Browse Titles - 7 results
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Concerto for Violoncello and Accompanying Trios
directed by Merrill Brockway, 1923-2013; composed by Peter Lieberson, 1946-2011; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; performed by Paul Tobias, fl. 1975; in Musicians and Contemporary Music, Boulez x 3, Part II (Kent, CT: Creative Arts Television), 9 mins
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversat...
Sample
directed by Merrill Brockway, 1923-2013; composed by Peter Lieberson, 1946-2011; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; performed by Paul Tobias, fl. 1975; in Musicians and Contemporary Music, Boulez x 3, Part II (Kent, CT: Creative Arts Television), 9 mins
Description
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns how musicians feel about the challenges of modern music, and what new techniques are demanded on players and their instrum...
Part two of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns how musicians feel about the challenges of modern music, and what new techniques are demanded on players and their instruments. Pieces performed: Varese's "Ionisation" (1933) and Peter Lieberson's "Concerto for Violoncello with Accompanying Trios" (1974). With members of the New York Philharmonic: concertmaster Eliot Chapo, Ralph Mendelson (viola), Orin O'Brian (double bass), Walter Rosenberger (percussion), Stanley Drucker (clarinet).
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Field of Study
Classical Music
Content Type
Performance, Panel discussion
Performer / Ensemble
Paul Tobias, fl. 1975
Contributor
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Peter Lieberson, 1946-2011, Merrill Brockway, 1923-2013, Paul Tobias, fl. 1975
Publisher
Creative Arts Television
Series
Boulez x 3
Topic / Theme
Musical performances, Music practice, Musicians, Music, Avant-Garde
Copyright Message
Copyright © 1975 Creative Arts Television
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Eclat
directed by Merrill Brockway, 1923-2013; composed by Pierre Boulez, 1925-2016; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; in Music Director and Contemporary Music, Boulez x 3, Part III (Kent, CT: Creative Arts Television), 9 mins
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, comp...
Sample
directed by Merrill Brockway, 1923-2013; composed by Pierre Boulez, 1925-2016; conducted by Pierre Boulez, 1925-2016; produced by Merrill Brockway, 1923-2013, Camera Three, New York, NY; in Music Director and Contemporary Music, Boulez x 3, Part III (Kent, CT: Creative Arts Television), 9 mins
Description
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities...
Part three of a three-part series in which Pierre Boulez, Music Director of the New York Philharmonic, discusses many aspects of performing "contemporary" and "avant garde" music with panels representing the music world. here Arthur Weisberg, conductor of the Contemporary Chamber Ensemble, and Jacob Druckman, composer. Performances of modern music accompany and illustrate these talks. On this program the conversation concerns the responsibilities of the conductor, the architecture of concert halls, added rehearsal time needed for modern music, new or different orchestra personnel needed for new music. Pieces performed: "Valentine" by Druckman, "Eclat" by Boulez.
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Field of Study
Classical Music
Content Type
Panel discussion, Performance
Contributor
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013, Camera Three, New York, NY
Author / Creator
Pierre Boulez, 1925-2016, Merrill Brockway, 1923-2013
Publisher
Creative Arts Television
Series
Boulez x 3
Topic / Theme
Music, Music conductors, Composers, Avant-Garde
Copyright Message
Copyright © 1975 Creative Arts Television
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A Day in the Life of Johannes Moser
directed by Holger Preusse; produced by Claus Wischmann, 1966-, Sounding Images; performed by Johannes Moser, in A Day in the Life of Johannes Moser (Paris, Ile-de-France: Windrose (Film distributor), 2012), 26 mins
Building his reputation on a variety of repertoire, he performed with many of the world's leading orchestras.
Sample
directed by Holger Preusse; produced by Claus Wischmann, 1966-, Sounding Images; performed by Johannes Moser, in A Day in the Life of Johannes Moser (Paris, Ile-de-France: Windrose (Film distributor), 2012), 26 mins
Description
Building his reputation on a variety of repertoire, he performed with many of the world's leading orchestras.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Johannes Moser
Contributor
Claus Wischmann, 1966-, Sounding Images
Author / Creator
Holger Preusse, Johannes Moser
Date Published / Released
2012
Publisher
Windrose (Film distributor)
Person Discussed
Johannes Moser
Topic / Theme
Musicians, Rehearsals, Performance practice, Orchestral, Piece, Cello
Copyright Message
Copyright © 2011. Used by permission of Windrose Distribution.
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Musical Treasures of the 17th Century
produced by Harpischord Unlimited (Montpelier, VT: Multicultural Media, 2006), 1 hour 38 mins
Elaine Comparone and the Queen's Chamber Band with Jerry Willard on archlute and guest soprano Julianne Baird performs vocal and instrumental treasures from the Baroque period. Spliced in between tracks, is an interview and brief introduction to the musical pieces from harpsichordist, Companore.
Featured works are...
Sample
produced by Harpischord Unlimited (Montpelier, VT: Multicultural Media, 2006), 1 hour 38 mins
Description
Elaine Comparone and the Queen's Chamber Band with Jerry Willard on archlute and guest soprano Julianne Baird performs vocal and instrumental treasures from the Baroque period. Spliced in between tracks, is an interview and brief introduction to the musical pieces from harpsichordist, Companore.
Featured works are:
Heinrich I. F. von Biber: Partia VI in D Major for 2 Violins & Basso Continuo.Jacques de Gallot: Les charmes d'Orphee (Tombeau de M....Elaine Comparone and the Queen's Chamber Band with Jerry Willard on archlute and guest soprano Julianne Baird performs vocal and instrumental treasures from the Baroque period. Spliced in between tracks, is an interview and brief introduction to the musical pieces from harpsichordist, Companore.
Featured works are:
Heinrich I. F. von Biber: Partia VI in D Major for 2 Violins & Basso Continuo.Jacques de Gallot: Les charmes d'Orphee (Tombeau de M. le Chevalier du Buisson).Alessandro Piccinini: Corrente Primo Senza Canto.Jacques de Gallot: Sarabande la Belle Chromatique.Alessandro Piccinini: Corrente Nono.Dietrich Buxtehude: “Herr, wenn ich nur dich habe”.Heinrich I. F. von Biber: Partia V in G minor for 2 Violins & Basso Continuo.Girolamo Frescobaldi: Toccata Prima, Cappriccio sopra l'aria, “Or che noi rimena” Canzona Prima.Dietrich Buxtehude: Jubilate Domino - Solo cantata for Countertenor, Cello & Basso Continuo. Show more Show less
Date Written / Recorded
2004-02-11
Field of Study
Classical Music
Content Type
Performance
Contributor
Harpischord Unlimited
Date Published / Released
2006
Publisher
Multicultural Media
Person Discussed
Elaine Comparone, 1943-
Topic / Theme
Composers, Chamber
Copyright Message
© 2006 Harpischord Unlimited
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The Trout
directed by Christopher Nupen, fl. 1967; composed by Franz Peter Schubert, 1797-1828; produced by Allegro Films, London, England; performed by Zubin Mehta, 1936-, Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Itzhak Perlman, 1945- and Daniel Barenboim, 1942-, in The Trout (Guildford, England: Allegro Films, London, England, 1969), 55 mins
On August 30th 1969, five young musicians, all of whom were about to become established as international artists of the highest rank, came together to play Schubert's Trout Quintet in the new Queen Elizabeth Hall in London. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zub...
Sample
directed by Christopher Nupen, fl. 1967; composed by Franz Peter Schubert, 1797-1828; produced by Allegro Films, London, England; performed by Zubin Mehta, 1936-, Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Itzhak Perlman, 1945- and Daniel Barenboim, 1942-, in The Trout (Guildford, England: Allegro Films, London, England, 1969), 55 mins
Description
On August 30th 1969, five young musicians, all of whom were about to become established as international artists of the highest rank, came together to play Schubert's Trout Quintet in the new Queen Elizabeth Hall in London. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta.
"It was clear to us that the concert might well become legendary in time and so we decided to make a film about it. The inte...
On August 30th 1969, five young musicians, all of whom were about to become established as international artists of the highest rank, came together to play Schubert's Trout Quintet in the new Queen Elizabeth Hall in London. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta.
"It was clear to us that the concert might well become legendary in time and so we decided to make a film about it. The intention was two-fold: to film the concert itself live on stage, exactly as it happened, with five of the newly invented, silent 16mm film cameras and to make an introduction to it during the preceding week, documenting the preparations and, in particular, the spirit behind the event.
The artists had all been intimate friends for many years, but, more importantly, they had a great deal in common musically and, in addition, they shared an exuberance in their talents which was as appealing as it was filmable.
The introduction takes the television viewer into areas of music-making that are not normally accessible even to the committed concert-going public and the first part of the film ends with the final seven minutes of back-stage preparation before the concert. They are minutes which contain scenes that have passed into musical and television history.
The film then continues with the complete performance shot during the concert, just as it happened, with not a note re-taken."
Christopher Nupen
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Date Written / Recorded
1969-08-30
Field of Study
Classical Music
Content Type
Performance, Documentary
Performer / Ensemble
Zubin Mehta, 1936-, Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Itzhak Perlman, 1945-, Daniel Barenboim, 1942-
Contributor
Allegro Films, London, England
Author / Creator
Franz Peter Schubert, 1797-1828, Christopher Nupen, fl. 1967, Zubin Mehta, 1936-, Jacqueline du Pré, 1945-1987, Pinchas Zukerman, 1948-, Itzhak Perlman, 1945-, Daniel Barenboim, 1942-
Date Published / Released
1969
Publisher
Allegro Films, London, England
Topic / Theme
Performances, Artistic collaboration, Rehearsals, Musical instruments, Musicians
Copyright Message
Copyright © 1969 by Allegro Films
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Whole Notes: Stories Behind the Classics, Franz Schubert: Lieder of the Pack
directed by Brian Rougeau, fl. 1995; composed by Franz Peter Schubert, 1797-1828; produced by Phyllis Laing, fl. 1994, Buffalo Gal Pictures and Sound Venture, in Whole Notes: Stories Behind the Classics, in Whole Notes: Stories Behind the Classics: Franz Schubert (Ottawa, ON: Sound Venture), 24 mins
This episode of Whole Notes: Stories Behind the Classics is about Franz Schubert.
Sample
directed by Brian Rougeau, fl. 1995; composed by Franz Peter Schubert, 1797-1828; produced by Phyllis Laing, fl. 1994, Buffalo Gal Pictures and Sound Venture, in Whole Notes: Stories Behind the Classics, in Whole Notes: Stories Behind the Classics: Franz Schubert (Ottawa, ON: Sound Venture), 24 mins
Description
This episode of Whole Notes: Stories Behind the Classics is about Franz Schubert.
Field of Study
Classical Music
Content Type
Documentary
Contributor
Phyllis Laing, fl. 1994, Buffalo Gal Pictures, Sound Venture
Author / Creator
Franz Peter Schubert, 1797-1828, Brian Rougeau, fl. 1995
Date Published / Released
2001
Publisher
Sound Venture
Series
Whole Notes: Stories Behind the Classics
Person Discussed
Franz Peter Schubert, 1797-1828
Topic / Theme
Composers, Music, Piano Quintet, Piano
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
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Whole Notes: Stories Behind the Classics, Johannes Brahms: Keeper of the Classical Flame
directed by Brian Rougeau, fl. 1995; composed by Johannes Brahms, 1833-1897; conducted by Michael Hall; produced by Phyllis Laing, fl. 1994, Buffalo Gal Pictures and Sound Venture; performed by Winnipeg Symphony Orchestra, in Whole Notes: Stories Behind the Classics, in Whole Notes: Stories Behind the Classics: Johannes Brahms (Ottawa, ON: Sound Venture), 24 mins
This episode of Whole Notes: Stories Behind the Classics is about Johannes Brahms.
Sample
directed by Brian Rougeau, fl. 1995; composed by Johannes Brahms, 1833-1897; conducted by Michael Hall; produced by Phyllis Laing, fl. 1994, Buffalo Gal Pictures and Sound Venture; performed by Winnipeg Symphony Orchestra, in Whole Notes: Stories Behind the Classics, in Whole Notes: Stories Behind the Classics: Johannes Brahms (Ottawa, ON: Sound Venture), 24 mins
Description
This episode of Whole Notes: Stories Behind the Classics is about Johannes Brahms.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Winnipeg Symphony Orchestra
Contributor
Michael Hall, Phyllis Laing, fl. 1994, Buffalo Gal Pictures, Sound Venture
Author / Creator
Johannes Brahms, 1833-1897, Brian Rougeau, fl. 1995, Winnipeg Symphony Orchestra
Date Published / Released
2001
Publisher
Sound Venture
Series
Whole Notes: Stories Behind the Classics
Person Discussed
Johannes Brahms, 1833-1897
Topic / Theme
Composers, Music, Piano Quartet, Symphony
Copyright Message
Copyright © 2014 by Sound Venture Productions Ottawa
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