006), 6 mins
Description
Legend has it that an elusive, magical bird called the Adarna can heal any sickness through song, but it can also turn men into stone with its droppings. This does not stop three princes – Don Pedro, Don Diego & Don Juan – from looking for the bird in the hope of helping their ailing father. But who catches the bird? Who turns to stone? In this seven-minute found-footage opus, Vicente Salumbides’ 1941 take on this beloved classic is condens...
Legend has it that an elusive, magical bird called the Adarna can heal any sickness through song, but it can also turn men into stone with its droppings. This does not stop three princes – Don Pedro, Don Diego & Don Juan – from looking for the bird in the hope of helping their ailing father. But who catches the bird? Who turns to stone? In this seven-minute found-footage opus, Vicente Salumbides’ 1941 take on this beloved classic is condensed and retold silently, in glorious black and white. Adult
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Ester Magalona, fl. 1940-1949, Fred Cortes, fl. 1940-1950, Mila del Sol, 1923-
Contributor
Khavn De La Cruz, 1973-
Author / Creator
Vicente Salumbides, fl. 1925-1949, Khavn De La Cruz, 1973-, Ester Magalona, fl. 1940-1949, Fred Cortes, fl. 1940-1950, Mila del Sol, 1923-
Date Published / Released
2006
Publisher
Privately Published
Topic / Theme
Birds, Family, Health
Copyright Message
Copyright © 2006 Khavn de la Cruz. All rights reserved.
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Agrarian Utopia
directed by Uruphong Raksasad, fl. 2001-2009; performed by Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009 and Prayad Jumma, fl. 2009 (Thailand: Extra Virgin Co), 2 hours 1 mins
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market...
Sample
directed by Uruphong Raksasad, fl. 2001-2009; performed by Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009 and Prayad Jumma, fl. 2009 (Thailand: Extra Virgin Co), 2 hours 1 mins
Description
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and hone...
Two families are employed by a landowner to work on his rice fields. One of them, used to own their own land, but was evicted for being unable to keep up with his hefty loan payments. In the absence of machinery, they plant rice using traditional farming methods and an untrained buffalo. However, the low market prices for rice mean that they have to supplement their income with picking wild mushrooms. They also eat wild frogs, snakes and honeycomb when their income proves to be too meagre to feed the family. In contrast, a neighboring farmer, a retired teacher, farms his land organically and hopes to keep the land fertile with the rice stalks, so that he will always be able to grow food for himself. Thai director Uruphong Raksasad had grown up in the same village where the film is beautifully shot, and had chosen to use local farmers as his actors. Awards/Festivals: NETPAC Special Mention Award, International Film Festival Rotterdam; Special Mention Award, Barcelona Asian Film Festival; NETPAC Award, Brisbane International Film Festival; Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; NETPAC Award, Jogja-NETPAC Asian Film Festival; Best Narrative Film, Toronto Reel Asian International Film Festival; !f Inspired Award - Most Inspired Director, !f International Independent Film Festival, Istanbul; Special Jury Award, Millenium International Documentary Film Festival; Green Chilies Award (Best Film), Asian Hot Shot Berlin Festival; Hong Kong International Film Festival; Singapore International Film Festival; Jeonju International Film Festival; Libertas Film Festival; Filmfest Munchen; Vancouver International Film Festival; Yamagata International Documentary Film Festival; Flanders International Film Festival Ghent; Mumbai Film Festival; Vienna International Film Festival; Asiaticafilmmediale, Rome; Mar del Plata International Film Festival; Taipei Golden Horse International Film Festival; International Film Festival Bratislava; International Film Festival of Kerala; Pune International Film Festival; Fajr International Film Festival; San Francisco Asian American Film Festival.
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Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009, Prayad Jumma, fl. 2009
Contributor
Uruphong Raksasad, fl. 2001-2009
Author / Creator
Uruphong Raksasad, fl. 2001-2009, Sompong Jumma, fl. 2009, Sai Jumma, fl. 2009, Prayad Jumma, fl. 2009
Date Published / Released
2009
Publisher
Extra Virgin Co
Topic / Theme
Thai, Agrarian occupations, Domestic life
Copyright Message
Copyright © 2009 Used by permission of Extra Virgin Co.
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Aki Ra's Boys
directed by James Leong, fl. 2006-2012 and Lynn Lee, fl. 2006-2012 (Singapore: Lianain Films, 2007), 57 mins
Boreak was six when he lost his right arm in a landmine accident. Family members rushed the young Cambodian to a nearby hospital where so-called 'doctors' performed a crude amputation. Burdened with eight other children to feed and unable to cope with the stress of handling a crippled son, Boreak’s parents decid...
Sample
directed by James Leong, fl. 2006-2012 and Lynn Lee, fl. 2006-2012 (Singapore: Lianain Films, 2007), 57 mins
Description
Boreak was six when he lost his right arm in a landmine accident. Family members rushed the young Cambodian to a nearby hospital where so-called 'doctors' performed a crude amputation. Burdened with eight other children to feed and unable to cope with the stress of handling a crippled son, Boreak’s parents decided to send him to a home in Siem Reap for young landmine victims. Despite his tragedy, Boreak is ever optimistic and refreshingly lacki...
Boreak was six when he lost his right arm in a landmine accident. Family members rushed the young Cambodian to a nearby hospital where so-called 'doctors' performed a crude amputation. Burdened with eight other children to feed and unable to cope with the stress of handling a crippled son, Boreak’s parents decided to send him to a home in Siem Reap for young landmine victims. Despite his tragedy, Boreak is ever optimistic and refreshingly lacking in self-pity. Like most children, he is mischievous and inquisitive. He wants to be a wrestler, a rap artist, a football player. And he rarely acts as if his disability is a hindrance. This film looks at the world through Boreak’s eyes, and through the eyes of his good friend, Vannak. It is a world at once bleak and brimming with possibilities. Our camera follows the boys as they explore a rapidly changing Cambodia. And we travel with Boreak from Siem Reap to his hometown near the border with Thailand – an area still studded with millions of landmines; a place where impoverished villagers have little choice but to cultivate the very land that might one day claim their lives. Through Boreak, we also meet Aki Ra, a former child soldier, trained by the Khmer Rouge army to lay landmines. Now in his 30s, Aki Ra is haunted by his violent past and hopes to make amends by giving children like Boreak a home, and by helping remove the millions of landmines still buried in his country. A journey into the minefields shows us just how treacherous Aki Ra’s job is. On this trip, he removes two mines. But there are many more waiting to be found. Waiting to wreak havoc. Ultimately though, the film is a celebration of a child’s tenacity and indomitable will to overcome the odds. Boreak may be a victim, but he doesn't behave like one. His zest for life is infectious, his ability to laugh, a testament to the courage and strength children can have in the face of adversity.
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Date Written / Recorded
2007
Field of Study
Asian Studies
Content Type
Documentary
Author / Creator
James Leong, fl. 2006-2012, Lynn Lee, fl. 2006-2012
Date Published / Released
2007
Publisher
Lianain Films
Person Discussed
Aki Ra, 1973-
Topic / Theme
Physical disabilities, Explosive mines, Soldiers, Amputations, Friendships, Children
Copyright Message
Copyright © 2006 by Lianain Films
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Amber Sexalogy
directed by Azharr Rudin, 1981-; performed by Azman Hassan, fl. 2005-2012, Tora Andika, fl. 2005-2006 and Melissa Maureen Rizal, fl. 2005-2010 (Privately Published, 2006), 1 hour 1 mins
The Amber Sexalogy is a combination of six separate but related films. As part of his initiation into the filmmaking process, in early 2005 Azharr shot six interconnected DV shorts dealing with different moments in the relationship between two people, Harris and Amber. The six parts all stand alone, having very di...
Sample
directed by Azharr Rudin, 1981-; performed by Azman Hassan, fl. 2005-2012, Tora Andika, fl. 2005-2006 and Melissa Maureen Rizal, fl. 2005-2010 (Privately Published, 2006), 1 hour 1 mins
Description
The Amber Sexalogy is a combination of six separate but related films. As part of his initiation into the filmmaking process, in early 2005 Azharr shot six interconnected DV shorts dealing with different moments in the relationship between two people, Harris and Amber. The six parts all stand alone, having very different visual styles and tones, and the suite remains very much a short film project; but when strung together the films also work as...
The Amber Sexalogy is a combination of six separate but related films. As part of his initiation into the filmmaking process, in early 2005 Azharr shot six interconnected DV shorts dealing with different moments in the relationship between two people, Harris and Amber. The six parts all stand alone, having very different visual styles and tones, and the suite remains very much a short film project; but when strung together the films also work as an odd kind of hybrid feature. It's probably worth reiterating at this point that the Amber films are exploratory short films by a young filmmaker learning the craft and as such are not intended to function as a conventional entertainment narrative. The films are not without their limitations, but they demonstrate a depth of ambition and thought which bodes well for Azharr's future work.
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Field of Study
Film
Content Type
Performance
Performer / Ensemble
Azman Hassan, fl. 2005-2012, Tora Andika, fl. 2005-2006, Melissa Maureen Rizal, fl. 2005-2010
Author / Creator
Azharr Rudin, 1981-, Azman Hassan, fl. 2005-2012, Tora Andika, fl. 2005-2006, Melissa Maureen Rizal, fl. 2005-2010
Date Published / Released
2006-04-21
Publisher
Privately Published
Topic / Theme
Malay, City life, Relationships, Love, Romantic relationships
Copyright Message
Copyright © 2006 by Azharr Rudin
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Ang Dagat Na Nalulunod
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Mei Bastes, fl. 2009-2012 (Philippines: Privately Published), 6 mins
I am the drowning sea. Waxing, waning, vanishing, surrendering, yearning, drunk, helpless against your indifference, with no way out. You are the shore that never saves. I will wait for you to turn into a wave. And we will waltz. Drown together.
Sample
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Mei Bastes, fl. 2009-2012 (Philippines: Privately Published), 6 mins
Description
I am the drowning sea. Waxing, waning, vanishing, surrendering, yearning, drunk, helpless against your indifference, with no way out. You are the shore that never saves. I will wait for you to turn into a wave. And we will waltz. Drown together. College
Date Written / Recorded
2008
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Mei Bastes, fl. 2009-2012
Contributor
Khavn De La Cruz, 1973-
Author / Creator
Khavn De La Cruz, 1973-, Mei Bastes, fl. 2009-2012
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Emotions and feelings
Copyright Message
Copyright © 2009 Used by permission of Khavn De La Cruz.
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Aries
directed by Faozan Rizal, fl. 2004-2012; performed by Ri Kaode, fl. 2004 and Nombuyuki Suzuki, 1992- (Indonesia: Privately Published, 2004), 1 hour 9 mins
Aries is the code of living in Heaven, until one day the passion comes and forbidden fruits fall to the earth.' So begins Aries by talented experimental filmmaker Faozan Rizal. This visually arresting work is set against the backdrop of Java's stunning natural beauty. Oscillating between the stark landscape of Cer...
Sample
directed by Faozan Rizal, fl. 2004-2012; performed by Ri Kaode, fl. 2004 and Nombuyuki Suzuki, 1992- (Indonesia: Privately Published, 2004), 1 hour 9 mins
Description
Aries is the code of living in Heaven, until one day the passion comes and forbidden fruits fall to the earth.' So begins Aries by talented experimental filmmaker Faozan Rizal. This visually arresting work is set against the backdrop of Java's stunning natural beauty. Oscillating between the stark landscape of Cerebon in West Java, and the verdant lushness of Wanagama Forest, Aries is a meditation on the varying expressions of love -- at once pas...
Aries is the code of living in Heaven, until one day the passion comes and forbidden fruits fall to the earth.' So begins Aries by talented experimental filmmaker Faozan Rizal. This visually arresting work is set against the backdrop of Java's stunning natural beauty. Oscillating between the stark landscape of Cerebon in West Java, and the verdant lushness of Wanagama Forest, Aries is a meditation on the varying expressions of love -- at once passionate and anguished -- between a man and a woman. Despite at times occupying the same physical space, the protagonists each indulge in the privacy of their separate inner-worlds. Richly philosophical in its approach, Aries' appeal comes from the fact that as an experimental work it contains an endless thread of meaning and metaphor for viewers to explore.
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Date Written / Recorded
2004
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Ri Kaode, fl. 2004, Nombuyuki Suzuki, 1992-
Author / Creator
Faozan Rizal, fl. 2004-2012, Ri Kaode, fl. 2004, Nombuyuki Suzuki, 1992-
Date Published / Released
2004
Publisher
Privately Published
Topic / Theme
Emotions and feelings
Copyright Message
Copyright © 2004 Used by permission of Faozan Rizal.
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The Art Of Flirting
directed by Kan Lume, fl. 2007-2012 (Singapore: Privately Published), 1 hour 20 mins
Boy meets girl. Boy and girl fall for each other. Do they live happily ever after? The Art of Flirting leads you down this road and to that question, but it's not your typical romance film. It is in the vein of reality TV, with four chapters of a progressing romance, and with an ending that should be left unspo...
Sample
directed by Kan Lume, fl. 2007-2012 (Singapore: Privately Published), 1 hour 20 mins
Description
Boy meets girl. Boy and girl fall for each other. Do they live happily ever after? The Art of Flirting leads you down this road and to that question, but it's not your typical romance film. It is in the vein of reality TV, with four chapters of a progressing romance, and with an ending that should be left unspoiled here. Lynn is a lifestyle reporter interviewing Leo, a jock turned entrepreneur. Their interview turns into a date as Leo's flirt...
Boy meets girl. Boy and girl fall for each other. Do they live happily ever after? The Art of Flirting leads you down this road and to that question, but it's not your typical romance film. It is in the vein of reality TV, with four chapters of a progressing romance, and with an ending that should be left unspoiled here. Lynn is a lifestyle reporter interviewing Leo, a jock turned entrepreneur. Their interview turns into a date as Leo's flirting turns to romancing. Both have been scarred by previous relationships and one night reveal their stories after an intimate dinner at Lynn's home. The intimacy seems a welcoming comfort to both, but an all-too-familiar scenario develops. Many will recognize the path, because they have walked it before, a little romance turns into a desire for attachment. And that's where the fork in the road usually shows up. Will they take one of the forks together, or separate at the fork? What sustains this little drama are the actors and their smart dialogue. We are voyeurs, asking if they would make a good match, wondering what the next move will be.
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Date Written / Recorded
2009-10-19
Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Kan Lume, fl. 2007-2012
Date Published / Released
2005
Publisher
Privately Published
Topic / Theme
Romantic relationships, Sexuality
Copyright Message
Copyright © 2005 Used by permission of Kan Lume.
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Bahag Kings
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Myke Sarthou, fl. 2008, Roxlee, 1950- and Elmo Redrico, 1959-2006 (Philippines: Privately Published), 1 hour 14 mins
A group of tribal leaders from the jungle search the city like a hard rock band. Or is it a rock group looking for the jungle? The filmmaker was arrested for the film, together with his half naked kings. Funny, unpolished, musical and (hence) also a little bit political.
Sample
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Myke Sarthou, fl. 2008, Roxlee, 1950- and Elmo Redrico, 1959-2006 (Philippines: Privately Published), 1 hour 14 mins
Description
A group of tribal leaders from the jungle search the city like a hard rock band. Or is it a rock group looking for the jungle? The filmmaker was arrested for the film, together with his half naked kings. Funny, unpolished, musical and (hence) also a little bit political. College
Date Written / Recorded
2008
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Myke Sarthou, fl. 2008, Roxlee, 1950-, Elmo Redrico, 1959-2006
Contributor
Khavn De La Cruz, 1973-
Author / Creator
Khavn De La Cruz, 1973-, Myke Sarthou, fl. 2008, Roxlee, 1950-, Elmo Redrico, 1959-2006
Date Published / Released
2008
Publisher
Privately Published
Topic / Theme
Apparel, Asian ethnic groups, Cities, African Americans
Copyright Message
Copyright © 2008 Used by permission of Khavn De La Cruz.
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be rtdm
directed by Otty Widasari, 1973- and Hafiz Rancajale, fl. 2011-2013; produced by Reinaart Vanhoe, fl. 2006 (Jakarta, Jakarta Raya: Forum Lenteng, 2006), 26 mins
An essay documentary about the city of Rotterdam, this film is a collaboration between Hafiz Rancajale and Otty Widasari as part of an art project for New Beginners exhibition at TENT, Center Rotterdam, Netherlands. This video captures the daily life of the people in the new city, rebuilt by the Dutch government a...
Sample
directed by Otty Widasari, 1973- and Hafiz Rancajale, fl. 2011-2013; produced by Reinaart Vanhoe, fl. 2006 (Jakarta, Jakarta Raya: Forum Lenteng, 2006), 26 mins
Description
An essay documentary about the city of Rotterdam, this film is a collaboration between Hafiz Rancajale and Otty Widasari as part of an art project for New Beginners exhibition at TENT, Center Rotterdam, Netherlands. This video captures the daily life of the people in the new city, rebuilt by the Dutch government after its destruction after World War II. As filmmakers who came from a country formerly colonized by the Dutch (Indonesia), Otty and Ha...
An essay documentary about the city of Rotterdam, this film is a collaboration between Hafiz Rancajale and Otty Widasari as part of an art project for New Beginners exhibition at TENT, Center Rotterdam, Netherlands. This video captures the daily life of the people in the new city, rebuilt by the Dutch government after its destruction after World War II. As filmmakers who came from a country formerly colonized by the Dutch (Indonesia), Otty and Hafiz saw this city through the eyes of a 'stranger'. Its historical background was different from anything they'd seen, yet it was still closely related to the Indonesian nation. The film captures the personal experience of how motion, building, transportation, landscape and history from the past become a lens through which to view place. In the film BE RTDM, there is no linear structure in its storytelling . The film is arranged in a series of images and sounds complementing the atmosphere, but sometimes mutually negating each other. It tells about the past, the current insecure world, and the ideal world that is constantly evolving.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Reinaart Vanhoe, fl. 2006
Author / Creator
Otty Widasari, 1973-, Hafiz Rancajale, fl. 2011-2013
Date Published / Released
2006
Publisher
Forum Lenteng
Topic / Theme
Dutch, Indonesian, Indonesian people, Documentary films, Imperialism, Europeans
Copyright Message
Copyright © 2006 by Forum Lenteng
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