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Aelita, The Queen Of Mars is a Socialist science fiction spectacle and in 1924 was the first big-budget movie from Soviet Russia. A year and a half in the making, it was intended as ideologically correct mass entertainment which could compete both in Russia and abroad with the Hollywood films that dominated Soviet and world screens while also earning plaudits for artistic innovation such as had greeted The Cabinet of Dr. Caligari and other German expressionist films. It is based on the novel Aelita by Alexei Tolstoy.

Aelita is a fantastic adventure about Los, an engineer living in Moscow, who dreams of Aelita, the Queen of Mars, and builds a spaceship to take him to her. They fall in love, but Los soon finds himself embroiled in a proletarian uprising to establish a Martian Union of Soviet Socialist Republics! This story is based loosely upon a novella by Alexei Tolstoy, a distant relative of Leo Tolstoy, who had established a reputation for popular novels, poetry and drama before 1917 and who had just returned to Moscow after emigrating during the Revolution. The director, Yakov Protazanov, was a pre-Revolutionary Russian film giant who was persuaded to give up a successful new career in France and Germany to offer his skill and prestige to the untried Soviet film industry.

The most interesting element in this film - the basis for its enduring fame - is its design: amazing "Martian" costumes and sets by the distinguished abstract painter Alexandra Exter and her accomplished protégé, Isaak Rabinovich. Informed by cubism and other design trends in France, Italy and Germany, they are executed in the distinctively Russian avant-garde style of the day, known as "constructivism".

Despite its long inaccessibility, Aelita has survived in excellent condition. This bizarre and haunting work has at last been restored to view in a first class edition with new English intertitles and a new piano score by Alexander Rannie based upon vintage themes by Sergei Prokofiev.

All My Babies (1952) was selected in 2002 by the Library of Congress as a "culturally, historically, and artistically significant work" for permanent preservation in the National Film Registry. This beautiful film is the story of "Miss Mary" Coley, an African-American midwife more than half a century ago in rural Georgia. Its production sponsored by the Georgia Department of Public Health as a demonstration film for illiterate "granny" midwives, All My Babies quickly transcended its initial purpose. It was used around the world by UNESCO and has become an enduring classic of nonfiction film.

All My Babies was written, produced, and directed by George C. Stoney in close collaboration with Mrs. Coley as well as with the local public health doctors and nurses and shows the preparation for and home delivery of healthy babies in both relatively good and bad rural conditions among black families at that time. The film is in addition both a deeply respectful portrait of "Miss Mary," who is revealed as an inspiring human being, and a record of the actual living conditions of her patients.