Browse Titles - 4 results
Blackworms
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Donna Miranda, fl. 2001-2009 (Philippines: Privately Published), 5 mins
A young woman faced with the crimes of her past suffers punishment of a Dantean nature. But what was her crime? And why does the saying 'After everything, nothing' resonate through her life?
Sample
directed by Khavn De La Cruz, 1973-; produced by Khavn De La Cruz, 1973-; performed by Donna Miranda, fl. 2001-2009 (Philippines: Privately Published), 5 mins
Description
A young woman faced with the crimes of her past suffers punishment of a Dantean nature. But what was her crime? And why does the saying 'After everything, nothing' resonate through her life? College
Date Written / Recorded
2009
Field of Study
Asian Studies
Content Type
Performance
Performer / Ensemble
Donna Miranda, fl. 2001-2009
Contributor
Khavn De La Cruz, 1973-, Juan Silos, Jr., 1898-1988, Ariston Avelino, 1911-
Author / Creator
Khavn De La Cruz, 1973-, Donna Miranda, fl. 2001-2009
Date Published / Released
2009
Publisher
Privately Published
Topic / Theme
Crime, Mental illnesses
Copyright Message
Copyright © 2009 Used by permission of Khavn De La Cruz.
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Corazon
directed by Khavn De La Cruz, 1973- (Philippines: Privately Published), 1 hour 20 mins
No story. No actors. An unedited blur of random images from a day in a life of 'Hesus Corazon, the serial rapist-killer of Manila who collects women's hearts in glass jars'. Mixed with found footage. Accompanied by a non-sequitur deluge of distorted guitar, a synthetic piano orchestra, drum&bass, and abstract spok...
Sample
directed by Khavn De La Cruz, 1973- (Philippines: Privately Published), 1 hour 20 mins
Description
No story. No actors. An unedited blur of random images from a day in a life of 'Hesus Corazon, the serial rapist-killer of Manila who collects women's hearts in glass jars'. Mixed with found footage. Accompanied by a non-sequitur deluge of distorted guitar, a synthetic piano orchestra, drum&bass, and abstract spoken word poetry.
Date Written / Recorded
2010-06-28
Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Khavn De La Cruz, 1973-
Date Published / Released
2007
Publisher
Privately Published
Topic / Theme
Crime, Health
Copyright Message
Copyright © 2007 Used by permission of Khavn De La Cruz.
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The Family That Eats Soil
directed by Khavn De La Cruz, 1973-; performed by Elizabeth Marin, fl. 2005, Hamid Eton, fl. 1998 and Carlo Catap, fl. 2005 (Philippines: Privately Published), 1 hour 15 mins
The Family That Eats Soil seeks to paint a dystopian portrait, a phantasmagoric reversal of Filipino values. It is an allegory for a people still walking and breathing under an unending nightmare.
Sample
directed by Khavn De La Cruz, 1973-; performed by Elizabeth Marin, fl. 2005, Hamid Eton, fl. 1998 and Carlo Catap, fl. 2005 (Philippines: Privately Published), 1 hour 15 mins
Description
The Family That Eats Soil seeks to paint a dystopian portrait, a phantasmagoric reversal of Filipino values. It is an allegory for a people still walking and breathing under an unending nightmare.
Field of Study
Film
Content Type
Performance
Performer / Ensemble
Elizabeth Marin, fl. 2005, Hamid Eton, fl. 1998, Carlo Catap, fl. 2005
Author / Creator
Khavn De La Cruz, 1973-, Elizabeth Marin, fl. 2005, Hamid Eton, fl. 1998, Carlo Catap, fl. 2005
Date Published / Released
2005
Publisher
Privately Published
Topic / Theme
Crime
Copyright Message
Copyright © 2005 Used by permission of Khavn De La Cruz.
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Vampire of Quezon City
directed by Khavn De La Cruz, 1973- (Philippines: Privately Published), 1 hour 5 mins
A serial killer is raping and murdering the most beautiful young women of Quezon City, and the detectives in this vampiro-porno-noir despair of capturing him. In flashbacks, we learn of his mother's beatings and his own cruelties to dogs. He seems like a classic psychopath, and yet when the detectives learn that...
Sample
directed by Khavn De La Cruz, 1973- (Philippines: Privately Published), 1 hour 5 mins
Description
A serial killer is raping and murdering the most beautiful young women of Quezon City, and the detectives in this vampiro-porno-noir despair of capturing him. In flashbacks, we learn of his mother's beatings and his own cruelties to dogs. He seems like a classic psychopath, and yet when the detectives learn that the killer comes from Capiz in the Western region of Visaya, they wonder if he is not also an aswang, a vampire-like creature who has b...
A serial killer is raping and murdering the most beautiful young women of Quezon City, and the detectives in this vampiro-porno-noir despair of capturing him. In flashbacks, we learn of his mother's beatings and his own cruelties to dogs. He seems like a classic psychopath, and yet when the detectives learn that the killer comes from Capiz in the Western region of Visaya, they wonder if he is not also an aswang, a vampire-like creature who has been part of Philippine folklore since the 16th century. The graphic violence is filmed in black and white, appropriate to both film noir and the pseudo-snuff film. There are monologues by the detective and the killer, but the only female to speak is the abusive mother. The victims endure a disturbing range of mutilations and abuse, though there is little female nudity. Viewers should be warned that there is male nudity, sodomy, fellatio, and a range of profanations of crucifixes and other religious images. Not a Twilight-style vampire movie, it includes garlic necklaces, drinking blood and devouring viscera, but the aswang creates no new vampires. Khavn De La Cruz's latest pushing of digital boundaries is not for the faint of heart. Awards/Festivals: Split International Film Festival; Athens Porn Film Festival; Berlin Porn Film Festival.
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Date Written / Recorded
2010-06-28
Field of Study
Asian Studies
Content Type
Performance
Author / Creator
Khavn De La Cruz, 1973-
Date Published / Released
2006
Publisher
Privately Published
Topic / Theme
Crime, Health
Copyright Message
Copyright © 2006 Used by permission of Khavn De La Cruz.
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