Browse Titles - 133 results
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Aditi Exhibition - Teratali - announcement - Kamar - Nazir Jairazbhoy - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 1 min
A song from the Teratali song and dance tradition of Rajasthan. Teratali is a ritual acrobatic dance of the Kamar community. It is performed seated with 13 pairs of Manjira cymbals tied to different parts of their body. They are struck with a cymbal in the hand. This is accompanied by singing with a tandura, dhola...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 1 min
Description
A song from the Teratali song and dance tradition of Rajasthan. Teratali is a ritual acrobatic dance of the Kamar community. It is performed seated with 13 pairs of Manjira cymbals tied to different parts of their body. They are struck with a cymbal in the hand. This is accompanied by singing with a tandura, dholak and Manjira. This is traditionally performed as a thanksgiving ritual among the Kamar, such as the birth of a child. This was recorde...
A song from the Teratali song and dance tradition of Rajasthan. Teratali is a ritual acrobatic dance of the Kamar community. It is performed seated with 13 pairs of Manjira cymbals tied to different parts of their body. They are struck with a cymbal in the hand. This is accompanied by singing with a tandura, dholak and Manjira. This is traditionally performed as a thanksgiving ritual among the Kamar, such as the birth of a child. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
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Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Amati akatambe tilawe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (22 May 1950) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (22 May 1950) , 2 page(s)
Date Written / Recorded
22 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Dance, Whistle, Drum, goblet, Chichewa
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Anib gera a (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR218 (02 June 1965) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR218 (02 June 1965) , 1 page(s)
Date Written / Recorded
02 June 1965, 1965
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Dance, Folk, Clapping, hand, Nama
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Bake recording - discussion - Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 3 mins
Adrian Bake's recording replayed followed by discussion on the song among the performers and Nazir Jairazbhoy. One male interviewer explained that people could recognise the song but do not remember the lyrics.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 3 mins
Description
Adrian Bake's recording replayed followed by discussion on the song among the performers and Nazir Jairazbhoy. One male interviewer explained that people could recognise the song but do not remember the lyrics.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bake recording - Koladi - Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 2 mins
Recording by Adrian Bake played by Nazir Jairazboy. There is discussion about the song, Kambadi, community and the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 2 mins
Description
Recording by Adrian Bake played by Nazir Jairazboy. There is discussion about the song, Kambadi, community and the performers.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bake recording- Kota funeral music - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:253:84 (New Delhi, Delhi State) , 4 mins
Recording by Arnold Bake played for performers. of Kota funeral music, followed by another women dance tune played with two Kol, three Par (two Kinpar), one Dhopar, one Thapakt and two Kombu.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:253:84 (New Delhi, Delhi State) , 4 mins
Description
Recording by Arnold Bake played for performers. of Kota funeral music, followed by another women dance tune played with two Kol, three Par (two Kinpar), one Dhopar, one Thapakt and two Kombu.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bhairavi - conversation - Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 1 min
It starts with a conversation among the performers. Instrumental prelude played on Daf and Jalara. Chorus starts with a lead singer, joined by others.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 1 min
Description
It starts with a conversation among the performers. Instrumental prelude played on Daf and Jalara. Chorus starts with a lead singer, joined by others.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bhairavi- Tudi - Jalara - Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 3 mins
Bhairavi, sung by a group of male with a male lead singer. This is sung with Tudi and Jalara accompaniment. Singing start with an announcement and conversation among the performers.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 3 mins
Description
Bhairavi, sung by a group of male with a male lead singer. This is sung with Tudi and Jalara accompaniment. Singing start with an announcement and conversation among the performers.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Charhaiya- Narandrapur Kala Vikas Kendra- OdishaRanapa- Narandrapur Kala Vikas Kendra- OdishaPaika- Narandrapur Kala Vikas Kendra- Odisha
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:25:84 (New Delhi, Delhi State) , 5 mins
Charhaiya dance or fish trap stick dance performed by eight dancers to music played by members of the Narandrapur Kala Vikas Kendra of Berhampur during rehearsals. The music ensemble consists of dhols, jhanj and mohori.Ranapa dance music played by members of the Narandrapur Kala Vikas Kendra in Berhampur. The acco...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:25:84 (New Delhi, Delhi State) , 5 mins
Description
Charhaiya dance or fish trap stick dance performed by eight dancers to music played by members of the Narandrapur Kala Vikas Kendra of Berhampur during rehearsals. The music ensemble consists of dhols, jhanj and mohori.Ranapa dance music played by members of the Narandrapur Kala Vikas Kendra in Berhampur. The accompaniments include the changu, shehnai, katha karaTal and dhol. The ranapa dance (stilt dance) is performed by eight dancers.Paika danc...
Charhaiya dance or fish trap stick dance performed by eight dancers to music played by members of the Narandrapur Kala Vikas Kendra of Berhampur during rehearsals. The music ensemble consists of dhols, jhanj and mohori.Ranapa dance music played by members of the Narandrapur Kala Vikas Kendra in Berhampur. The accompaniments include the changu, shehnai, katha karaTal and dhol. The ranapa dance (stilt dance) is performed by eight dancers.Paika dance music played by members of the Narandrapur Kala Vikas Kendra of Berhampur. The paika dance is a warrior dance performed with swords and shields. The musical ensemble consists of kettle drums like damal and nagara. Dance form of Odisha
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Date Written / Recorded
1964
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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Chattisgarhi dance music - Rangmandal group - Chhattisgarh
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:195:84 (New Delhi, Delhi State) , 8 mins, 1 page(s)
Chattisgarhi dance song sung by the Rangmandal group from Mandla, with drums and cymbals accompaniment. The recording ends with an applause.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:195:84 (New Delhi, Delhi State) , 8 mins, 1 page(s)
Description
Chattisgarhi dance song sung by the Rangmandal group from Mandla, with drums and cymbals accompaniment. The recording ends with an applause.
Date Written / Recorded
1983
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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