Browse Titles - 32 results
3 Piano Concertos/3 Piano Sonatas
composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
Sample
composed by Johann Christian Bach, 1735-1782 and Wolfgang Amadeus Mozart, 1756-1791; conducted by Thomas Fey, 1960-; performed by Gerrit Zitterbart, 1952-, Schlierbacher Kammerorchester, 3 Piano Concertos/3 Piano Sonatas (Hänssler Classic, 1996), 13 page(s)
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Schlierbacher Kammerorchester, Gerrit Zitterbart, 1952-
Contributor
Thomas Fey, 1960-
Author / Creator
Johann Christian Bach, 1735-1782, Wolfgang Amadeus Mozart, 1756-1791, Schlierbacher Kammerorchester, Gerrit Zitterbart, 1952-
Date Published / Released
1996
Publisher
Hänssler Classic
Person Discussed
(Johann Georg) Leopold Mozart, 1719-1787
Topic / Theme
Music criticism, Musical technique, Music arrangement, Sonata, Concerto, Piano
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60 Minutes, Alma
presented by Scott Pelley, 1957-; produced by Aaron Weisz and Robert G. Anderson, fl. 2000; interview by Scott Pelley, 1957-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2014), 13 mins
A profile of Alma Deutscher, a 12-year-old British music prodigy accomplished in the classical style who wrote her first opera at age ten. Includes interviews with: Guy and Janie Deutscher, Alma's parents; Robert Gjerdingen, professor of music at Northwestern University.
Sample
presented by Scott Pelley, 1957-; produced by Aaron Weisz and Robert G. Anderson, fl. 2000; interview by Scott Pelley, 1957-, in 60 Minutes (New York, NY: Columbia Broadcasting System (CBS), 2014), 13 mins
Description
A profile of Alma Deutscher, a 12-year-old British music prodigy accomplished in the classical style who wrote her first opera at age ten. Includes interviews with: Guy and Janie Deutscher, Alma's parents; Robert Gjerdingen, professor of music at Northwestern University.
Field of Study
Media Studies
Content Type
Interview, News story
Contributor
Aaron Weisz, Robert G. Anderson, fl. 2000
Author / Creator
Scott Pelley, 1957-
Date Published / Released
2014
Publisher
Columbia Broadcasting System (CBS)
Series
60 Minutes
Person Discussed
Robert O. Gjerdingen, fl. 1998, Alma Elizabeth Deutscher, 2005-
Topic / Theme
Musical technique, Opera, Music composition, Music theory, Family and Culture, Early 21st Century United States (2001– )
Copyright Message
Copyright © 2014 CBS Broadcasting Inc. All Rights Reserved.
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The Art of Coloratura Miliza Korjus
performed by Miliza Korjus, The Art of Coloratura Miliza Korjus (Hänssler Classic, 2004), 9 page(s)
Sample
performed by Miliza Korjus, The Art of Coloratura Miliza Korjus (Hänssler Classic, 2004), 9 page(s)
Date Written / Recorded
1936
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Miliza Korjus
Author / Creator
Miliza Korjus
Date Published / Released
2004
Publisher
Hänssler Classic
Person Discussed
María Galvany, Gustav Mahler, 1860-1911, Arturo Toscanini, 1867-1957, Miliza Korjus, Franz Liszt, 1811-1886
Topic / Theme
Music criticism, Musical technique, Aria, Soprano
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Beethoven: Symphonies Nos. 1 & 2
composed by Ludwig van Beethoven, 1770-1827; conducted by Thomas Fey, 1960-; performed by Heidelberg Symphony Orchestra, Beethoven: Symphonies Nos. 1 & 2 (Hänssler Classic, 2000), 16 page(s)
Sample
composed by Ludwig van Beethoven, 1770-1827; conducted by Thomas Fey, 1960-; performed by Heidelberg Symphony Orchestra, Beethoven: Symphonies Nos. 1 & 2 (Hänssler Classic, 2000), 16 page(s)
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Heidelberg Symphony Orchestra
Contributor
Thomas Fey, 1960-
Author / Creator
Ludwig van Beethoven, 1770-1827, Heidelberg Symphony Orchestra
Date Published / Released
2000
Publisher
Hänssler Classic
Person Discussed
Joseph Haydn, 1732-1809, Wolfgang Amadeus Mozart, 1756-1791, Franz Peter Schubert, 1797-1828
Topic / Theme
Music criticism, Musical technique, Music arrangement, Symphony, Symphony orchestra
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PART I: ESSAYS: Between Work and Play: Brahms as Performer of His Own Music
written by Roger Moseley; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 151-180
Sample
written by Roger Moseley; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 151-180
Field of Study
Classical Music
Content Type
General reference book
Contributor
Walter Frisch, Kevin C. Karnes
Author / Creator
Roger Moseley
Date Published / Released
2009
Publisher
Princeton University Press
Person Discussed
Johannes Brahms, 1833-1897, Franz Liszt, 1811-1886
Topic / Theme
Music criticism, Character traits, Performance criticism, Musical technique, Music theory, Audio recordings, Piano, Cello
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Chen Reiss: Mozart Arias
directed by Jeremy Elman, fl. 2015; composed by Wolfgang Amadeus Mozart, 1756-1791; produced by Matt Hall, fl. 2015, William Toll, fl. 2013 and Matthew Cosgrove, fl. 1990, Masterclass Media Foundation and Edicis; performed by Chen Reiss and Timothy End, fl. 2015, Philharmonia Chorus (London, England: Masterclass Media Foundation, 2015), 2 hours 46 mins
This new masterclass features one of the world’s most accomplished sopranos, Chen Reiss, with members of the UK's Philharmonia Chorus, and is devoted to the arias of Mozart.Repertoire: Così fan tutte K588Despina’s aria “Una donna a quindici anni”La clemenza di Tito K621Sesto’s aria “Parto! Ma tu ben m...
Sample
directed by Jeremy Elman, fl. 2015; composed by Wolfgang Amadeus Mozart, 1756-1791; produced by Matt Hall, fl. 2015, William Toll, fl. 2013 and Matthew Cosgrove, fl. 1990, Masterclass Media Foundation and Edicis; performed by Chen Reiss and Timothy End, fl. 2015, Philharmonia Chorus (London, England: Masterclass Media Foundation, 2015), 2 hours 46 mins
Description
This new masterclass features one of the world’s most accomplished sopranos, Chen Reiss, with members of the UK's Philharmonia Chorus, and is devoted to the arias of Mozart.Repertoire: Così fan tutte K588Despina’s aria “Una donna a quindici anni”La clemenza di Tito K621Sesto’s aria “Parto! Ma tu ben mio”Die Zauberflöte K620Sarastro’s aria “O Isis und Osiris”Idomeneo K366Ilia’s aria “Padre, germani, addio”Le nozze di Fi...
This new masterclass features one of the world’s most accomplished sopranos, Chen Reiss, with members of the UK's Philharmonia Chorus, and is devoted to the arias of Mozart.Repertoire: Così fan tutte K588Despina’s aria “Una donna a quindici anni”La clemenza di Tito K621Sesto’s aria “Parto! Ma tu ben mio”Die Zauberflöte K620Sarastro’s aria “O Isis und Osiris”Idomeneo K366Ilia’s aria “Padre, germani, addio”Le nozze di Figaro K492Cherubino’s aria “Non so più cosa son”Die Zauberflöte K620Tamino’s aria “Dies Bildnis ist bezaubernd schön”
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Date Written / Recorded
2015
Field of Study
Classical Music
Content Type
Masterclass
Performer / Ensemble
Philharmonia Chorus, Chen Reiss, Timothy End, fl. 2015
Contributor
Matt Hall, fl. 2015, William Toll, fl. 2013, Matthew Cosgrove, fl. 1990, Masterclass Media Foundation, Edicis
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Jeremy Elman, fl. 2015, Philharmonia Chorus, Chen Reiss, Timothy End, fl. 2015
Date Published / Released
2015
Publisher
Masterclass Media Foundation
Topic / Theme
Singing, Opera, Musical technique
Copyright Message
Copyright © 2015 Masterclass Media Foundation
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Elisabeth Schwarzkopf Sings Operettas by Lehár, Suppé and Strauss
composed by Franz Lehár, 1870-1948, Franz von Suppé, 1819-1895 and Richard Strauss, 1864-1949; performed by Elisabeth Schwarzkopf, 1915-, Elisabeth Schwarzkopf Sings Operettas by Lehár, Suppé and Strauss (Hänssler Classic, 2004), 8 page(s)
Sample
composed by Franz Lehár, 1870-1948, Franz von Suppé, 1819-1895 and Richard Strauss, 1864-1949; performed by Elisabeth Schwarzkopf, 1915-, Elisabeth Schwarzkopf Sings Operettas by Lehár, Suppé and Strauss (Hänssler Classic, 2004), 8 page(s)
Date Written / Recorded
1953
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Elisabeth Schwarzkopf, 1915-
Author / Creator
Franz Lehár, 1870-1948, Franz von Suppé, 1819-1895, Richard Strauss, 1864-1949, Elisabeth Schwarzkopf, 1915-
Date Published / Released
2004
Publisher
Hänssler Classic
Person Discussed
Walter Legge, Rupert Glawitsch, Maria Ivoguen, Michael Raucheisen, Otto Ackermann
Topic / Theme
Music criticism, Musical technique, Operetta, Improvisation, Soprano
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Feodor Chaliapin sings Russian Folk Songs
performed by Feodor Ivanovich Chaliapin, 1873-1938, Feodor Chaliapin sings Russian Folk Songs (Hänssler Classic, 2004), 9 page(s)
Sample
performed by Feodor Ivanovich Chaliapin, 1873-1938, Feodor Chaliapin sings Russian Folk Songs (Hänssler Classic, 2004), 9 page(s)
Date Written / Recorded
1934
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Feodor Ivanovich Chaliapin, 1873-1938
Author / Creator
Feodor Ivanovich Chaliapin, 1873-1938
Date Published / Released
2004
Publisher
Hänssler Classic
Person Discussed
Maria Callas, 1923-1977, Ernest Newman, 1868-1959, Zinka Milanov, Alexander Kipnis
Topic / Theme
Konjo, Russian people, Folk music, Musical technique, Music theory, Song, Bass-baritone
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History of Vocal Teaching I: An Exploration of a Vocal Lineage
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisab...
Open Access
directed by Norbert Meyn, fl. 1997 and Janis Kelly; produced by Janis Kelly and Norbert Meyn, fl. 1997, Lieder Theatre Limited; performed by Jutta Vulpius, 1927-, Janis Kelly and Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 44 mins
Description
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsope...
Discussing fundamental principles of singing passed down through the generations since the old italian masters. The film gives an account of the teaching of Franziska Martienssen-Lohmann (1887-1971), one of the most influential German singing teachers in the 20th century, and of the famous German soprano Elisabeth Grümmer (1911-1985), featuring the German coloratura soprano Jutta Vulpius (born 1927) and her pupil Carola Höhn of the Staatsoper Berlin. Following a direct lineage to great teachers in the 19th century, the Dutch baritone Johannes Messchaert (1857-1922), the German teacher Julius Stockhausen (1826-1906) and the Spanish educator Manuel Patricio Rodríguez García (1805-1906). Giving examples of exercises for beginners and advanced students. This film is suitable for classroom teaching or individual study.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Performer / Ensemble
Jutta Vulpius, 1927-, Janis Kelly, Norbert Meyn, fl. 1997
Contributor
Janis Kelly, Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Norbert Meyn, fl. 1997, Janis Kelly, Jutta Vulpius, 1927-
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Manuel Garcia, 1805-1906, Johannes Messchaert, 1857-1922, Elisabeth Grümmer, Franziska Martienssen-Lohmann, 1887-1971
Topic / Theme
Performance coaching, Educational methods, Music practice, Musical technique, Singing, Singers, Baritone, Soprano
Copyright Message
Copyright © 2010 Lieder Theatre Limited
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History of Vocal Teaching III: My Building Blocks of Singing, with Laura Sarti
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teach...
Open Access
directed by Mairi Ankers, fl. 1997; produced by Norbert Meyn, fl. 1997, Lieder Theatre Limited; interview by Norbert Meyn, fl. 1997 (Sydney, New South Wales: Lieder Theatre Limited, 2010), 1 hour 22 mins
Description
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born i...
At the age of 90, Laura Sarti summarises the fundamental building blocks of her exceptionally long teaching practice, in conversation with Norbert Meyn. Laura Sarti's vocal teaching brings together influences from her native Italy, from the tradition of Mathilde and Blanche Marchesi as well as the bel canto teacher Lucie Manen, and from the German/Austrian tradition through Emmy Heim and her long time coach Paul Hamburger. Laura Sarti was born in 1924 in Trieste, Italy where she heard many of the great Italian singers. Her family emigrated to Egypt in 1939. After the war she came to England, where she stayed for the rest of her life. During her operatic career she sang for E.N.O., W.N.O. and Glyndebourne, and she was a founder cast member of both Kent and Scottish Opera. She made many recordings for the BBC and was a noted recitalist. She sings in the Glyndebourne CD of Barber of Seville and in Erato CD of Monteverdi’s Orfeo. A professor and Fellow of the Guildhall School of Music & Drama since the 1970s, she has developed an international reputation as a teacher and regularly gave Master Classes in Britain, France, Switzerland, Sweden, Germany, Ireland and Portugal. She has many pupils of world renown. Beginning with breathing and posture, going on to focusing and balancing vowel sounds, lifting the soft palate, articulation of consonants and appoggio (‘leaning on the breath’), she demonstrates the basic elements of building a technique that will enable a singer to become a true interpreter, able to reveal colours fuelled by the artistic imagination in the sound of the voice. With her pupils Clare Ghigo and Ricardo Panela she demonstrates a typical sequence of exercises and gives brief coaching on operatic repertoire.
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Field of Study
Classical Music
Content Type
Lecture/presentation
Contributor
Norbert Meyn, fl. 1997, Lieder Theatre Limited
Author / Creator
Mairi Ankers, fl. 1997, Norbert Meyn, fl. 1997
Date Published / Released
2010
Publisher
Lieder Theatre Limited
Person Discussed
Laura Sarti
Topic / Theme
Educational methods, Singing, Performance coaching, Music practice, Musical technique, Opera, Voice
Copyright Message
Copyright © 2015 Lieder Theatre Limited
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