Browse Titles - 35 results
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Bernadette Speach: Reflections
composed by Bernadette Speach, 1948-; conducted by Bernadette Speach, 1948-; performed by Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Bernadette Speach, 1948-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000 and David Heiss, fl. 1979, The Arditti Quartet (Mode Records), 1 hour 13 mins
Sample
composed by Bernadette Speach, 1948-; conducted by Bernadette Speach, 1948-; performed by Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Bernadette Speach, 1948-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000 and David Heiss, fl. 1979, The Arditti Quartet (Mode Records), 1 hour 13 mins
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Arditti Quartet, Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Bernadette Speach, 1948-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000, David Heiss, fl. 1979
Contributor
Bernadette Speach, 1948-, Tatayana Liberman, fl. 1991
Author / Creator
Bernadette Speach, 1948-, The Arditti Quartet, Lois Martin, Anthony de Mare, Jeffrey Schanzer, 1954-, Thulani Davis, 1949-, Alva Rogers, fl. 1988-2010, Mark Dresser, Rozanna, fl. 2000, David Heiss, fl. 1979
Publisher
Mode Records
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Broken Line
composed by Alvin Lucier, 1941-; produced by Eckhard Glauche, fl. 2001 (Mode Records, 2015), 1 hour 4 mins
Sample
composed by Alvin Lucier, 1941-; produced by Eckhard Glauche, fl. 2001 (Mode Records, 2015), 1 hour 4 mins
Date Written / Recorded
2012-07
Field of Study
Classical Music
Content Type
Music recording
Contributor
Thomas Monnerjahn, fl. 2012, Eckhard Glauche, fl. 2001
Author / Creator
Alvin Lucier, 1941-
Date Published / Released
2015
Publisher
Mode Records
Copyright Message
Copyright © 2015 by Mode
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Cage: A Cage of Saxophones, Vol. 1
composed by John Cage, 1912-1992; produced by Dr. Wilhelm Schlemm; performed by Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski and Andreas Peters (Mode Records), 1 hour 14 mins
Sample
composed by John Cage, 1912-1992; produced by Dr. Wilhelm Schlemm; performed by Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski and Andreas Peters (Mode Records), 1 hour 14 mins
Date Written / Recorded
1999-11-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski, Andreas Peters
Contributor
Ekkehard Stoffregen, Dr. Wilhelm Schlemm
Author / Creator
John Cage, 1912-1992, Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski, Andreas Peters
Publisher
Mode Records
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Cage: Two^6; Four No3
composed by John Cage, 1912-1992; produced by Michel Bernard; performed by Ami Flammer, Martine Joste, Dominique Alchourroun and Jean Michaut (Mode Records), 1 hour 9 mins
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes...
Sample
composed by John Cage, 1912-1992; produced by Michel Bernard; performed by Ami Flammer, Martine Joste, Dominique Alchourroun and Jean Michaut (Mode Records), 1 hour 9 mins
Description
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes four "interpenetrating" activities (silence, rainsticks, a high note without vibrato, two pianists playing random fragments from Cage's...
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes four "interpenetrating" activities (silence, rainsticks, a high note without vibrato, two pianists playing random fragments from Cage's Extended Lullaby) and only incidentally four performers, similar to Robert Ashley's Trios (White on White) for various instruments (1963). This has a subtle and mysterious landscape effect. One5 for Piano Solo is a 21-minute piece, made from 21 isolated sound "tanks" for the left hand and 24 for the right hand which are freely chosen by the performer. The sustaining pedal is used to overlap these sounds. Dynamics are also left to the performer, as is duration to a certain extent. In Two6 for Violin and Piano, each performer has two "data banks" of materials with which to fill the time brackets that total 20 minutes. And silence is always an option. The violinist either plays at the verge of audibility, or plays a florid passage. The pianist may select from an ascending scale of sonorities, and may also play from the Extended Lullaby, the set of (quasi-)random variations that Cage composed on Erik Satie's Vexations. The parts are realized by the performers from these materials, as they are encouraged to maintain a sense of the "intangible" which these performances achieve beautifully. ~ "Blue Gene" Tyranny, All Music Guide
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Date Written / Recorded
1994-01-24
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ami Flammer, Martine Joste, Dominique Alchourroun, Jean Michaut
Contributor
Madeline Sola, fl. 1988, Michel Bernard
Author / Creator
John Cage, 1912-1992, Ami Flammer, Martine Joste, Dominique Alchourroun, Jean Michaut
Publisher
Mode Records
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Cage: Vol. 13
composed by John Cage, 1912-1992; performed by Stephen Drury, 1955- (Mode Records), 1 hour 12 mins
Sample
composed by John Cage, 1912-1992; performed by Stephen Drury, 1955- (Mode Records), 1 hour 12 mins
Date Written / Recorded
1993-03-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Stephen Drury, 1955-
Contributor
Joel Gordon
Author / Creator
John Cage, 1912-1992, Stephen Drury, 1955-
Publisher
Mode Records
Tracks
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Chaya Czernowin: Music for Texts by Zohar Eitan
composed by Chaya Czernowin, 1957-; conducted by Simon Hewett; performed by Deborah Kayser and Ute Wassermann, ELISION Ensemble, Basel Sinfonietta and Experimental Studio of Heinrich Strobel Stiftung SWR (Mode Records), 1 hour 15 mins
Sample
composed by Chaya Czernowin, 1957-; conducted by Simon Hewett; performed by Deborah Kayser and Ute Wassermann, ELISION Ensemble, Basel Sinfonietta and Experimental Studio of Heinrich Strobel Stiftung SWR (Mode Records), 1 hour 15 mins
Date Written / Recorded
2002
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
ELISION Ensemble, Basel Sinfonietta, Experimental Studio of Heinrich Strobel Stiftung SWR, Deborah Kayser, Ute Wassermann
Contributor
Simon Hewett
Author / Creator
Chaya Czernowin, 1957-, ELISION Ensemble, Basel Sinfonietta, Experimental Studio of Heinrich Strobel Stiftung SWR, Deborah Kayser, Ute Wassermann
Publisher
Mode Records
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Christian Wolff: (Re:) Making Music - Works 1962-1999
composed by Christian Wolff, 1934-; conducted by James Fulkerson; produced by James Fulkerson; performed by Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith and Charles Van Tassel, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 14 mins
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschew...
Sample
composed by Christian Wolff, 1934-; conducted by James Fulkerson; produced by James Fulkerson; performed by Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith and Charles Van Tassel, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 14 mins
Description
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschewed the rigors of post-Webernian serialism and instead wrote in an intuitive manner, avoiding systems and communicating more directly th...
Having little to do with issues of content and form, Christian Wolff's experimental works are more concerned with the ways music is created and received, and how the composer's conceptions are intimately tied to the performers' interactions and the listener's perceptions. Like his colleague John Cage, Wolff eschewed the rigors of post-Webernian serialism and instead wrote in an intuitive manner, avoiding systems and communicating more directly through raw sonorities and improvisation. Vol. 6 of the Edition Christian Wolff surveys works from 1962 to 1999, and covers a wide range of instrumental combinations and approaches, from the complex gestures of Kegama and the hyperactivity of Digger Song, to the conversational frankness of the vocal duets in Leaning Forward and the rustic fiddling of the Pieces (3) for violin and viola. Wolff's adventurous ideas are effectively shown in the four Exercises, where his concepts are worked out in short, digestible portions. Always attuned to Wolff's intentions and demands, the Barton Workshop makes his pieces sound fresh and vital, and recaptures some of the excitement this music generated at the height of the avant-garde. However, listeners should not take these performances as definitive, for that is an impossibility in Wolff's open-ended oeuvre. Mode's sound quality is consistently excellent throughout this varied double disc. ~ Blair Sanderson, All Music Guide
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Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith, Charles Van Tassel
Contributor
James Fulkerson, Robert Bosch, 1861-1942
Author / Creator
Christian Wolff, 1934-, The Barton Workshop, Elisabeth Smalt, Jos Zwaanenburg, Nicola Walker-Smith, Charles Van Tassel
Publisher
Mode Records
Series
Edition Christian Wolff
Tracks
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(Re):Making Music - CD 2
composed by Christian Wolff, 1934-; conducted by Frank Denyer, 1943-; produced by James Fulkerson; performed by Marieke Keser, Elisabeth Smalt, Frank Denyer, 1943-, John Anderson, Judith Van Swaay and James Fulkerson, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 25 mins
Sample
composed by Christian Wolff, 1934-; conducted by Frank Denyer, 1943-; produced by James Fulkerson; performed by Marieke Keser, Elisabeth Smalt, Frank Denyer, 1943-, John Anderson, Judith Van Swaay and James Fulkerson, The Barton Workshop, in Edition Christian Wolff (Mode Records), 1 hour 25 mins
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Barton Workshop, Marieke Keser, Elisabeth Smalt, Frank Denyer, 1943-, John Anderson, Judith Van Swaay, James Fulkerson
Contributor
Frank Denyer, 1943-, Robert Bosch, 1861-1942, James Fulkerson
Author / Creator
Christian Wolff, 1934-, The Barton Workshop, Marieke Keser, Elisabeth Smalt, Frank Denyer, 1943-, John Anderson, Judith Van Swaay, James Fulkerson
Publisher
Mode Records
Series
Edition Christian Wolff
Tracks
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Elliott Carter: Quintets and Voices
composed by Elliott Carter, 1908-2012; conducted by Jeffrey Milarsky; produced by Brian Brandt, fl. 2011; performed by Ursula Oppens, Lucy Shelton, Andre Solomon-Glover, Steve Taylor, Charles Neidich, William Purvis and Frank Morelli, The Arditti Quartet and Ensemble Sospeso (Mode Records), 1 hour 19 mins
Sample
composed by Elliott Carter, 1908-2012; conducted by Jeffrey Milarsky; produced by Brian Brandt, fl. 2011; performed by Ursula Oppens, Lucy Shelton, Andre Solomon-Glover, Steve Taylor, Charles Neidich, William Purvis and Frank Morelli, The Arditti Quartet and Ensemble Sospeso (Mode Records), 1 hour 19 mins
Date Written / Recorded
2000-02-20
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Arditti Quartet, Ensemble Sospeso, Ursula Oppens, Lucy Shelton, Andre Solomon-Glover, Steve Taylor, Charles Neidich, William Purvis, Frank Morelli
Contributor
Jeffrey Milarsky, David Walters, fl. 1993, Brian Brandt, fl. 2011
Author / Creator
Elliott Carter, 1908-2012, The Arditti Quartet, Ensemble Sospeso, Ursula Oppens, Lucy Shelton, Andre Solomon-Glover, Steve Taylor, Charles Neidich, William Purvis, Frank Morelli
Publisher
Mode Records
Tracks
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Gabriel Valverde: Luminar
composed by Gabriel Valverde, 1957-; conducted by Arvo Volmer; produced by Gabriel Valverde, 1957-; performed by Haydée Schvartz, Sofia Asunción Claro and Marie Kobayashi, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova and Ensemble 2e2m (Mode Records), 1 hour 8 mins
Sample
composed by Gabriel Valverde, 1957-; conducted by Arvo Volmer; produced by Gabriel Valverde, 1957-; performed by Haydée Schvartz, Sofia Asunción Claro and Marie Kobayashi, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova and Ensemble 2e2m (Mode Records), 1 hour 8 mins
Date Written / Recorded
1994-10-02
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova, Ensemble 2e2m, Haydée Schvartz, Sofia Asunción Claro, Marie Kobayashi
Contributor
Arvo Volmer, Ove Bergvall, Gabriel Valverde, 1957-
Author / Creator
Gabriel Valverde, 1957-, Malmö Symphony Orchestra, Pro Contemporania Trio, Vox Nova, Ensemble 2e2m, Haydée Schvartz, Sofia Asunción Claro, Marie Kobayashi
Publisher
Mode Records
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