Browse Titles - 13 results
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Cello for Happy Days
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Daria Hovora and Aleth Lamasse (Fioretti, 2010), 52 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Daria Hovora, Aleth Lamasse
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Daria Hovora, Aleth Lamasse
Date Published / Released
2010
Publisher
Fioretti
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Concert in the Park
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Sample
composed by Jaromír Weinberger, 1896-1967; conducted by Harry Pinchin, 1935-; produced by Anton Kwiatkowski, fl. 1969; performed by Charles Hudelson, Edmonton Wind Ensemble (CBC Records, 2000), 1 hour 7 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Edmonton Wind Ensemble, Charles Hudelson
Contributor
Harry Pinchin, 1935-, Anton Kwiatkowski, fl. 1969
Author / Creator
Jaromír Weinberger, 1896-1967, Edmonton Wind Ensemble, Charles Hudelson
Date Published / Released
2000
Publisher
CBC Records
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Estrellita
produced by Tiffaney Lane; performed by Tiffaney Lane and Tian Ying (Newport Classic, 2003), 53 mins
Sample
produced by Tiffaney Lane; performed by Tiffaney Lane and Tian Ying (Newport Classic, 2003), 53 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Tiffaney Lane, Tian Ying
Contributor
Louis Brown, fl. 1987, Tiffaney Lane
Author / Creator
Tiffaney Lane, Tian Ying
Date Published / Released
2003
Publisher
Newport Classic
Tracks
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The Fauré Album
composed by Gabriel Fauré, 1845-1924; produced by Da-Hong Seetoo; performed by Gil Shaham, Akira Eguchi and Brinton Smith (Artemis-Vanguard), 1 hour 18 mins
Classical violinist Gil Shaham has discovered what so many pop artists have already discovered: the future of recording is in self-produced, self-owned discs. Since founding the Canary Classics label in 2004, Shaham has done his best work since his DG debut. He already had several excellent discs to his credit, in...
Sample
composed by Gabriel Fauré, 1845-1924; produced by Da-Hong Seetoo; performed by Gil Shaham, Akira Eguchi and Brinton Smith (Artemis-Vanguard), 1 hour 18 mins
Description
Classical violinist Gil Shaham has discovered what so many pop artists have already discovered: the future of recording is in self-produced, self-owned discs. Since founding the Canary Classics label in 2004, Shaham has done his best work since his DG debut. He already had several excellent discs to his credit, including an especially exciting Prokofiev disc, but this Fauré Album featuring works for violin and piano and for violin, cello, and pi...
Classical violinist Gil Shaham has discovered what so many pop artists have already discovered: the future of recording is in self-produced, self-owned discs. Since founding the Canary Classics label in 2004, Shaham has done his best work since his DG debut. He already had several excellent discs to his credit, including an especially exciting Prokofiev disc, but this Fauré Album featuring works for violin and piano and for violin, cello, and piano was in some ways the best yet. Because much as the American-born, Israeli-raised violinist was incredibly thrilling in Prokofiev's edgy modernism, he is supremely seductive in Fauré's lyrical romanticism. With pianist Akira Eguchi in the early Violin Sonata No. 1 and cellist Brinton Smith in the late Piano Trio, Shaham is suave of tone, smooth of technique, and persuasive of argument. But in the shorter pieces in-between the two multimovement works, Shaham, freed from the constraints of large-scale structures, is almost unbearably ravishing, with a sweet legato tone and an inward intensity that is nearly irresistible. Try just the Sicilienne from his Pelléas et Mélisande incidental music: if that doesn't melt your heart, perhaps you should check to see if it's still working. Recorded by producer and engineer Da-Hong Seetoo at the American Academy and Institute of Arts and Letters, the digital sound here is wonderfully vivid and present. ~ James Leonard, All Music Guide
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Date Written / Recorded
2003-07-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gil Shaham, Akira Eguchi, Brinton Smith
Contributor
Da-Hong Seetoo
Author / Creator
Gabriel Fauré, 1845-1924, Gil Shaham, Akira Eguchi, Brinton Smith
Publisher
Artemis-Vanguard
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Mily Balakirev: The Complete Piano Music, Vol. 3
composed by Mikhail Ivanovich Glinka, 1804-1857; produced by Richard Kapp, 1920-; performed by Alexander Paley (Essay), 1 hour 13 mins
Sample
composed by Mikhail Ivanovich Glinka, 1804-1857; produced by Richard Kapp, 1920-; performed by Alexander Paley (Essay), 1 hour 13 mins
Date Written / Recorded
1992-10-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Alexander Paley
Contributor
Mikhail Liberman, Richard Kapp, 1920-
Author / Creator
Mikhail Ivanovich Glinka, 1804-1857, Alexander Paley
Publisher
Essay
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Encore
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a differe...
Sample
produced by Glenn Gould, 1932-1982; performed by Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page and Brian Russell, Canadian Brass, in Musica viva (CBC Records, 2001), 1 hour 15 mins
Description
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andr...
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of {+The Phantom of the Opera} and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection. There are four songs recorded for those album sessions that were not released -- Lloyd Webber's "Whistle Down the Wind," Burton Lane and Alan Jay Lerner's "One More Walk Around the Garden," Stephen Sondheim's "What More Do I Need," and George and Ira Gershwin's "In the Mandarin's Orchid Garden." The last three, fairly obscure songs by well-known show-music songwriters, are typical of the non-Lloyd Webber choices found on The Songs That Got Away and Surrender. Also typical are the Lloyd Webber oddities, such as Italian-language versions of "With One Look" from {+Sunset Boulevard} and "Memory" from {+Cats}. If the mixed bag of material works, it's because of the unflappable Brightman, who doesn't only gamely undertake the selections, but throws herself into them, making "Piano" (as "Memory" somehow comes out in Italian) sound like an opera selection. "What More Do I Need," a comic celebration of love in dirty old New York, is beyond her, but not much else is. ~ William Ruhlmann, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Contributor
Glenn Gould, 1932-1982
Author / Creator
Canadian Brass, Ronald Romm, Don Gillis, Liona Boyd, Erica Goodman, Graeme Page, Brian Russell
Date Published / Released
2001
Publisher
CBC Records
Series
Musica viva
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Musiques Nuptiales
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Date Published / Released
2001
Publisher
Forlane CI
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Organ Dreams - 1
produced by Paul Spicer, 1952-; performed by Christopher Herrick (Hyperion), 1 hour 14 mins
Sample
produced by Paul Spicer, 1952-; performed by Christopher Herrick (Hyperion), 1 hour 14 mins
Date Written / Recorded
1998-03-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Christopher Herrick
Contributor
Simon Eadon, fl. 1970, Paul Spicer, 1952-
Author / Creator
Christopher Herrick
Publisher
Hyperion
Tracks
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Piano Trio No. 2
composed by Franz Peter Schubert, 1797-1828; produced by Andrew Keener, 1954-; performed by Simon Blendis, Douglas Paterson, Jane Salmon and William Howard, Schubert Ensemble of London (Quicksilva), 2 hours 13 mins
Sample
composed by Franz Peter Schubert, 1797-1828; produced by Andrew Keener, 1954-; performed by Simon Blendis, Douglas Paterson, Jane Salmon and William Howard, Schubert Ensemble of London (Quicksilva), 2 hours 13 mins
Date Written / Recorded
1998-06-07
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Schubert Ensemble of London, Simon Blendis, Douglas Paterson, Jane Salmon, William Howard
Contributor
Tony Faulkner, Andrew Keener, 1954-
Author / Creator
Franz Peter Schubert, 1797-1828, Schubert Ensemble of London, Simon Blendis, Douglas Paterson, Jane Salmon, William Howard
Publisher
Quicksilva
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Platinum Schumann
composed by Robert Schumann, 1810-1856; produced by Andrew Keener, 1954-; performed by Shura Cherkassky and Peter Frankl, Plane-Dukes-Rahman Trio and Lindsay String Quartet (ASV), 1 hour 10 mins
Sample
composed by Robert Schumann, 1810-1856; produced by Andrew Keener, 1954-; performed by Shura Cherkassky and Peter Frankl, Plane-Dukes-Rahman Trio and Lindsay String Quartet (ASV), 1 hour 10 mins
Date Written / Recorded
1996-11-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Plane-Dukes-Rahman Trio, Lindsay String Quartet, Shura Cherkassky, Peter Frankl
Contributor
Tony Faulkner, Andrew Keener, 1954-
Author / Creator
Robert Schumann, 1810-1856, Plane-Dukes-Rahman Trio, Lindsay String Quartet, Shura Cherkassky, Peter Frankl
Publisher
ASV
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