Browse Titles - 6 results
Baroque Trombone
conducted by Armin Rosin; performed by Armin Rosin and Franz Lehrndorfer, 1928-, Brass Philharmonie Stuttgart (Hänssler Classic), 1 hour 34 mins
Sample
conducted by Armin Rosin; performed by Armin Rosin and Franz Lehrndorfer, 1928-, Brass Philharmonie Stuttgart (Hänssler Classic), 1 hour 34 mins
Date Written / Recorded
1978
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Brass Philharmonie Stuttgart, Armin Rosin, Franz Lehrndorfer, 1928-
Contributor
Armin Rosin, Friedrich Mauermann, fl. 1973
Author / Creator
Brass Philharmonie Stuttgart, Armin Rosin, Franz Lehrndorfer, 1928-
Publisher
Hänssler Classic
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Cello for Happy Days
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Daria Hovora, Aleth Lamasse
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Daria Hovora, Aleth Lamasse
Date Published / Released
2010
Publisher
Fioretti
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Encore
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a differe...
Sample
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Description
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andr...
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of {+The Phantom of the Opera} and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection. There are four songs recorded for those album sessions that were not released -- Lloyd Webber's "Whistle Down the Wind," Burton Lane and Alan Jay Lerner's "One More Walk Around the Garden," Stephen Sondheim's "What More Do I Need," and George and Ira Gershwin's "In the Mandarin's Orchid Garden." The last three, fairly obscure songs by well-known show-music songwriters, are typical of the non-Lloyd Webber choices found on The Songs That Got Away and Surrender. Also typical are the Lloyd Webber oddities, such as Italian-language versions of "With One Look" from {+Sunset Boulevard} and "Memory" from {+Cats}. If the mixed bag of material works, it's because of the unflappable Brightman, who doesn't only gamely undertake the selections, but throws herself into them, making "Piano" (as "Memory" somehow comes out in Italian) sound like an opera selection. "What More Do I Need," a comic celebration of love in dirty old New York, is beyond her, but not much else is. ~ William Ruhlmann, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Contributor
Glenn Gould, 1932-1982
Author / Creator
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Date Published / Released
2001
Publisher
CBC Records
Series
Musica viva
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Musiques Nuptiales
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Date Published / Released
2001
Publisher
Forlane CI
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Purcell: Odes & Welcome Songs, Vol 6 - Love's goddess sure
composed by Henry Purcell, 1659-1695; conducted by Robert King, 1960-; produced by Ben Turner; performed by James Bowman, 1941-, Michael George, Mark Padmore, Gillian Fisher, Mary Seers, Nigel Short, Andrew Tusa and Robert Evans, King's Consort (Hyperion), 1 hour 15 mins
Sample
composed by Henry Purcell, 1659-1695; conducted by Robert King, 1960-; produced by Ben Turner; performed by James Bowman, 1941-, Michael George, Mark Padmore, Gillian Fisher, Mary Seers, Nigel Short, Andrew Tusa and Robert Evans, King's Consort (Hyperion), 1 hour 15 mins
Date Written / Recorded
1991-03-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
King's Consort, James Bowman, 1941-, Michael George, Mark Padmore, Gillian Fisher, Mary Seers, Nigel Short, Andrew Tusa, Robert Evans
Contributor
Robert King, 1960-, Anthony Howell, Ben Turner
Author / Creator
Henry Purcell, 1659-1695, King's Consort, James Bowman, 1941-, Michael George, Mark Padmore, Gillian Fisher, Mary Seers, Nigel Short, Andrew Tusa, Robert Evans
Publisher
Hyperion
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Venice Preserved
composed by Giovanni Gabrieli, 1553-1612; conducted by Peter Bassano; produced by Martin Compton; performed by Jeremy West, Timothy Roberts, Emily van Evera, Simon Berridge and Susan Hemington-Jones, His Majestys Sagbutts and Cornetts and Gentlemen of the Chappell (Gaudeamus), 1 hour 2 mins
Sample
composed by Giovanni Gabrieli, 1553-1612; conducted by Peter Bassano; produced by Martin Compton; performed by Jeremy West, Timothy Roberts, Emily van Evera, Simon Berridge and Susan Hemington-Jones, His Majestys Sagbutts and Cornetts and Gentlemen of the Chappell (Gaudeamus), 1 hour 2 mins
Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
His Majestys Sagbutts and Cornetts, Gentlemen of the Chappell, Jeremy West, Timothy Roberts, Emily van Evera, Simon Berridge, Susan Hemington-Jones
Contributor
Peter Bassano, Tryggvi Tryggvason, Martin Compton
Author / Creator
Giovanni Gabrieli, 1553-1612, His Majestys Sagbutts and Cornetts, Gentlemen of the Chappell, Jeremy West, Timothy Roberts, Emily van Evera, Simon Berridge, Susan Hemington-Jones
Publisher
Gaudeamus
Tracks
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