Browse Titles - 28 results

Africa Dreaming, Sophia's Homecoming
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directed by Richard Pakleppa, 1961-; produced by Bridget Pickering, fl. 1996-2014, Onland Productions, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 26 mins
Sophia's Homecoming reminds us that the devastating personal effects of the massive social dislocations caused by apartheid can never be erased. Sophia, like so many other women, becomes a self-reliant provider for her family, working as a domestic for a white family in Windhoek for 12 years. When her husband Naf...
directed by Richard Pakleppa, 1961-; produced by Bridget Pickering, fl. 1996-2014, Onland Productions, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 26 mins
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Blue-Eyed Black Boy
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written by Georgia Douglas Camp Johnson, 1880-1966, Georgia Douglas Camp Johnson, 1880-1966 (1930), in Wines in the Wilderness: Plays by African American Women from the Harlem Renaissance to the Present, edited by Elizabeth Brown-Guillory. (New York, NY: Greenwood Press, 1990), (written in 1930) (Alexander Street Press, 1990, originally published 1989), 5 page(s)
written by Georgia Douglas Camp Johnson, 1880-1966, Georgia Douglas Camp Johnson, 1880-1966 (1930), in Wines in the Wilderness: Plays by African American Women from the Harlem Renaissance to the Present, edited by Elizabeth Brown-Guillory. (New York, NY: Greenwood Press, 1990), (written in 1930) (Alexander Street Press, 1990, originally published 1989), 5 page(s)
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The Flowering of the Crone: Lenora Carrington, Another Reality
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directed by Ally Acker, 1954-; produced by Ally Acker, 1954- (Roslyn Heights, NY: Reel Women Media, 2017), 1 hour
“I am armed with madness for a long voyage...” writes British-born visionary painter, sculptor and writer, Leonora Carrington, most often associated with the Surrealist movement, as well as the one-time lover of Max Ernst, Carrington’s work is arguably not “surreal” in the way her forebears meant, but po...
directed by Ally Acker, 1954-; produced by Ally Acker, 1954- (Roslyn Heights, NY: Reel Women Media, 2017), 1 hour
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Characters
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(1935); in Frederick Douglass (Alexander Street Press, 1935, originally published 1935), 1-2
(1935); in Frederick Douglass (Alexander Street Press, 1935, originally published 1935), 1-2
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The Legacy Project: Dramatists Talk about Their Work, Volume 3, Gretchen Cryer and Nancy Ford in Conversation with Georgia Stitt
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directed by Jeremy S. Levine, 1984-; produced by Peter Ratray, 1941-, Transient Pictures; interview by Georgia Stitt, 1972-, in The Legacy Project: Dramatists Talk about Their Work, Volume 3 (New York, NY: Dramatists Guild Foundation, 2019), 39 mins

American theater’s most exciting and esteemed writers together in conversation – watch as current and established creators share their struggles, triumphs, and advice, and get an intimate glimpse into their creative process.

This episode features Georgia Stitt (Mosaic) interviewing Gretchen Cryer and Nancy Ford...

directed by Jeremy S. Levine, 1984-; produced by Peter Ratray, 1941-, Transient Pictures; interview by Georgia Stitt, 1972-, in The Legacy Project: Dramatists Talk about Their Work, Volume 3 (New York, NY: Dramatists Guild Foundation, 2019), 39 mins
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Made in L.A.
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directed by Robert Bahar, 1977- and Almudena Carracedo, fl. 2007; produced by Robert Bahar, 1977- and Almudena Carracedo, fl. 2007, Semilla Verde Productions, POV and Independent Television Service (San Francisco, CA: California Newsreel, 2007), 1 hour 10 mins,
Source: itvs.org
Made in L.A. traces the moving transformation of three Latina garment workers on the fault lines of global economic change who decide they must resist. Through a groundbreaking lawsuit and consumer boycott, they fight to establish an important legal and moral precedent holding an American retailer liable for the...
directed by Robert Bahar, 1977- and Almudena Carracedo, fl. 2007; produced by Robert Bahar, 1977- and Almudena Carracedo, fl. 2007, Semilla Verde Productions, POV and Independent Television Service (San Francisco, CA: California Newsreel, 2007), 1 hour 10 mins,
Source: itvs.org
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Reel Herstory: The REAL Story of Reel Women with Jodie Foster, Contemporary Reel Women
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directed by Ally Acker, 1954-; produced by Robert Dassanowsky, 1965-, National Film Board of Canada, Reel Women Media and Belvedere Film, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 1 hour 6 mins
The first director to tell a story on the screen...The highest paid director in the silent days...The pioneer of socially conscious films.The first editor to receive solo screen credit...All Were Women. Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us o...
directed by Ally Acker, 1954-; produced by Robert Dassanowsky, 1965-, National Film Board of Canada, Reel Women Media and Belvedere Film, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 1 hour 6 mins
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Reel Herstory: The REAL Story of Reel Women with Jodie Foster, The Silent Era
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directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 48 mins
The first director to tell a story on the screen...The highest paid director in the silent days...The pioneer of socially conscious films.The first editor to receive solo screen credit...All Were Women. Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us o...
directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 48 mins
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Reel Herstory: The REAL Story of Reel Women with Jodie Foster, The Talkies
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directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 34 mins
The first director to tell a story on the screen...The highest paid director in the silent days...The pioneer of socially conscious films.The first editor to receive solo screen credit...All Were Women. Based on the groundbreaking edition, Reel Women: THE FIRST HUNDRED YEARS, by Ally Acker, JODIE FOSTER takes us o...
directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Herstory: The REAL Story of Reel Women with Jodie Foster (Reel Women Media, 2015), 34 mins
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Reel Women Filmmakers on Film, The Producer/Director Relationship
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directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Women Filmmakers on Film (Reel Women Media, 2011), 42 mins
04 - The Producer / Director Relationship The Producer and the Director must function like two hands of the same heart. These two rare interviews take us fro the beginning to the end of one movie, "A Dry White Season." Features: Award-Winning Martinique director, Euzhan Palcy, and Award Winning Hollywood produce...
directed by Ally Acker, 1954-; produced by Reel Women Media, in Reel Women Filmmakers on Film (Reel Women Media, 2011), 42 mins
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