Browse Titles - 17 results
Chile Bean
Timbuctoo
Arthur Pryor and His Band: Echoes from Asbury Park, Two Command Performance Concerts
Broadway's Favorite Clowns
Charles Ives: Second String Quartet Hovhaness: "Lousadzak" Concerto No. 1 for Piano and Strings
Charles Ives is one of the most important American classical composers of international distinction, but it wasn’t always so: he was frustrated by indifferent audiences and ambivalent critics throughout his career. Composer Alan Hovhaness, a rough contemporary of Ives, also faced harsh criticism while trying to...
Charles Ives is one of the most important American classical composers of international distinction, but it wasn’t always so: he was frustrated by indifferent audiences and ambivalent critics throughout his career. Composer Alan Hovhaness, a rough contemporary of Ives, also faced harsh criticism while trying to establish himself. Suspend all doubt here with this delightful recording of Ives’s Second String Quartet by the Walden String Quarte...
Charles Ives is one of the most important American classical composers of international distinction, but it wasn’t always so: he was frustrated by indifferent audiences and ambivalent critics throughout his career. Composer Alan Hovhaness, a rough contemporary of Ives, also faced harsh criticism while trying to establish himself. Suspend all doubt here with this delightful recording of Ives’s Second String Quartet by the Walden String Quartet and Hovhaness’s piano concerto by pianist Maro Ajemian and an orchestra conducted by the composer.
Show more Show less
Masters of the Clarinet
Music of the Renaissance and Baroque for Brass Quintet
The predecessor of the modern brass quintet had its heyday in the late Renaissance and early Baroque eras, phasing out with the advent of the violin and wind instruments. This 1967 recording, performed on modern instruments, captures the spirit and style of fifteenth- and sixteenth-century performance without th...
The predecessor of the modern brass quintet had its heyday in the late Renaissance and early Baroque eras, phasing out with the advent of the violin and wind instruments. This 1967 recording, performed on modern instruments, captures the spirit and style of fifteenth- and sixteenth-century performance without the use of period instruments, inviting listeners to explore the glory of Renaissance music in a familiar realm.
